Small Crimes

There are lot of background history spare parts in this film looked more like a sequel to an earlier film but there's actually no such prequel, so we viewers got to connect the dots by ourselves, but still, it gave you the feeling of a nicely directed and well acted film, didn't give you any B movie like lousy taste. Nikolaj Coaster-Waldau used this film to show us he could really act, a total different role from what he played in "Game of Throne", and he was very very good to prove he can be an A list actor.

But even so, this film are missing a lot details that should came from another earlier film.

I was really surprised to see movie like this done by Netflix, it is noir, it is bare (so You feel what You feel there is no ''correct'' interpretation). Nikolaj gives very realistic performance completely appropriate for story. Reminds of good old European post war dramas somehow.

'SMALL CRIMES': Four Stars (Out of Five)

A dark crime-drama about a former corrupt cop, that's just out of prison for attempted murder (from 6 year earlier), who's desperately trying to leave his former life behind, but can't. The movie stars Nikolaj Coaster-Waldau, Molly Parker, Robert Forster, Jacki Weaver, Gary Cole, Macon Blair, Pat Healy and Michael Kinney. The film was directed by E.L. Katz (who also helmed 2013's outstanding 'CHEAP THRILLS'), and it was written by Katz and Blair (based on the novel, of the same name, by Dave Zeltserman). It was released by Netflix through their streaming site, and it's gotten mixed reviews from critics. I found it to be a pretty impressive, and highly interesting, dark crime movie.

Coaster-Waldau plays Joe Denton, a former corrupt cop that was recently released from prison. Denton did six years for attempting to murder a district attorney, named Phil Coakley (Kinney), under the mob's payroll. He attempts to reunite with his ex-wife, and their children, but learns that they've left town and never want to see him again. Denton instead moves in with his parents (Foster and Weaver), but they're suspicious that he's still a danger to himself, and everyone around him. At the same time he starts a relationship with a nurse (Parker), and he's harassed into committing yet another murder, by a corrupt police lieutenant, and his old partner (Cole).

The movie is really dark, and full of unlikable characters (with just a few exceptions). Coaster-Waldau is likable in the film, I think, but it's clear that he's done some really bad things in his past. I really wanted to root for him, and I did, but the movie is more of a tragedy than anything else actually. It's frustrating to see how some people just can't get things right, no matter how hard they try, and how positive their intentions are. That's the genius of this film, and it does a pretty good job of telling that story.

E.L. Katz directs and co-writes an appreciable crime drama. I knew this film was going to be beguiling from the first scene when Joe, the central character, explains to the prison's chaplain about how he has changed during his jail stint. Upon leaving the chaplain asks Joe, "Would you like to take communion"? Joe replies, "Oh no. I'm all good". This film has considerable direction, cinematography, screenplay and acting. All of the artists involved deliver appreciable performances with Forster, Parker, Weaver and Cole standing out, but Coster-Waldau commands the screen. The plot revolves around Joe Denton who is a former cop being released from jail after serving a six year sentence. He returns to his hometown feeling the need to seek absolution for his past actions. His first goal is to reunite with his children, but they have moved and no one in the family wants Joe near the children due to the chaos he causes. Joe was in debt to a mob boss, Manny for gambling. Joe and another cop Dan had to repay Manny by carrying out any task he assigned. One task leads to the death of Joe's partner, Billy and the disfigurement of an attorney, Phil. Upon his release Phil sets a trap using his daughter Cara but Joe defends himself and brutally beats the men off. Cara is terrified and unwilling to testify against Joe. Phil informs Joe that he can press charges against the men but he's not interested. Joe takes a verbal thrashing from Dan who tells him he'd kill him in Phil wasn't in the room and calls him a Judas. Joe simply wants to put everything in the past and seek redemption. Soon after Joe and Dan meet in a ballpark only to find out that Dan drags Joe back into trouble. He gives Joe cash that was owed to him from six years earlier and then informs him that Manny is on his death bed, has embraced religion and is going to spill the beans on everyone's past. Joe must dispose of Manny. During Joe's quest for vindication and trying to carry out his task he learns that Phil wants the chair for him, he meets Manny's hospice worker Charlotte and takes a severe beating from Manny's son Junior. Joe's attempt to take out Manny is interrupted and Dan suggests he take out Phil instead. Dan threatens Joe's family and insists there can not be an indictment. Joe can't bring himself to killing Phil but through a prostitute comes up with a plan to bribe Phil so nobody gets hurt. He plants a video camera at a set up in a hotel room, but things don't go as planned and two deaths occur in the room. All the while Joe is building a relationship with Charlotte and is trying to rebuild a relationship with his congenial father and harassing mother. Charlotte believes in second chances and steps in to handle Manny, but gets caught in the act. This leads to a showdown at Junior's quarry when all of the sudden the brother of Joe's slain partner, Scotty shows up and all hell breaks loose. Joe also gets a call from Dan congratulating him on a job well done with Phil, but Joe has no idea what he's talking about. In the end Joe returns home to collect his stash of money with the intention of giving it to his kids, but his father will have nothing to do with that. The plot is crisp, clever, insightful, duplicitous, intelligent and has a cathartic ending. There are some themes in this film. Through a discussion between Joe and his father we learn that Joe is not a product of his upbringing or environment. His actions are due to his inner-self and narcissism. We also learn that sometimes redemption can only be achieved through self sacrifice. Bygones be bygones and apologizing just doesn't cut it. This is a competent film in it's genre. It's actually one of three Netflix Originals that were released in 2017 that are hidden gems considering some of the abysmal content available. The other two films are, "Shimmer Lake" and "I Don't Feel at Home in This World Anymore". That's just my opinion.

I enjoyed Small Crimes and would recommend it with two caveats. Based on the trailers for the film and even the beginning of the film, I expected there to be more dark humor (of the absurd variety). Like 'how can this guy have SO much bad luck'. It very quickly turns away from this direction. Also, there are a lot of players, and the film takes very little time to help the viewer understand each players roles. That being said, you definitely get the gist well enough, and it certainly keeps you intrigued enough to want to see the whole thing through.