NOTE IMDb
7,1/10
37 k
MA NOTE
La vie de Katja est bouleversée suite à la mort de son mari et de son fils dans un attentat à la bombe. Après un temps de deuil et d'injustice, Katja tente de se venger.La vie de Katja est bouleversée suite à la mort de son mari et de son fils dans un attentat à la bombe. Après un temps de deuil et d'injustice, Katja tente de se venger.La vie de Katja est bouleversée suite à la mort de son mari et de son fils dans un attentat à la bombe. Après un temps de deuil et d'injustice, Katja tente de se venger.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 17 victoires et 25 nominations au total
Samia Muriel Chancrin
- Birgit
- (as Samia Chancrin)
Angélique Mundt
- Kriseninterventionsmitarbeiterin Haus
- (as Dr. Angélique Mundt)
Avis à la une
After a woman's husband and son die in a bomb attack, her life collapses and she must come to terms with injustice in what is another film about xenophobia, reconciliation and ultimately European identity by German- Turkish writer/director Faith Akin. Diane Kruger delivers a powerhouse performance as she gives her character enough emotional depth without overdoing it to bring her grief and anger to life. Inspired by xenophobic murders in Germany by a neo-Nazi group, the film sets out with good premise, starts strong but then falls into familiar narrative territory before concluding with an ending that would dissatisfy some audiences. It labels itself as a political film but doesn't have a solid stab for it to deliver in what is otherwise an entertaining, sometimes intense picture.
There isn't much I can say about this film that hasn't already been said.
The acting is superb, the story keeps you engaged right to the end and is tight from start to finish.
A refreshing change from the deluge of American factory drama.
The acting is superb, the story keeps you engaged right to the end and is tight from start to finish.
A refreshing change from the deluge of American factory drama.
Fatih Akin doesn't need to prove he knows how to direct or that he is a capable director. But if you need another example here it is. One might say he gets back to his roots or rather his first film somewhat with this. But with the spin that he concentrates on the female perspective. You could also argue that the male might come from that world he created with his first movie (which some may argue is his "Mean Streets" - except he didn't stay in that genre).
Diane Kruger is really exceptional in this and very close to real life. So you won't see any over the top and unbelievable stuff happening here. And it all leads to an ending that will either satisfy you or leave quite empty and maybe annoyed. It is tough to please everyone of course, but if you like slow burning drama with thriller elements in it, this is really good. Devastating and painful, but good ...
Diane Kruger is really exceptional in this and very close to real life. So you won't see any over the top and unbelievable stuff happening here. And it all leads to an ending that will either satisfy you or leave quite empty and maybe annoyed. It is tough to please everyone of course, but if you like slow burning drama with thriller elements in it, this is really good. Devastating and painful, but good ...
I've been a Faith Akin fan since Giegen Die Wand (Head-On)and I love his rock 'n' roll style. I knew this film was going to be depressing but it also is like a thriller towards the end, which left my heart pumping so loudly. Diane Kruger is a phenomenal actress in this, she is so believable and extreme. There are some clichés/stereotypes in the story which pull it down. I think the effect post-film, was very strong and I couldn't escape fast enough, it was so tense and terrifying.
Diane Kruger is a very underrated actor. This little gem of a movie yet again showcases her enormous talent. The emotional range she is able to express with only the slightest nuanced eye movements is amazing.
This is an excellent little movie dealing with human tragedy at an extremely personal level. The raw presentation of the victim's emotions and actions is superb. No American melodrama or saccharine cosseting.
I feel it drops to an 8 only because the evil motivations of the perpetrators is not adequately explored. They are treated almost as faceless protagonists instead of the critical components they are
Still, a compelling watch!
This is an excellent little movie dealing with human tragedy at an extremely personal level. The raw presentation of the victim's emotions and actions is superb. No American melodrama or saccharine cosseting.
I feel it drops to an 8 only because the evil motivations of the perpetrators is not adequately explored. They are treated almost as faceless protagonists instead of the critical components they are
Still, a compelling watch!
Le saviez-vous
- AnecdotesThis is the second time that German actress Diane Kruger worked using her native language. The first was Inglourious Basterds (2009).
- GaffesThe blood spurting from Katja's wrists during the suicide attempt indicates she had cut through an artery. This can't be treated at home by wrapping a towel around her wrists; immediate medical treatment is required to repair the damaged artery.
- Citations
Katja Sekerci: [attacking Edda in court] Look at me, you cunt! I'll kill you!
- Crédits fousThe title doesn't appear until the 10-minute mark.
- ConnexionsFeatured in The 75th Annual Golden Globe Awards (2018)
- Bandes originalesMy Girl
Written by Smokey Robinson (as William Robinson Jr.) and Ronald White
Performed by The Temptations
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- En la penumbra
- Lieux de tournage
- Hambourg, Allemagne(main location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 321 011 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 455 $US
- 31 déc. 2017
- Montant brut mondial
- 5 104 963 $US
- Durée
- 1h 46min(106 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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