Call Me by Your Name
- 2017
- Tous publics
- 2h 12min
En Lombardie, durant l'été 1983, un garçon de dix-sept ans vit une histoire d'amour avec un homme plus âgé, embauché comme assistant de recherche de son père.En Lombardie, durant l'été 1983, un garçon de dix-sept ans vit une histoire d'amour avec un homme plus âgé, embauché comme assistant de recherche de son père.En Lombardie, durant l'été 1983, un garçon de dix-sept ans vit une histoire d'amour avec un homme plus âgé, embauché comme assistant de recherche de son père.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 107 victoires et 263 nominations au total
Maria Caggianelli Villani
- Elio's Friend
- (non crédité)
Krystal Ellsworth
- Astonished Store Customer
- (non crédité)
Avis à la une
Beautiful movie. Timothée Chalamet is more than brilliant. He makes you
believe everything is real, every emotion, every scene, everything. Sweet, lovely boy
This film is pure sensuality and emotion. You can see through the character's eyes, taste through their mouths but most importantly you feel, by God how you feel. Luca Guadagnino manages to extract the very best out of his actors: Armie Hammer's performance shows unprecedented depth and Timothee Chalamet is the essence of awe inspiring acting, this film will land him an Oscar nomination at the very least.
First, to all the Americans on here outraged about the film "endorsing" a criminal act - NEWS FLASH!! Just because the age of consent is 18 in your country, doesn't make it so everywhere else in the world! 18 is comparatively old by global standards. I believe the average age is 16 (as in my country) and in Italy where the film takes place it's actually 14. Whether you agree with it morally or not, no criminal act takes place - US law does not apply!
However, I agree with many reviewers that Armie Hammer is miscast in terms of his character's age. He is 31 and looks it, whereas Oliver is meant to be 24. His age is never referred to in the film, so viewers who haven't read the book are left with the impression of a 30-ish man engaging in a relationship with a 17-year-old, which Timothee (20 at the time) does convincingly portray. I can fully understand how that would ring alarm bells for many. If they'd had an actor who actually looked 24 I think that would have created a very different dynamic. Even so, the relationship is hardly of a paedophilic nature. And I don't think most people would regard 17-year-olds as "children" physically and emotionally, even if they may be legally.
Timothee Chalamet gives an incredible performance fully deserving of all the accolades, but I found Armie's inconsistent at best. He does get better as the film goes along. Maybe it's just that I didn't find his character particularly appealing... to me he comes across as rather abrupt and arrogant, and weirdly passive-aggressive and patronising towards Elio for much of the time. The physical scenes between Oliver and Elio were excruciatingly awkward to watch and didn't ring true to me - but I'm a straight female so what would I know? I haven't had that reaction with the (admittedly few) other gay films I've seen though. Maybe it was supposed to reflect real life, or maybe I am just too accustomed to male-female depictions. Ultimately the relationship seemed to consist of Elio being infatuated and Oliver enjoying being the object of that infatuation, rather than a true love story.
Personally the relationship I found most touching in the film was that between Elio and his parents. Although they aren't given much to work with, both the actors playing his parents do beautiful, nuanced work... and the much-lauded scene near the end with his father was stunning and truly moving. It was refreshing to see a such a loving and accepting child-parent relationship, done in a natural and non-affected way. It rang very true to my own experience as an only child and it was nice to see this portrayed on film for once, instead of the tension-filled relationships American films usually depict.
Overall I thought the film was absorbing and well-done, but neither the masterpiece or great love story it's being hyped as.
However, I agree with many reviewers that Armie Hammer is miscast in terms of his character's age. He is 31 and looks it, whereas Oliver is meant to be 24. His age is never referred to in the film, so viewers who haven't read the book are left with the impression of a 30-ish man engaging in a relationship with a 17-year-old, which Timothee (20 at the time) does convincingly portray. I can fully understand how that would ring alarm bells for many. If they'd had an actor who actually looked 24 I think that would have created a very different dynamic. Even so, the relationship is hardly of a paedophilic nature. And I don't think most people would regard 17-year-olds as "children" physically and emotionally, even if they may be legally.
Timothee Chalamet gives an incredible performance fully deserving of all the accolades, but I found Armie's inconsistent at best. He does get better as the film goes along. Maybe it's just that I didn't find his character particularly appealing... to me he comes across as rather abrupt and arrogant, and weirdly passive-aggressive and patronising towards Elio for much of the time. The physical scenes between Oliver and Elio were excruciatingly awkward to watch and didn't ring true to me - but I'm a straight female so what would I know? I haven't had that reaction with the (admittedly few) other gay films I've seen though. Maybe it was supposed to reflect real life, or maybe I am just too accustomed to male-female depictions. Ultimately the relationship seemed to consist of Elio being infatuated and Oliver enjoying being the object of that infatuation, rather than a true love story.
Personally the relationship I found most touching in the film was that between Elio and his parents. Although they aren't given much to work with, both the actors playing his parents do beautiful, nuanced work... and the much-lauded scene near the end with his father was stunning and truly moving. It was refreshing to see a such a loving and accepting child-parent relationship, done in a natural and non-affected way. It rang very true to my own experience as an only child and it was nice to see this portrayed on film for once, instead of the tension-filled relationships American films usually depict.
Overall I thought the film was absorbing and well-done, but neither the masterpiece or great love story it's being hyped as.
Call Me By Your Name is the kind of movie that makes you sit through the credits with tears rolling down your face, staring blankly at the screen with a lump in your throat and tightness in your chest.
Call Me By Your Name is not a tragic movie. It's not a sad movie. It's not a pretentious movie. It's a movie about love, and love, and love. A beautiful love that will leave you longing to find your own love and drown in it.
Timothée Chalamet is an absolute force of nature. Elio will make you want to love, and hurt, and piece yourself back together with absolutely no regrets whatsoever. Elio will make you want to live your life to the fullest. Elio will make you want to break your own damn heart. It's so rare that a performance truly shows the depth of longing, and despair, and passion a character conveys through written words without the internal monologue. Timothée is truly a revelation and his last scene during the credits will have a lasting impact on everyone.
Armie Hammer is absolutely brilliant in the way he humanizes Oliver who is somewhat glorified through Elio's lens in the first part of the book. In the movie, Oliver is endearing and human and sexy and caring. He cares for Elio, and his love for him is so tender and so touching
Michael Stuhlbarg's monologue delivered nearing the end of the film is a complete masterpiece, and without a doubt that monologue with be taught and quoted for many years to come. A raw and beautiful scene.
Watch this movie. Watch it, and love it, and don't let it fall victim to over-hype. Watch this movie. Fall in love in two hours and twelve minutes, then question every single time you didn't allow yourself to feel just because you were afraid of getting hurt. Was avoiding a possible heartbreak that might have shattered you worth never getting a taste of the heavens? Was killing the potential pain and heartache worth it? Was it worth it?
Call Me By Your Name is not a tragic movie. It's not a sad movie. It's not a pretentious movie. It's a movie about love, and love, and love. A beautiful love that will leave you longing to find your own love and drown in it.
Timothée Chalamet is an absolute force of nature. Elio will make you want to love, and hurt, and piece yourself back together with absolutely no regrets whatsoever. Elio will make you want to live your life to the fullest. Elio will make you want to break your own damn heart. It's so rare that a performance truly shows the depth of longing, and despair, and passion a character conveys through written words without the internal monologue. Timothée is truly a revelation and his last scene during the credits will have a lasting impact on everyone.
Armie Hammer is absolutely brilliant in the way he humanizes Oliver who is somewhat glorified through Elio's lens in the first part of the book. In the movie, Oliver is endearing and human and sexy and caring. He cares for Elio, and his love for him is so tender and so touching
Michael Stuhlbarg's monologue delivered nearing the end of the film is a complete masterpiece, and without a doubt that monologue with be taught and quoted for many years to come. A raw and beautiful scene.
Watch this movie. Watch it, and love it, and don't let it fall victim to over-hype. Watch this movie. Fall in love in two hours and twelve minutes, then question every single time you didn't allow yourself to feel just because you were afraid of getting hurt. Was avoiding a possible heartbreak that might have shattered you worth never getting a taste of the heavens? Was killing the potential pain and heartache worth it? Was it worth it?
« Call me by your name » is a beautiful movie about first love. The atmosphere is dreamy and I have been taken on an emotional journey for two hours. Timothée Chalamet and Armie Hammer give remarkable performances. There is a great chemistry between them. The charming landscapes, the good soundtrack and the delicate direction also contribute to this achievement. I like the way homosexuality is portrayed: being gay is normal; there is no drama queen and no pathos. This is a touching story that makes me want to fall in love.
Director's Trademarks: The Films of Luca Guadagnino
Director's Trademarks: The Films of Luca Guadagnino
Suspiria director Luca Guadagnino takes IMDb through his approach to filmmaking, from longtime collaborator Tilda Swinton, to why he hopes he doesn't have a "style."
Le saviez-vous
- AnecdotesTimothée Chalamet learned to speak Italian and play the classical piano pieces used in the film.
- GaffesAt the car, when Elio and Oliver prepare to head off to Lake Garda with Sam, Elio has his right foot up on the open back door panel during their conversation; however, when the shot changes to Oliver's point of view in the front seat, Elio clearly has his left foot up on the door frame. Back outside it's his right foot again.
- Citations
Mr. Perlman: We rip out so much of ourselves to be cured of things faster that we go bankrupt by the age of thirty and have less to offer each time we start with someone new, but to make yourself feel nothing so as not to feel anything - what a waste.
- Crédits fousAlthough the movie has a full opening credits sequence, the title of the film is not shown on screen until the end credits begin.
- ConnexionsEdited into Funny or Die Presents...: Call Me by Your Twins (2018)
- Bandes originalesHallelujah Junction
Written by John Adams (as J.C. Adams)
Performed by John Adams
Published by Hendon Music Inc.
Administered in Italy by Casa Ricordi Srl
Courtesy of Nonesuch Records
By arrangement with Warner Music Italia Srl
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Llámame por tu nombre
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 000 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 18 095 701 $US
- Week-end de sortie aux États-Unis et au Canada
- 412 932 $US
- 26 nov. 2017
- Montant brut mondial
- 67 485 643 $US
- Durée2 heures 12 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the streaming release date of Call Me by Your Name (2017) in Canada?
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