Le livre d'image

Complex, very complex, different, very different, many images, few sounds, a lot to say in few words, film clippings, reports, animations, war, pain, suffering, sometimes disconnected, but always very intense... First work by Jean-Luc Godard that I watch, and I started with the most subjective, profound and strange... "The world is not interested in Arabs and Muslims, while Islam has political attention." Is about. That, about generalization, about Islamophobia, generalization, xenophobia, wanting to silence a nation... The director suggested that not all scenes were translated, so that the image and sound would speak for themselves... Amazing...

This film is not for everybody, so if you dislike it, it's okay. But for me, this is really the best film I have ever seen. And I've seen Felini, Tarkovsky, Antonioni, Bertolucci, Haneke and many other great filmmakers. But GODARD IS THE GOD OF MONTAGE. Sometimes I even forget that he's 88 years old. I just can't imagine how the hell he does these kind of things at his age. This is my first review in Imdb. I just got registered, so I can write a review on this film, because everybody was complaining about how bad it was. I just realized I don't even have words to review. Sorry. This is it. At least I can tell you that you need to watch this before you die.

I've seen a lot of weird movies. But this is too weird for me. Maybe a few years, or a few more bizarre movies, will lead me to appreciate this one. Right now it's not gonna happen. I give it a 5, simply because I found it aesthetically pleasing, and it seems like something I could like.

This is a video essay that feels like a window into the precious collection of a videophile. Living legend, french director Jean-Luc Godard stamps here his mastery with his recurring topics and concerns. Very violent images dance with an adventurous collage of fine visual material, a result of a long time journey. I think the outcome is unbeatable and enjoyable if you are looking for new structures, like a jazz freestyle solo but with images and poetry instead of notes. It's a story about tragedy, revolution, the Arabic world, east vs west types of understandings and life itself.

If you feel like watching it do it, but be prepare to face an unorthodox editing, sound level surprises, non causal argument and beautiful images of a tragic reality, the reality of humans and its imaginary.

To be brief: With regard to Jean-Luc Godard's later work, what you get out of it depends entirely on what you bring to it and expect from it. "Goodbye to Language" nauseates me; I think it's unbearably pretentious, poorly constructed, and struggling for meaning. But I had some modicum of fun with "The Image Book." Granted, it's still montages layered on montages on montages, so it's dense, but it's still good, academic fun.

Nowhere else but in late-era Godard can you find a reference to the beautiful Golden Gate Bridge scene from "Vertigo" moments after a shocking ISIS execution video. Godard lost none of his edge as a filmmaker, for better and for worse, and "The Image Book" proves he's retained his ability to shock and inspire audiences.

The editing and voiceover are precise and hyperaware, with more wit and levity than "Goodbye to Language" brought, and the references are deeper-cut as well. I enjoyed the throwaway cut to "Kiss Me Deadly" as much as I loved his allusion to Buster Keaton. But at the end of the day, Godard's latest is simply too abstract, too formless, too high-brow to recommend to anybody. As much fun as I had, it went on for too long and had more non-endings than "Return of the King." There's a solid four or five minutes of film after the credits, as if Godard is begging us to leave the theater as he's laughing in our faces.

But if you approach "Goodbye to Language" not only prepared but enthusiastic about what the director has to offer next, as I know many people were, you may well walk out of "The Image Book" claiming it's a masterpiece.