Un coeur à prendre

Let me preface this by say that I love movies, I'm not a movie snob by any stretch. I particularly love Rom-Coms and have been disappointed that they have fallen out of favor over the last decade or so. Some of my favorite movies are cheesy Rom-Coms; Never Been Kissed, 13 Going on 30, How to Lose a Guy in 10 Days, The Holiday and even Ghost of Girlfriends Past.

I saw this film as a pre-screener ahead of it's official release. Sometimes they pre-screen movies because they are great and want them to get buzz, sometimes they are really bad, and hope the audience falls in love before the critics get their hands on it. This is bad, really bad. Not just in story, but in acting, directing, editing score; you name it, it's bad. I love Reese Witherspoon and never thought I would see her phone in a performance but here it is. She doesn't so much as act as rolls her eyes and makes goofy faces; it's embarrassing to watch. There are so many cast members here that usually can do no wrong in my book; Candice Bergen, Lake Bell, Michael Sheen. They are given nothing to work with and Michael Sheen's character is nothing more than a cartoon. Nat Wolff is up and coming; I've seen him in a few things and think he's generally pretty good. Thanks to the very poor editing you can see him laughing in two scenes where he's clearly not supposed to be.

The whole film is just embarrassingly bad. You know the movie Mother's Day, how "bad" that is? It looks like an Oscar winning film compared to this. I looked up the movie after the screening, curious how it went so wrong. It's written and directed by Nancy Myer's daughter. Her daughter seems to have no credentials to be able to sell and direct a movie so my thought is that there were a lot of favors and strings pulled and it shows. I wouldn't even recommend watching this movie if you were sick in bed and it happened to pop up on TV.

Despite liking romantic comedy (there are some good ones out there, as well as some not so good ones) and liking Reese Witherspoon and Michael Sheen in other things, expectations were low for 'Home Again' due to the mixed to negative critical reception and mixed audience reaction.

Watching it with an open mind 'Home Again' has its bright spots, enough to make it a one-time watch, and is better than reputed. On the other hand, it also is an uneven film and mostly forgettable fluff. As said, it has good things. Witherspoon, being the lead, was crucial for the film to work, the good news is that, although she has been better in material worthier of her talent, she gives her character and 'Home Again' a very likable energy and very sweet charm. The other acting standout is Sheen, who does bag some very funny (at times hilarious) moments that gives the film much needed levity and gravitas.

The best performance of the three young men taken in goes to Jon Rudnitsky, his character is the most interestingly written of the three and he is the most charismatic and easy to like of the three. 'Home Again' is nicely made with a peppy score, while also boasting a good-natured sweet tone, some funny, cheerful moments and a few snappy lines. The children are cute without being overly so.

'Home Again' however could have been much better. The film does feel rushed (while there are some scenes too that limp), which would have been solved easily with a longer length (15 minutes more would have made a difference) and trying to do less. It does feel like too much was crammed in and it consequently means that the film lacks depth in particularly how the characters are written. Here they are thinly sketched, one-dimensional and shallow. Humorous and touching moments are too far and between in a film that has very blandly fluffy romantic elements and other comedic elements that feel overplayed.

Of the three tyros only Rudnitsky works, whereas the other two struggle to keep up, their characters are too sketchily written, their dialogue is even weaker and they don't have the expertise or charisma here to rise above what they're given. Poor Candice Bergen is wasted with nothing to do, she never gets the chance to show off her charm and spunk. Some snappy moments in the script and sporadic funny and touching moments aside, the script is an over-egged and under-cooked soufflé with its fair share of awkward and cheesy lines and severe underwriting of the characters and their increasingly predictable and vague situations. Some interesting ideas and insights here that could have been delved into more.

Story-wise, everything just feels too pat and formulaic, and too much of it doesn't really go anywhere or feel resolved satisfactorily. There is very little to the conflict.

All in all, fluffy and not very memorable. Not unwatchable however, there are far worse films out there, of the genre, of the year and ever. 5/10 Bethany Cox

I like a movie with heart. It's nice not to see a movie without adults in costumes, violence and all the other negative aspects of life. It's a feel good movie with likeable characters. It is what it is. It was better than some Oscar nominated farces I've seen in the past. By the end of the movie it evoked a sense of what life among family and friends should be.

This flimsy female fantasy only got made because the "writer/director" has Hollywood connections.

This fluff wouldn't past muster on a TV sitcom, yet here's a 97-minute yawner of a feature film that wastes time and talent and money that could have gone to something worthy.

Reese Witherspoon stars as a 40-year-old rich woman struggling to raise two daughters all on her own in her swanky LA house that used to belong to her daddy who was a famous filmmaker. She's separated from her record-producer husband, but her movie-star mother lives nearby.

Out on a bender with friends she gets drunk with three young would-be filmmakers who end up living in her guest house. How cute! The three guys of course bond with the kids and help Reese with her difficult life. She's a designer trying to get a start in LA but can't even get her web site up and running.

One of the guys gets "serious about her but then the soon-to-be ex-husband shows up. What to do! Since this was written by a woman, we already know the fairy tale ending.

In this supposedly "empowering" story, we're supposed to root for the poor 40-year-old as she makes some "tough" decisions about her privileged life while sitting in her outdoor kitchen by the pool.

Hardly a minute goes by (it seems) when Witherspoon or the two daughters are not being encouraged and bolstered by someone on their looks. All the women do is seek the approval of men. Even the "strssed out" pre-teen can't put on her school play without one of the guys standing in the wings to encourage her.

Witherspoon finally makes a big decision about her marriage, but it's totally meaningless even within the context of this pile of goo.

Vanity production for Witherspoon and little else. The film is not funny or insightful. Candice Bergen is totally wasted as the movie-star mom who pops in a few times to offer advice. Michael Sheen plays the dopey husband. The "guys" are all unknowns.

This should have been titled THREE MEN AND A MIDDLE-AGED WOMAN ACTING LIKE A FOOLISH KID.

$12M was wasted on this trash.

Looks like the perfect feel-good movie for mommy. There is everything mommy can possibly want. In the end, almost everybody is happy! Good enough for me too.