NOTE IMDb
5,2/10
3,8 k
MA NOTE
La représentation unique et intime d'une jeune fille en deuil le jour de la fin du monde.La représentation unique et intime d'une jeune fille en deuil le jour de la fin du monde.La représentation unique et intime d'une jeune fille en deuil le jour de la fin du monde.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires au total
Matthew Browne
- Billy
- (as Matthew Thomas Brown)
Jenna Marie Johnson
- Layla
- (as Jenna Johnson)
David Calvitto
- Priest
- (voix)
Madison Perry Hernandez
- Gwen
- (as Madison Stratford)
Avis à la une
It is very pretentious though.
This is a one-man live action dream, a nightmare or a trip. It has a single track plot, nauseatingly slow with chaotic details and a few peekaboo scares. It reconnects with reality and speeds up closer to the end.
Monsters and vfx here are not to amaze but to add to sophistication.
Somber and ethereal music makes for a more enjoyable experience.
I've been excited to see "Starfish" since I saw the trailer a month or two ago - my expectations were wrong, but not in a bad way.
"Starfish" is a worthy entry in the indie sci-fi genre, it reminded me of the works by Zal Batmanglij & Britt Marling, and also Von Triers "Melancholia". Visually it's quite impressive actually, very simple, but carefully executed. Cinematography is rich and creative, editing's crafty and done with a sure hand, there's a subtle amount of decent cgi & color grading is on point. The visual atmosphere is accompanied by a fitting, raw original score.
The story is narrow, questions won't be answered & that's alright. Be warned and don't come looking for substance and logic in "Starfish". While there's not a lot of action (close to none) & the pacing is slow, even draggy at moments, it's the atmosphere and emotional side of the story that should hold your attention, it did hold mine, to some extent. Feel for the character, watch in silence and you might just get mesmerised by the simplest things - there were a few, short movie magic moments. Personally, I liked the drama part more than the sci-fi part, there are thoughts put in this film, however metaphoric. The main character, by the way, is acted out well, props for that.
A lot of people say that "Starfish" is unique - I disagree, it's been done before, different styles, maybe less style. There's no doubt that this is a style-over-substance kind of movie & I happen to love them. Oh and I would hardly call this a horror movie, it's a sci-fi drama. Who do I recommend this to? Art-house lovers, low-budget indie sci-fi fans & for those who like style-over-substance slow-burners. Those were my honest thoughts on this inside-out-indie avantgarde flick. My rating: 6/10.
"Starfish" is a worthy entry in the indie sci-fi genre, it reminded me of the works by Zal Batmanglij & Britt Marling, and also Von Triers "Melancholia". Visually it's quite impressive actually, very simple, but carefully executed. Cinematography is rich and creative, editing's crafty and done with a sure hand, there's a subtle amount of decent cgi & color grading is on point. The visual atmosphere is accompanied by a fitting, raw original score.
The story is narrow, questions won't be answered & that's alright. Be warned and don't come looking for substance and logic in "Starfish". While there's not a lot of action (close to none) & the pacing is slow, even draggy at moments, it's the atmosphere and emotional side of the story that should hold your attention, it did hold mine, to some extent. Feel for the character, watch in silence and you might just get mesmerised by the simplest things - there were a few, short movie magic moments. Personally, I liked the drama part more than the sci-fi part, there are thoughts put in this film, however metaphoric. The main character, by the way, is acted out well, props for that.
A lot of people say that "Starfish" is unique - I disagree, it's been done before, different styles, maybe less style. There's no doubt that this is a style-over-substance kind of movie & I happen to love them. Oh and I would hardly call this a horror movie, it's a sci-fi drama. Who do I recommend this to? Art-house lovers, low-budget indie sci-fi fans & for those who like style-over-substance slow-burners. Those were my honest thoughts on this inside-out-indie avantgarde flick. My rating: 6/10.
Dead ultra-hipster gives clues to her sleepy and ditsy model friend to thwart an alien invasion.
This movie may have been billed as Drama/Horror but essentially it's neither. Although the premise of the film is a girl battling thru the end of the world in which monsters have come thru from another dimension, its really just all a bunch of metaphorical hooey that the writer/director was using to express his personal grief issues. Thus the only person who truly understands this movie is its creator, the rest of us can only take our best guess as to what it all means. My interpretation is that the star represents the director, coping with some marital and grief issues and the monsters are the occasional terror and anxiety they felt in their isolation. The premise of some magical sound hidden in the various mixtapes feels like a thin veil put on the film so it could be categorized. If you want a monster horror flic, this isnt for you but if you have a personal relationship with grief, loss, or regret, then you may find some understanding in the film, but dont look for any big answers.
Some movies you have to "pause" when you go to the bathroom. This is the kind of movie that you can "start it" go wash your car come back and you would have missed nothing. In a one women show the turtle got voted "best new comer"... seriously though there's nothing here. Productuon values are good. Virginia Gardner the lead and only character in the movie is very good. The writer/director had nothing to say no story to tell. Well he did have a story to tell but seems he chose not to tell it or lost it in editing. Just kidding this movie was not lost in the editing room. Starfish is what you get when you have a kernel of an idea and a slightly smaller kernel of imagination. (6 turtle puns deleted out of respect for the 3 people who will read this review)
Le saviez-vous
- AnecdotesThe movie, which is dedicated to A.T. White's deceased friend and which begins with a "based on a true story" title card, is an allegory for grief. The monsters unleashed in town mirror the loss in Aubrey's life. Her reaction to them follows the 5 stages of grief. First, she ignores everything and goes through denial ("I wonder if the world still exists if I choose to ignore it"). This abruptly switches to anger (punching the wall until her hand is bloody), then bargaining ("okay Grace, you get one chance...we'll try it your way"), followed by depression (the despondent conversation in the library where she says she's incapable of happiness), and culminating in acceptance (finally seeing Edward's face in her visions; symbolically drowning the man she cheated with; writing out the "Forgive + Forget" message; letting go and floating upwards).
- GaffesThe two way radio never needs recharging and also does not require pressing a push to talk button to talk back.
- Crédits fousOne of the rare films besides Se7en and Kiss Me Deadly where the end credits roll from top to bottom rather than the traditional bottom to top.
- ConnexionsReferences Orange mécanique (1971)
- Bandes originalesThese Few Presidents
Performed by WHY?
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- How long is Starfish?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- 海星
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 15 849 $US
- Montant brut mondial
- 15 849 $US
- Durée1 heure 41 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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