Borg/McEnroe

We are currently seeing a vogue for movies about famous sporting rivalries. I think this was kicked off by the excellent Senna (2010), which could have been a fact-of-the-matter biography of Senna but ended up (wisely) focusing on the rivalry between Senna and Prost, which brought an unintended emotional richness to the story. This was followed up by the almost-as-good Rush (2013) which goes back a decade to tell the story of dashing gentlemen racer James Hunt versus the cold, calculating Nikki Lauder. Now, a Swedish-led production effort is telling the story of one of the great tennis matches of all time: four-time champion Bjorn Borg versus the fiery tempered young John McEnroe at the Wimbledon men's final of 1980.

As a strange pre-note: I watched Borg vs McEnroe in a completely empty theatre. Clearly, this movie is not getting the attention it deserves. I think it definitely affected my viewing experience; I was able to completely shut off and see it my own way. Which is good, as this film has a real psychological edge.

In short, it was an excellent movie. Surprisingly so, in fact. It got to the point where I forgot I was watching a film and really seemed to be inside the heads of the two leads, right there with them, through every match, every up, every down, every argument, every triumph. This is quite the achievement for a film based in historical fact that can't take too many liberties with the story.

Within the first couple of scenes, I could tell this was going to be my kind of movie: a real character study. We see a day in the life of global heart-throb mega-star Bjorn Borg, who is beginning to tire of the trappings of fame. I noticed the filmmaking technique of filming Borg in tight, claustrophobic interiors with shadowy men in suits hanging around in the background. It suggests that his life is beyond his control, is being lived for him, and maybe he wants out ... but doesn't know how to do that. All he knows is tennis, and winning.

Enter the young and fiery John McEnroe, who is a major blip on Bjorn 'Ice'-Borg's radar. If Borg was the ABBA of tennis, McEnroe was the Sex Pistols. Known for ranting at umpires and crowds, he had whipped London's easily baited tabloid newspapers into a frenzy, they could smell blood in the water, and as McEnroe battled his way into the final with a combination of luck, talent and verve, a fairytale match (and perhaps a major upset) was being set up.

Borg is unquestionably the main character of this film. I think we get about a 70:30 time share between the title characters. This is something of a shame, as I thought that McEnroe was perhaps the more interesting character. How does a New York wiseguy from a good family and lots of opportunities end up pushing himself into becoming a tennis world No. 1? The movie never really tries to answer this question. It focuses much more on Bjorg's backstory as a trouble kid who was recruited - some might say brainwashed - into channelling all his anger into his tennis. In perhaps the movie's best scene, McEnroe makes the link between them clear, and spots that Bjorg may seem like an iceberg but really he's a volcano waiting to go off.

Shia LeBeouf was an inspired choice to play McEnroe. LeBeouf has always faced fierce criticism of his acting, his suitability for the kind of roles he wins, and has run the tabloid gamut lately with a string of bizarre stories about his life and behaviour. In scenes where McEnroe rants at the press, you feel LeBeouf is really getting something off his chest here. Also excellent is Stellan Skarsgard, who plays a tennis coach with just the right amount of highly questionable morality in pushing youngsters as hard as it takes to produce a champion.

My one criticism of the film was the cheesy title cards, which spell out explicitly what's supposed to be happening in the movie with things like "The rivalry would affect the players for the rest of their lives." Show, don't tell, is the first rule of filmmaking. However, the movie's technical excellence - the tennis sequences were utterly spellbinding - and surprising emotional heft and depth make this a wholehearted "Yes - see it" recommendation from me.

I was fortunate enough to see "Borg/McEnroe (2017)" on opening night for the 42nd Toronto International Film Festival. Without giving away too much (especially if you're like me and you didn't know much about this 1980s tennis rivalry coming into it), I will say that this is a fabulous film and everyone involved in the making of it should give themselves a huge pat on the back. They have done an incredible job in crafting a story that successfully explores, analyzes and pays homage to two contrasting albeit equally fascinating personalities in sports history.

Both of the titular characters are played to perfection thanks to virtuoso performances from Sverrir Gudnason and Shia LaBeouf, the latter of whom was practically made for the role. Regardless of what you think about Shia, his commitment to any role is always awe- inspiring and here he gives a performance that so perfectly combines loud-mouthed arrogance with an icy determination that he actually makes it difficult for you to route against him. He creates a fascinating character alongside the calm, cool and collected persona of Björn Borg, played exquisitely well by Gudnason. Another performance that deserves a mention is that of Stellan Skarsgård, whose quiet loyalty really helps to anchor the film in the more pivotal emotional moments.

In a lot of ways this film reminded me of "Rush (2013)", another excellent film that deftly explored an iconic sports rivalry and how each athlete helped to shape the other. Like Rush, "Borg/McEnroe (2017)" transcends the sport at hand to become an exploration of human suffering, resilience and, ultimately, redemption. Aside from the themes at hand, the technical brilliance of the film completely grabs your attention and never lets go until the final frame. In what is the first full-feature length film of Janus Metz, he creates a film that perfectly captures a game-changing moment in sports history and the contrasting personalities of the men who changed it.

I really enjoyed this film and encourage anyone reading this to go see it!

It is the 1980 Wimbledon tennis championship. Bjorn Borg is the number 1 tennis player in the world and the undisputed king of Wimbledon. He has won the tournament four times in a row - a fifth consecutive time would be a world first. However, a new face has appeared in the tennis world and presents a serious threat to Borg's title hopes - John McEnroe.

Good movie, and surprisingly so. Seeing Shia LaBeouf in the credits, as McEnroe, made me set my expectations quite low. However, it turned out to be an interesting and exciting movie.

What made the movie good was that it is not a dry, join-the-dots docudrama. There is character development, showing Borg and McEnroe's backgrounds, how their sporting mentalities and personas were formed and how these influence, to the point of determining, their game. Very engaging.

The choice of rivalry contributes to the engagement of the movie. There could not have been more opposite rivals in the world of sport. Borg: the ice-cold, emotionless base-line player. McEnroe: the temperamental, irascible, serve-and-volleyer. The contrast, and how their personalities affect their game, makes for enthralling viewing.

I'm no tennis expert, but the tennis scenes seem very well done and realistic. Also, the mental side of playing sport at the highest level is covered fairly well.

Good performances from Sverrir Gudnason as Borg and Shia LeBeouf as McEnroe. Good support from Stellan Skarsgard and Tuva Novotny.

On the negative side, the coverage of Borg's mental side state seems overwrought and slows down the momentum of the movie. Yes, it was necessary, actually vitally important, to the movie, as it showed the pressure Borg was under and the downsides to fame and being the world Number 1 (at anything). It also provides a good explanation to what would happen later in Borg's career. However, too much of the movie is showing how Borg wrestles with these demons - we got it the first time round, no need to repeat it several times.

In addition, the focus appears mostly on Borg. McEnroe's background is sketched very basically. A bit more balance was necessary.

Despite not being a sporty person (always one of the subjects that saw me struggling most in school, particularly when it came to co-ordination and sometimes speed), that doesn't stop me from finding some of them interesting to watch portrayed in television matches and film.

Tennis is one of the more interesting and easy to watch sports to me and this particular story is one of the most fascinating in the history of the sport. 'Borg vs McEnroe' was seen for those reasons and on the most part it doesn't disappoint. There may be better biopics around, but 'Borg vs McEnroe' both intrigues and entertains, it's emotion-filled, affectionate, absorbing and mostly respectful. Anyone who loves tennis or is fascinated by the story or biopics in general will find a lot to like about 'Borg vs McEnroe' and despite the 15 certificate, for some swearing and some topless shots (that one can find for themselves as to whether they find them necessary or not), it's more accessible than one would think.

Borg's story has a little more flesh, although McEnroe is the more colourful character in personality, Borg being calmer and McEnroe being more extroverted. Borg's story has a lot of genuine power and really resonates emotionally. McEnroe is still interesting, but his relationship with his parents could have been expanded upon more which would have made some of his motivations clearer.

Furthermore the title cards are cheesy and over-explanatory, also making broad statements like at the start and doing nothing to back them up. The Studio 54 nightclub scene didn't serve much point and the representation of the media, while perhaps not too far from the truth, was on the heavy-handed and extreme side.

On the other hand, 'Borg vs McEnroe' is very solidly made visually, nicely shot and does nothing to undermine any transitions or shifts. The music complements well and Janus Metz directs with clear passion and enthusiasm for the subject.

Scripting is intelligent and thought-provoking, it intrigues and entertains throughout and does well in allowing one to care for the characters and the story while also having a lot of heart that makes 'Borg vs McEnroe' very moving. The story is both uplifting and poignant, structurally it's always cohesive and rarely disjointed even if some parts are better explored than others. The tennis sequences capture the excitement and tension of the sport very compellingly and accurately.

A huge part of what makes 'Borg vs McEnroe' work so well is the cast. Sverrir Gudnason is excellent as Borg, and no it's not just the uncanny physical resemblance, it's how poignantly collected he is and how he plays the role with depth and intensity. Stellan Skarsgard brings a lot of subtlety and quiet dignity, while Tuva Novotny, David Bamber and Robert Emms do more than serviceably making their characters more than caricatures (although not a lot of attention is given to their development enough). Was most surprised by Shia LaBeouf in one of his best and most committed performances as McEnroe, providing that he is more than capable when making good choices and when the material allows it.

In summary, very intriguing and well done. 7/10 Bethany Cox

Sports dramas seem to be on the rise and there have been quite a few prime examples in real life that serve in the story department. This is one of them. And Borg McEnroe is really something to enjoy, with some powerful performances. I myself had not the results in the back of my head while I watched it. So I was kind of unprepared and could enjoy what was going on in the movie at all times, without being spoiled.

Having said all that, the movie concentrates more on the off court drama, rather than the game itself. But you will get iconic moments from the game(s), don't worry about that. It may not have gotten any recognition from the Academy Awards, but that spot was already taken by I, Tonya. Also a good movie and probably a good double bill with this one ...