Un coeur à prendre

Despite liking romantic comedy (there are some good ones out there, as well as some not so good ones) and liking Reese Witherspoon and Michael Sheen in other things, expectations were low for 'Home Again' due to the mixed to negative critical reception and mixed audience reaction.

Watching it with an open mind 'Home Again' has its bright spots, enough to make it a one-time watch, and is better than reputed. On the other hand, it also is an uneven film and mostly forgettable fluff. As said, it has good things. Witherspoon, being the lead, was crucial for the film to work, the good news is that, although she has been better in material worthier of her talent, she gives her character and 'Home Again' a very likable energy and very sweet charm. The other acting standout is Sheen, who does bag some very funny (at times hilarious) moments that gives the film much needed levity and gravitas.

The best performance of the three young men taken in goes to Jon Rudnitsky, his character is the most interestingly written of the three and he is the most charismatic and easy to like of the three. 'Home Again' is nicely made with a peppy score, while also boasting a good-natured sweet tone, some funny, cheerful moments and a few snappy lines. The children are cute without being overly so.

'Home Again' however could have been much better. The film does feel rushed (while there are some scenes too that limp), which would have been solved easily with a longer length (15 minutes more would have made a difference) and trying to do less. It does feel like too much was crammed in and it consequently means that the film lacks depth in particularly how the characters are written. Here they are thinly sketched, one-dimensional and shallow. Humorous and touching moments are too far and between in a film that has very blandly fluffy romantic elements and other comedic elements that feel overplayed.

Of the three tyros only Rudnitsky works, whereas the other two struggle to keep up, their characters are too sketchily written, their dialogue is even weaker and they don't have the expertise or charisma here to rise above what they're given. Poor Candice Bergen is wasted with nothing to do, she never gets the chance to show off her charm and spunk. Some snappy moments in the script and sporadic funny and touching moments aside, the script is an over-egged and under-cooked soufflé with its fair share of awkward and cheesy lines and severe underwriting of the characters and their increasingly predictable and vague situations. Some interesting ideas and insights here that could have been delved into more.

Story-wise, everything just feels too pat and formulaic, and too much of it doesn't really go anywhere or feel resolved satisfactorily. There is very little to the conflict.

All in all, fluffy and not very memorable. Not unwatchable however, there are far worse films out there, of the genre, of the year and ever. 5/10 Bethany Cox

I'm hit and miss with Witherspoon movies. I like her in a fun, need a vapid relaxation movie kinda way, but this surprised me a little. It's a cute rom com etc as expected but what was a bit different in this is that the boy toy characters actually had depth and were interesting people, which made it much more enjoyable to watch. Not going on a favorite movies list but definitely worth a fun watch on movie night.

This flimsy female fantasy only got made because the "writer/director" has Hollywood connections.

This fluff wouldn't past muster on a TV sitcom, yet here's a 97-minute yawner of a feature film that wastes time and talent and money that could have gone to something worthy.

Reese Witherspoon stars as a 40-year-old rich woman struggling to raise two daughters all on her own in her swanky LA house that used to belong to her daddy who was a famous filmmaker. She's separated from her record-producer husband, but her movie-star mother lives nearby.

Out on a bender with friends she gets drunk with three young would-be filmmakers who end up living in her guest house. How cute! The three guys of course bond with the kids and help Reese with her difficult life. She's a designer trying to get a start in LA but can't even get her web site up and running.

One of the guys gets "serious about her but then the soon-to-be ex-husband shows up. What to do! Since this was written by a woman, we already know the fairy tale ending.

In this supposedly "empowering" story, we're supposed to root for the poor 40-year-old as she makes some "tough" decisions about her privileged life while sitting in her outdoor kitchen by the pool.

Hardly a minute goes by (it seems) when Witherspoon or the two daughters are not being encouraged and bolstered by someone on their looks. All the women do is seek the approval of men. Even the "strssed out" pre-teen can't put on her school play without one of the guys standing in the wings to encourage her.

Witherspoon finally makes a big decision about her marriage, but it's totally meaningless even within the context of this pile of goo.

Vanity production for Witherspoon and little else. The film is not funny or insightful. Candice Bergen is totally wasted as the movie-star mom who pops in a few times to offer advice. Michael Sheen plays the dopey husband. The "guys" are all unknowns.

This should have been titled THREE MEN AND A MIDDLE-AGED WOMAN ACTING LIKE A FOOLISH KID.

$12M was wasted on this trash.

I like a movie with heart. It's nice not to see a movie without adults in costumes, violence and all the other negative aspects of life. It's a feel good movie with likeable characters. It is what it is. It was better than some Oscar nominated farces I've seen in the past. By the end of the movie it evoked a sense of what life among family and friends should be.

This movie is just a fun watch. The cast is the best part, primarily because each of the guys is so ridiculously attractive, yet Witherspoon's character is never over-powered. Each of them also has a great rapport with her and her children that is just adorable to watch. Witherspoon is a believable single mom with normal home problems, and the presence of the three young men adds love and personal support into the mix. And it works. This movie portrays a woman in a way that I can get behind. She doesn't date one of the young guys staying with her because she wants to recapture her youth or make someone jealous or for some other superficial reason. She is drawn to him like she would be any other man. The movie highlights, for me, how often youth and women are underestimated in movies, especially ones like these. Younger guys aren't always stupid boy toys or hot, forbidden affairs, and moms are not all Mrs. Robinson. Watch this movie for a laugh, a blush, and a somewhat fresh take on a single mom finding new love.