Hotel Coolgardie

Hotel Coolgardie which is directed, shot and edited by Pete Gleeson is a fish out of water tale which shines a light on the attitudes of Australian men albeit in the Australian outback. Two young Finnish girls try their luck when they take a job working as barmaids at a pub called Hotel Denver City, in a remote mining town named Coolgardie, in the Australian outback. Although they are forewarned by the female recruiting agent in Perth that they are going to a somewhat isolated mining town and will be dealing with a lot of male attention, Lina and Stephanie take the job regardless, out of economic necessity.

Like clockwork, every quarter a new batch of girls arrive to work the bar at Hotel Denver City. Lina and Stephanie are replacing Becky and Clio who are wrapping up their three month contract. Interviews with the male regulars of Hotel Denver City reveal that they view the girls as the only game in town, and their is a race to bed them. Their employer, Pete, announces their pending arrival, on the sandwich board outside the bar with the words, "New Girls Tonite". The film documents Lina and Stephanie's attempts to see through their contract and hold it together while they fend off the unrelenting male attention. Gleeson creates intimate portraits of these two young women struggling to maintain their dignity in a sexually charged atmosphere. You not only feel their discomfort and alienation but are worried about their mental health. They are subjected to rude and insulting language and behaviour not just from the blokes but from their boss, Pete, who does nothing to stop it but adds insult to injury by belittling them in public. I was thankful for the presence of John, aka "The Canman", one of the few nice male characters in the film, who presents a different male perspective. I was touched by John's story and his benevolence and friendship with Lina and Stephanie. The dramatic tension in the film doesn't let up and if you want to find out what happens to Lina and Stephanie, well, you've got to see the documentary.

I found Hotel Coolgardie a fascinating documentary. Gleeson has done an excellent job editing his film as it moves fluidly between Lina and Stephanie allowing for two different perspectives, and by interspersing the entire film with day and night shots of Coolgardie and the Australian outback which situates their story in a cultural context. The film not only shines a light on shared attitudes prevalent among Australian men albeit in the Australian outback, but, is a metaphor for the outsider, the migrant, who far away from home, most often alone, must learn an unfamiliar language and navigate and adapt to new cultural contexts to eke out a precarious economic living.

I was born in Melbourne, Australia, and I'm glad that I was, because, to think that I may have ended up as one of these vile rubes is worrying. I really wish these poor girls had taken bar jobs closer to the cities, away from Australia's worst-case scenario situation.

It's the same old story; Employer seems nice to begin with, rolls out the welcome mat. Quickly turns terrible from there. Bigotry, misogyny and bullying follow on a regular basis. I was a bartender for four years. I had one employer who was a sleazebag with the ladies but was never abusive to his employees. I really just wish the girls had left on the first night. There are civilised places in Australia where people don't treat foreigners like they're garbage.

I can't fault the movie. It is what it is. It depicts exactly why I don't go too far out into the boonies anymore because they live fifty years in the past. I would love to see the owner show up at a bar in Melbourne spouting that garbage to the girls. Somebody would break his jaw in a second.

It is an absolute must watch!

As a female Australian who has worked as a bar maid and also grown up exposed to country towns (or just those 'typical' all Australian communities, because it's not just rural areas men/women/employers have this mindset which sadly is representing Australia so poorly) i can confirm this is a very accurate portrayal. Well Done!

Warning: Prepare yourself to go through all the emotions like I did when i watched it. This film really brought to light so many things that are wrong in our culture, many of which are so desperately needing to be exposed off and talked about.

I look forward to seeing more documentary's like this one, one highlighting the gambling culture here would be something id love to see from these same film makers if possible.

Oz band Men At Work once wrote a song about a land down under, "where women glow and men plunder". They obviously weren't singing about Coolgardie, where the women are every bit as vile and repugnant as the men. The last time I heard the phrase "bar girl' was back in the 70s in a town in a third-world country, and even back then the term was considered derogatory. But it is still gleefully used by a bar called The Swan in Coolgardie, in the new millennium! The reason why I watched this till the end (and might watch again) is because of my fascination with rural Australia, facets of which were well served by movies like Priscilla, Queen of the Desert and the remake of Wake in Fright. So yes, I found this movie downright unpleasant, yet fascinating to watch, if only to tell myself how lucky I am not to be living there :) !!

It's safe to say that Hotel Coolgardie won't be being used by Tourism Australian anytime soon to help drive backpackers and tourists to our undeniable beautiful, yet sometimes harsh and almost medieval like landscape filled with both the very best and some of the very poorest of human behaviours.

Like an updated real-life version of Ted Kotcheff's 1971 Australian based cult-classic Wake in Fright, Pete Gleeson's documentary, that follows a few months in the lives of Finnish backpackers Lina and Stephie as they try to earn money and experience Australia as barmaids in the small Western Australian mining centric town of Coolgardie is a raw, insightful and painstakingly honest portrayal of the oft-unspoken drinking culture at the heart of many Australian communities and the casual sexism, racism and arrogance that comes along with it.

For those that view the Australian culture through rose-tinted glasses, Hotel Coolgardie will be a real shock to the system.

Gleeson's camera never flinches as Lina and Stephie experience a range of confronting and often hard to watch scenes. From drunk patrons talking to them about deeply personal and utterly wrong ruminations of why they can't find the right woman, through to abusive and highly offensive comments made to them by their employer, Hotel Coolgardie shows things how it is making it an effective and in many ways important showcase for the underbelly of our great yet sometimes sadly disappointing country and those that call themselves true Australians.

It's not all doom and gloom here however as Gleeson's documentary still shines a light on much of the good that makes Australia such a desired destination.

From the friendly patron of the girls pub known as the Canman though to Stephie friendship with a kind-hearted yet troubled local, Hotel Coolgardie reminds us all that underneath some of the rough and tough exterior lies some genuine care, affection and spirit that is sometimes sadly squashed by a harsh exterior, built up over time to combat the very nature of a town and its citizens of a community such as Coolgardie.

Final Say -

While the film would've benefited greatly from Lina and Stephie being more purely likeable central figures and for us to know more about their situations and road to this point in their lives, Hotel Coolgardie is an often fascinating look into a taboo subject matter and an under-examined aspect of core Australian traditions and lifestyle.

3 ½ camping trips out of 5