Alors que ses dettes s'accumulent et que ses créanciers se font de plus en plus pressants, un bijoutier new-yorkais risque tout dans l'espoir de rester à flot et en vie.Alors que ses dettes s'accumulent et que ses créanciers se font de plus en plus pressants, un bijoutier new-yorkais risque tout dans l'espoir de rester à flot et en vie.Alors que ses dettes s'accumulent et que ses créanciers se font de plus en plus pressants, un bijoutier new-yorkais risque tout dans l'espoir de rester à flot et en vie.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 27 victoires et 91 nominations au total
Avis à la une
Personally, I find the more a film affects my feelings and emotions, the better(no matter the emotion). From Tobe Hooper's "Texas Chainsaw Massacre", to "Free Solo", or even "August Osage County"; films aren't simply bad because they make you uncomfortable. One could argue; the more uncomfortable, the more effective. This is the case with Josh and Benny Safdie's "Uncut Gems".
Adam Sandler's comedies are hit and miss for me. Some are genuinely funny, some are not, but "Uncut Gems" just edged-out P. T. Anderson's "Punch Drunk Love" as my favorite film from this seemingly unrecognized serious actor. The Academy's omission of any nomination (especially for Sandler) is inexcusable. The film currently parks-itself behind "Parasite" as the second best film I have seen from 2019(36 films through an 84-film watchlist).
Sandler plays Howard Ratner, a Jewish Jewell Dealer mired in a world of debt, gambling, gangsters, and real-life Superstars. The casting is exceptional! Every single character makes the film more believable, and it needs them, because the world that Howard Ratner lives-in is so chaotic, that it may have plausibly crumbled-to-pieces without them. Sandler pulls-off the monumental task of creating audience empathy, for a character who is morally bankrupt. We want this guy to find his way out of this relentless hurricane.
The film never lets-off the gas. One might criticize the monotony and predictability of it all, if it weren't for some interesting family and gambling dynamics thrown into the mix. The film seems to be literally dropped into the climax of Ratner's life. There is so much that led to this crescendo, but still, the film manages to completely flesh-out it's characters. By the time it's all over, the viewer feels like they've been pulverized into diamond ash.
The ending is thought-provoking enough to make you ask questions, and the artistic value is nearly flawless. This is as uncomfortable as I've been watching a film in many years, and for that reason alone, it is a success.
9/10 for me.
You Might Like this if you liked: Pi, Charlie Countryman, Mississippi Grind, Sorcerer, or Leaving Las Vegas.
Adam Sandler's comedies are hit and miss for me. Some are genuinely funny, some are not, but "Uncut Gems" just edged-out P. T. Anderson's "Punch Drunk Love" as my favorite film from this seemingly unrecognized serious actor. The Academy's omission of any nomination (especially for Sandler) is inexcusable. The film currently parks-itself behind "Parasite" as the second best film I have seen from 2019(36 films through an 84-film watchlist).
Sandler plays Howard Ratner, a Jewish Jewell Dealer mired in a world of debt, gambling, gangsters, and real-life Superstars. The casting is exceptional! Every single character makes the film more believable, and it needs them, because the world that Howard Ratner lives-in is so chaotic, that it may have plausibly crumbled-to-pieces without them. Sandler pulls-off the monumental task of creating audience empathy, for a character who is morally bankrupt. We want this guy to find his way out of this relentless hurricane.
The film never lets-off the gas. One might criticize the monotony and predictability of it all, if it weren't for some interesting family and gambling dynamics thrown into the mix. The film seems to be literally dropped into the climax of Ratner's life. There is so much that led to this crescendo, but still, the film manages to completely flesh-out it's characters. By the time it's all over, the viewer feels like they've been pulverized into diamond ash.
The ending is thought-provoking enough to make you ask questions, and the artistic value is nearly flawless. This is as uncomfortable as I've been watching a film in many years, and for that reason alone, it is a success.
9/10 for me.
You Might Like this if you liked: Pi, Charlie Countryman, Mississippi Grind, Sorcerer, or Leaving Las Vegas.
Wow, what a ride. This wasn't the unbearable anxiety-fest that some are claiming, but it sure does invoke a lot of uneasiness throughout. The Safdie Brothers take you on a mesmerizing journey in the life of a gambling-addicted man in the Diamond District. Hopefully this puts to bed the idea that Adam Sandler isn't a good actor. He displays his incredible versatility and gives the performance of his career. I really loved the synth score used throughout and it greatly heightens the intensity at key moments. Uncut Gems is a shocking and stressful tour de force that is worthy of the praise heaped upon it.
They should hand out high-grade blood pressure meds to people going to see this after it ends. The major strength and in a way the slight weakness of Uncut Gems is how laser-focused the Safdies are in conveying total anxiety, stress and mania through this extreme act of full cinema SOUND (levels of acting and over-lapping dialog, that Vangelis-Blade-Runner-on-Steroids/Crystal Meth score, some of the cinematography and the tracking of the camera).
I do wish there was a little more than just flourishes of relief, though I'd be lying if I said Sandler was anything but exceptional and riveting playing degenerate crumbling right before our eyes. While Eric Bogosian, Lakeith Stanfield and Kevin Garnett and many others here are natural solid, it's Sandler's show, and it's soulful and tense and harrowing and ultimately (as terrible as Howard can be) tragic. The filmmakers's greatest achievement from the looks of this and Good Time is finding star-actors who aren't known for their wide range and getting career-triumph work from them. If the movie isn't all that complex, I do think Howard is and that helps make this pretty special as a depiction of addiction, more than anything else. It's got grit and style to burn, which is mostly fine by me.
I do wish there was a little more than just flourishes of relief, though I'd be lying if I said Sandler was anything but exceptional and riveting playing degenerate crumbling right before our eyes. While Eric Bogosian, Lakeith Stanfield and Kevin Garnett and many others here are natural solid, it's Sandler's show, and it's soulful and tense and harrowing and ultimately (as terrible as Howard can be) tragic. The filmmakers's greatest achievement from the looks of this and Good Time is finding star-actors who aren't known for their wide range and getting career-triumph work from them. If the movie isn't all that complex, I do think Howard is and that helps make this pretty special as a depiction of addiction, more than anything else. It's got grit and style to burn, which is mostly fine by me.
Intense 2 hrs !! It's loud and shouty and really in your face , gives you a rollercoaster of a ride from start to finish .
Adam Sandler is superb just brilliant, never knew he could be this way and he really became the person !!
It's a great film that never gives you a minute. No real sympathy for any of the characters but you do believe in them all !
A film to watch , just be prepared.
Adam Sandler is superb just brilliant, never knew he could be this way and he really became the person !!
It's a great film that never gives you a minute. No real sympathy for any of the characters but you do believe in them all !
A film to watch , just be prepared.
Some folks wrote that this movie was a mix-up of Marty Scorcese and Abel Ferrarra style and I think that's right. And Adam Sandler speaks, looks like, borrows every expression on the face from Al Pacino. I Don't know if the audiences have also noticed this but that's so obvious. Anyway, that's the kind of role, character that would have perfectly fit to Robert De Niro's co star in HEAT and the IRISHMAN. I like this uncut gem very much.
Le saviez-vous
- AnecdotesTilda Swinton doesn't appear on screen but is the voice of the auctioneer that Howard argues with over the phone.
- GaffesIn the background at 1:43:23 you can hear a crew member feeding a line to Adam Sandler. As he was trying to have back the Celtics Ring from Steve you can hear someone saying "Swap them out" which Adam instantly Sandler repeats.
- Citations
Howard Ratner: And who's this guy?
Julia: It's this guy The Weeknd.
Howard Ratner: What the fuck is The Weeknd?
Julia: He's gonna be major, even though he's from Canada.
Howard Ratner: This guy looks stupid.
- Crédits fousSPOILER: The end is almost a mirror image of the beginning, with the camera tunneling into Howard Ratner's (Adam Sandler) face, again on a microscopic level and again transitioning, but this time into what is possibly the beginning of time, and showing the night sky.
- Bandes originalesType of Way
Written by Rich Homie Quan (as Dequantes Lamar) and Yung Carter (as Lionel Carter Jr.)
Performed by Rich Homie Quan
Courtesy of Def Jam Recordings
under license from Universal Music Enterprises
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Uncut Gems?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Diamantes en bruto
- Lieux de tournage
- Okiep, Northern Cape, Afrique du Sud(opening scene)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 19 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 50 023 780 $US
- Week-end de sortie aux États-Unis et au Canada
- 537 242 $US
- 15 déc. 2019
- Montant brut mondial
- 50 023 780 $US
- Durée
- 2h 15min(135 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant