GLOW

Wrestling is a 'sport' I don't know too much about. All I know is that it is scripted TV that plays out in front of live crowds. And they 'fight'. After GLOW, my thoughts on wrestling haven't change much, but I can appreciate the behind the scenes a lot more.

GLOW is one of Netflix's newest additions to their ever so growing library. It follows a group of ladies as they take up a wresting job purely for the money. Set in the 80s where many females struggle to get big time work, the show explores the behind the scenes of wrestling while looking into the life of an actress in the 80s.

There is so much to talk about for this show that it is going to be hard to touch on all the bases. Firstly, this is a show about wrestling but it is a story about the characters. That is my biggest take away from this show. Considering that they only had 10 30 minute episodes, they managed to make you care about all these characters and give each an arc that some shows manage to do across several season. 

I have to give a lot of credit to the writing, because without this show being written the way it was, there is no way it turns out as good as it does. Whether it is comedy or emotional dialog, every moment of this show is well crafted and not one line of dialog or one action from a character seems out of place. 

An equal amount of credit has to go to the cast. While Allison Brie was the only name I knew entering the show, I exited the show with many stand outs. While Brie was one of them, I thought Marc Maron, Betty Gilpin and Britney Young stood up as the other standouts. That however takes nothing away from the rest of the cast. Each one of them nailed their performance and I couldn't name one member that stood out for the wrong reasons.

I thought the whole show was shot wonderfully. They really captured that 80s LA that I am use to seeing in movies, and if it wasn't for the camera and audio quality, I would have believed that this show was shot in the 80s. Much of that also came from the music choices. Similarly to Stranger Things, the music gave the show so much authenticity when it came to portraying a time period.

Overall, I was really surprised with this show. Firstly it was one of the easiest binge watches I have ever had. I watched the whole show in an afternoon because it was only 5 hours long rather than 10+. I'm not sure if this show will be getting a season 2 but I am all on board with it. I think this is one of the most well made shows around at the moment and it deserves all the credit it can get.

9/10

I don't typically write reviews anymore because, who cares, really. It's just that I've seen some really lame-ass reviews for this show, so I had to chime in. In a world were people are going ballistic that Tim Allen's last opus to moronic men was canceled, shows like GLOW give me hope.

The writing is sharp - funny and moving. The characters are all well drawn with each having clear and distinct personalities. The music, costumes, sets are all authentic-feeling and look just great. And the actors ... wow! These folks are all perfect in their roles. Brie and Maron are almost too awesome. I see awards attention for them - or at least hope I do. Gilpin and the other beautiful, fabulous ladies are all perfect. Each episode you find yourself loving somebody new. Even Bash and Florian.

This show is funny, it's heart-felt, it's energetic, it's wicked fun! Netflix should be proud, they're doing some really good things and this is definitely one of them.

After watching mediocre series, GLOW was a breath of fresh air. Every single character had texture and were so compelling to watch. I found myself invested in every one of them. I felt I was watching real people, as opposed to actors acting like real people and what made this possible was the writing AND the talent.

What really sold this series to me was the true depiction of the 1980s; the cinematography, the soundtrack, the casting (this is how people looked in the 80s) and the grit. Such an awesome production. Alison Brie, Betty Gilpin, Marc Maron and Chris Lowell really stood out for me but the whole cast were amazing. Kia Stevens is also a talent to look out for. Her voice alone stood out for me; it was soothing yet powerful. I digress...

The writing was so brilliantly done that I felt every nuance was necessary and added to the overall story. Whether it was a pause, an unspoken word, a sigh, every bit of it was crucial and made the script meaty and real. I can't stand a script that sounds pedestrian and forced, like it has been overly rehearsed. The GLOW writers have the conversational flow of script writing down pat. They deserve awards!!!

Another element that makes this series what it is, is the chemistry between cast members. I believe them; Ruth and Debbie's tension but care for one another, Sam and Bash's good cop, bad cop routine and the ladies ensemble as a whole. There's drama, suspense, COMEDY and great music! A winning combination.

It's so good I've watched both seasons twice. Bring on season 3!

I was pretty skeptical of this show from the previews.--I was wrong to be so skeptical!! It's smart, funny and emotional at times. The costuming and soundtrack are great, as is the entire show. It's really well done and my only complaint is that it's a half hour show when I thought the episodes could have been longer. --I guess I just wanted more of a good thing! It really is better than the previews would leave you to believe. I can't recommend this enough for anyone who enjoys something different from their shows!

This show is almost perfect. I enjoyed every second of it, and I'm not one to usually watch Netflix originals. Seeing the unique group of characters grow and develop throughout the series was really fun to watch. The plot lines were intriguing and had a beautiful mix of drama, comedy, and pure awkwardness. It's so real. But when the series ends with 6 different cliff hangers it makes it hard for me to recommend it to people. Covid got in the way of the closure for this series, and I HOPE they decide to bring it back. If other studios can return to filming after the pandemic slows down, and some can film DURING the pandemic as well, I don't see why they can't bring this show back. So many loose ends need to be tied. Netflix has the money and power to do it and I don't see why they don't. If they can green light shitty shows that NO ONE watches, they can renew this for more. We want more.