LOOK AWAY est un thriller psychologique qui raconte l'histoire de Maria, une lycéenne aliénée qui voit sa vie basculer lorsqu'elle échange sa place avec son reflet dans le miroir.LOOK AWAY est un thriller psychologique qui raconte l'histoire de Maria, une lycéenne aliénée qui voit sa vie basculer lorsqu'elle échange sa place avec son reflet dans le miroir.LOOK AWAY est un thriller psychologique qui raconte l'histoire de Maria, une lycéenne aliénée qui voit sa vie basculer lorsqu'elle échange sa place avec son reflet dans le miroir.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Harrison Sloan Gilbertson
- Sean
- (as Harrison Gilbertson)
Jordan Butterill
- Jordan the Posse Member
- (non crédité)
Brian Langlotz
- Theater Patron
- (non crédité)
Cindy Myskiw
- Theater Patron
- (non crédité)
Tyson Wagner
- Student
- (non crédité)
Avis à la une
Actors were great but the writing and directing, not so much. A lot of scenes felt over the top, forced, and unbelievable. Like "That would never really happen that way" and made me cringe and shake my head. If the writing and directing had been a little more creative and realistic, it could have been a great movie.
'Look Away's' main attraction was its premise, maybe not exactly original, the ideas themselves are not new really but it did sound like the film was trying to do something fresh with them. Nonetheless though, it actually sounded very creepy and interesting. Some of 'Look Away' sounded like it could be relatable too. The cover and advertising were attention-grabbing and looked creepy, almost nightmarish, and also like Jason Isaacs quite a lot as an actor.
Seeing it, being encouraged by people saying it was for them better than expected and the above average rating as of now, 'Look Away' is not a great film and has flaws. Which actually happened to be the general consensus for the film hearing about it. Unfortunately these flaws are not large and a couple bring the film down rather significantly. As indicated though, there are quite a number of good things here in 'Look Away'. Would call it decent but uneven, which is actually not too bad a position to be in as a film and an acceptable distinction.
Beginning with 'Look Away's' good things, the acting is better than average. India Eisley carries the film intensely and poignantly and Isaacs is good support. So is Penelope Mitchell. Mira Sorvino is not the best used but she does a reasonable job too. The film shows a foreboding atmosphere and has a slickness to how it's shot. The use of sound is suitably ominous and not obvious or cheaply recorded.
Most of the story compels. There is a genuine creepiness, with the mirror image being appropriately sinister. There also is some subtle tension and the melancholic tone to some parts is poignantly done. Found myself relating to the protagonist, none of it is intelligence insulting (generally the viewer is treated with relative respect) while there is an effort to not be predictable. The direction is more than competent.
There are issues though. The script can be quite weak and sounded underwritten. Some of the pace is a bit too slow and like trudging through mud in the scenes where there is not as much as going on as others, a bit of trimming might have helped.
Am aware that Mark is not really a character one is meant to be like, one that one is meant to feel anger towards, but he never really grows in development and irritates throughout. Worst of all, as others have said, is the ending, which took ambiguity and unresolved questions to extremes and came over as confusing and unfinished.
Overall, an uneven film but with a good deal to commend it. 6/10 Bethany Cox
Seeing it, being encouraged by people saying it was for them better than expected and the above average rating as of now, 'Look Away' is not a great film and has flaws. Which actually happened to be the general consensus for the film hearing about it. Unfortunately these flaws are not large and a couple bring the film down rather significantly. As indicated though, there are quite a number of good things here in 'Look Away'. Would call it decent but uneven, which is actually not too bad a position to be in as a film and an acceptable distinction.
Beginning with 'Look Away's' good things, the acting is better than average. India Eisley carries the film intensely and poignantly and Isaacs is good support. So is Penelope Mitchell. Mira Sorvino is not the best used but she does a reasonable job too. The film shows a foreboding atmosphere and has a slickness to how it's shot. The use of sound is suitably ominous and not obvious or cheaply recorded.
Most of the story compels. There is a genuine creepiness, with the mirror image being appropriately sinister. There also is some subtle tension and the melancholic tone to some parts is poignantly done. Found myself relating to the protagonist, none of it is intelligence insulting (generally the viewer is treated with relative respect) while there is an effort to not be predictable. The direction is more than competent.
There are issues though. The script can be quite weak and sounded underwritten. Some of the pace is a bit too slow and like trudging through mud in the scenes where there is not as much as going on as others, a bit of trimming might have helped.
Am aware that Mark is not really a character one is meant to be like, one that one is meant to feel anger towards, but he never really grows in development and irritates throughout. Worst of all, as others have said, is the ending, which took ambiguity and unresolved questions to extremes and came over as confusing and unfinished.
Overall, an uneven film but with a good deal to commend it. 6/10 Bethany Cox
Look Away: The Evil Twin is a much (ab)used trope in Horror but this film puts some life back into the genre. Maria (India Elsley) is an introverted teen, bullied at school, her demanding father (Jason Isaacs) doesn't really listen to her, her mother suffers from depression due to Isaac's philandering. She notices that her reflection differs from her and is at first freaked out but gradually starts to converse with her mirror image, Airam. Maria's life gets even worse, the bullying intensifies and she comes into conflict with her one friend. Airam persuades Maria to let her "come through" the mirror" and take the driving seat. This Dark Maria causes mayhem.
It is never clear as to whether Maria is suffering from a disorder or whether the consciousness of a lost twin lives on within her. Iaram is truly a mirror image, turning the tables on bullies and resorting to savage violence. No one is safe once she has set her aims on a desired object. The real horror in this film is the bullying which is ignored/overlooked by adults and tolerated by school students. Nasty though Airam's actions are, they take place in a context. A certain eerie gothic quality permeates the film. Not a classic but Director/Writer Assaf Bernstein delivers an intriguing Horror/Thriller. 7.5/10. On Netflix.
It is never clear as to whether Maria is suffering from a disorder or whether the consciousness of a lost twin lives on within her. Iaram is truly a mirror image, turning the tables on bullies and resorting to savage violence. No one is safe once she has set her aims on a desired object. The real horror in this film is the bullying which is ignored/overlooked by adults and tolerated by school students. Nasty though Airam's actions are, they take place in a context. A certain eerie gothic quality permeates the film. Not a classic but Director/Writer Assaf Bernstein delivers an intriguing Horror/Thriller. 7.5/10. On Netflix.
The first part is excellent; touching, creepy, interesting and really very chilling at times. A mix of believable characters and relationships, very well acted. The stage is set perfectly, but unfortunately in the second half the violence somehow undoes the tension already established. It's as if they couldn't resist the temptation to overdo it. Less would have been much more. Rather than build on the psychological and atmospheric creepiness, they throw it away with a rather unimaginative, predictable story arc, where the very dramatic actions feel over the top, and lack impact. A shame, as this really could have been excellent. Nonetheless, worth a watch.
This was a very disturbing movie on so many levels. It's worth a watch but the ending really misses the mark.
Le saviez-vous
- AnecdotesWhen asked in an interview about filming the scene where India Eisley, playing his daughter, takes off all her clothes in front of him, Jason Isaacs said: "I liked playing scenes with India when she was (her character) Airam. Just because it's a father's worst nightmare that their daughter is suddenly aggressively sexual and confrontational. You're used to having a certain status and parental authority. It's shaky anyway in the real world, but in our grotesque movie world it's even shakier and I loved it because it was so unsettling."
- GaffesThe movie appears to take place in upstate New York (license plates on cars are New York State, as well as some other American references); but around 21:30 when Maria walks across the road, it's obvious she's walking toward a Canada Post mailbox with a University of Manitoba sign above it.
- Crédits fousIn the end credits, the usual warning about no animals being harmed reads: "No animals were harmed in any way in the making OF OF this motion picture."
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- How long is Look Away?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- No mires
- Lieux de tournage
- 945 Wellington Crescent, Winnipeg, Manitoba, Canada(Maria's house)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 1 119 537 $US
- Durée
- 1h 43min(103 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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