Mise à mort du cerf sacré

Yorgos Lanthimos's latest film, The Killing of a Sacred Deer, is well-shot, adeptly acted, intensely written, and beautifully unsettling. An outstanding achievement by any metric. And I never want to see it again.

From the opening shot, the film wears its tone not only on its sleeve, but also on its chest, face, and everywhere else: Its gonna make you uncomfortable. From the haunting score that seems to creep its way into every scene, to the awkward and robotic characters, to the downright scary Martin (played excellently by Barry Keoghan), the movie feels 'off.' We've seen this "seemingly perfect upper- class family has a darkness that tears them apart" type story before, but never so viscerally displayed as it is here.

If the characters' inhuman mannerisms, conversations, and actions aren't unsettling enough, the film also delivers enough on-screen gross outs to hammer home a truly affecting experience. The film is objectively well-shot, and delivers a capable, if slightly subdued plot, while building to a frightening conclusion. It's not a horror movie sort of frightening either, but more of a, "I can't believe I'm about to watch this" feeling.

I know that's a tough sell. The Killing of a sacred Deer is not going to make you feel good. The film is filled with an overarching, all-consuming darkness that lingers even after it's over. Still, it's a truly unique and deeply affecting film that's worth watching, even if only once.

This is definitely not one for everyone and that's okay, sure, but to assign it a 1-star or 2-star rating as some have done, is just ridiculous, especially when the disconnect certainly is on the side of the viewer. In fact, those who deemed the acting 'bad' (one reviewer notes: "I thought the characters were robots") missed the entire point of the film.

While, admittedly, the acting from the girl who plays the daughter is flawed, both the acting from the rest of the cast and the way in which the story unfolds is purposefully meant to make you feel highly uncomfortable - and it succeeds.

From the very first scene, to where your mind goes in regard to the sexual nature of the relationships, to the inappropriate or generally eyebrow-raising topics of discussion between some of the characters, this film is MEANT to BE "creepy" and to make the viewer FEEL odd, off - and even dirty.

Much of the creepy-factor, if you will, comes PRECISELY FROM the amazing way in which most of these talented actors made these characters come across as disturbing, unappealing, ALMOST like most of us, ALMOST worth sympathizing with, but not quite. It would have lost much as a film of this nature had the acting been that of a normal or run-of-the-mill family). Again, EVERYTHING, from the topics of conversations, to their postures, to their almost detached delivery, was purposeful and meant to lend to the eeriness of the film and the discomfort of the viewer. THINK about it for a moment: have you ever watched Colin Farrell NOT deliver an enthusiastic, almost convivial performance? The departure from his easy affability in other roles, and almost apathetic delivery in The Killing of a Sacred Deer, was purposeful, and necessary to drive the uncomfortable narrative deep into the viewers minds. This is the very same reason (among many others) one particular character sings - eerily. The viewing experience had to be uncomfortable.

While The Killing of a Sacred Deer may not go down as a family favorite or as one we watch over and over, it is definitely engrossing for its running time and more importantly, it isn't the thousands of other films on hundreds of streaming sites with nothing to say for itself. In short, for those who specifically look for and enjoy films which are not the standard fare, this one is a should-watch.

7.6/8.

It's not "weird" just to be weird, It's trying to show us something discomforting, that conventional movies CAN'T.

While The Killing Of a Sacred Deer will be dismissed by the mainstream, for it's very unconventional acting, pacing, and plot, for other's it offers a discomforting conversation on the dark reality of nature and justice. You aren't supposed to ENJOY it, you are supposed to appreciate it.

The intentionally cold and flat reactions from it's characters will turn many off, but give insight into empathy and trust. The subtraction and skewing of emotion allows us to get a closer look at ourselves and our expectations for coping with threats and loss. It's maddening and incredibly uncomfortable to watch, but that is it's aim and success. You have to stop wanting the movie to be what you want it to be, and start wondering why it is the way it is, if you want to take something away from it.

While the movie doesn't meet it's impact potential by missing some opportunities for heavier moments and more character development, it is still fascinating, challenging, and rewarding for an open mind.

For people that appreciate brain teasers like 2001: A Space Odyssey, Mulholland Drive, Borgman, Under The Skin, and Sleeping Beauty.

This poorly written and badly directed movie from Oscar nominee (for "The Favourite") Yorgos Lanthimos is yet another Emperor's New Clothes example of bad contemporary cinema. You can fool some of the people some of the time...

As often is the case during a bad movie, my mind started to wander and I thought about Ed Norton's breakthrough film "Primal Fear", a suspense thriller featuring a memorable war of wills with Richard Gere. In "Deer" we have Barry Keoghan reminding me of Norton, but giving a rote, clumsy performance. For director Yorgos, niceties like believable acting, believable characters and attempts to help the viewer suspend disbelief are way too cornball for him to attempt, instead substituting his tiresome Theater of the Absurd antics.

In contemporary porn, wedded to internet streaming as the mode of delivery, a set-up for a scene/video lasts a minute or two to establish some dumb stag movie type premise, and then it's on to the races for a half hour or so of nonstop explict sex action. In "Deer" Yorgos takes an hour, fully half of the movie to shaggy-dog build up his absurd supernatural premise, during which the cast walks through their roles like zombies.

Nonsensical second half, with its absurd violence and ridiculous sexual innuendo (Nicole Kidman's off-screen hand-job for example) traps the characters with zero degrees of freedom, making their actions subject to "fate" or some pretentious appeal to Euripedes and Greek myth. It's not interesting watching them go through the motions and none of the scenes are credible. Under the guise of avant-garde filmmaking, we get hackwork. Oh, for a great filmmaker like a Sidney Lumet (with scores of great movies about conflict and war of wills, my favorite perhaps not the Pacino classics but Sean Connery in "The Offence"), not the trendy hacks of today's cinema.

Eh it wasn't horrible, but I wouldn't watch it again. It was very disturbing, unsettling and weird. The film had me guessing at every sec. Perhaps those are elements of a good film? I give it thumbs up for being able to reach within and for making me feel that, but its not the experience I was looking for. Entertaining film but in a way most people might not enjoy.