The Orville
- Série télévisée
- 2017–2022
- Tous publics
- 44min
Un navire d'exploration de la Terre fait face à des défis intergalactiques 300 ans dans le futur.Un navire d'exploration de la Terre fait face à des défis intergalactiques 300 ans dans le futur.Un navire d'exploration de la Terre fait face à des défis intergalactiques 300 ans dans le futur.
- Nommé pour 1 Primetime Emmy
- 3 victoires et 17 nominations au total
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As many critics have pointed out, this isn't a spoof of Star Trek. It's not exactly an homage either. The best way I can describe it is that MacFarlane wanted to make a Star Trek show that recalls that franchise's earlier days, back before it became an action blockbuster film series and before the TV shows started becoming dark and grim and edgy. MacFarlane is making his own version of the original Star Trek, and he is a new Captain Kirk. All the optimism and sincerity and lightheartedness of that show is here, and in many ways it's kind of wonderful. I'm honestly surprised something like this exists.
There's some off-color humor, but it's never (so far at least) particularly offensive, or at least its offensiveness pales in comparison to many of McFarlane's other works. Still, it's distinctly him, so it's not going to be appealing to everyone.
In any case, I've really enjoyed The Orville. It's not a perfect show. Some of the jokes do fall flat. But I love its spirit. I love that someone is actually trying to make a Star Trek show that isn't just filled with explosions, space battles and gritty action. You should check it out and make up your own mind. Maybe you'll hate it, but maybe not. It's fun and kind of sweet and I'm happy it's a thing, however weird and unexpected it might be.
Update: November 2017 The show keeps getting better from week to week and it seem has now found its groove. The Orville uses its adventure-of-the-week format to explore modern-day social issues and tackle current moral dilemmas in a sci-fi venue. The show is refreshingly progressive in its politics, and optimistic to its core. It is a Star Trek show for folks who want something a bit old-school. By not having a budget (or requirements) for wall-to-wall spectacle, the hour-long Fox show is forced to focus on character, chemistry, sci-fi plotting and moral debates that have partially defined Gene Roddenberry's property for generations. (though the special effects look superb and almost movie like)
Yes, to a certain extent it's fan fiction, but then so is so much of our current pop culture entertainment. But by being a network television show, it is forced to be the kind of Star Trek that fans claim the recent movies have neglected in favor of four-quadrant blockbuster thrills. The Orville is not a spoof, but rather a straight-faced Trek show with characters who are funny and which you can learn to love.
There's some off-color humor, but it's never (so far at least) particularly offensive, or at least its offensiveness pales in comparison to many of McFarlane's other works. Still, it's distinctly him, so it's not going to be appealing to everyone.
In any case, I've really enjoyed The Orville. It's not a perfect show. Some of the jokes do fall flat. But I love its spirit. I love that someone is actually trying to make a Star Trek show that isn't just filled with explosions, space battles and gritty action. You should check it out and make up your own mind. Maybe you'll hate it, but maybe not. It's fun and kind of sweet and I'm happy it's a thing, however weird and unexpected it might be.
Update: November 2017 The show keeps getting better from week to week and it seem has now found its groove. The Orville uses its adventure-of-the-week format to explore modern-day social issues and tackle current moral dilemmas in a sci-fi venue. The show is refreshingly progressive in its politics, and optimistic to its core. It is a Star Trek show for folks who want something a bit old-school. By not having a budget (or requirements) for wall-to-wall spectacle, the hour-long Fox show is forced to focus on character, chemistry, sci-fi plotting and moral debates that have partially defined Gene Roddenberry's property for generations. (though the special effects look superb and almost movie like)
Yes, to a certain extent it's fan fiction, but then so is so much of our current pop culture entertainment. But by being a network television show, it is forced to be the kind of Star Trek that fans claim the recent movies have neglected in favor of four-quadrant blockbuster thrills. The Orville is not a spoof, but rather a straight-faced Trek show with characters who are funny and which you can learn to love.
The Orville is a show with potential. I liked how it didn't try too hard to be funny. In fact, it reminded me more of a Star Trek episode than Family Guy. I suspect there will be many comparisons to Galaxy Quest.
My concern is the audience. To appreciate this show, I think you need to be both a science fiction and crude humor fan. I'm one of these people, but I'm not sure if there are enough of us to support the production. Hopefully, we'll be seeing a lot more of The Orville.
Star Trek discovery was also released, and I have to say, this show comes closer to what I expect in a Star Trek series.
My concern is the audience. To appreciate this show, I think you need to be both a science fiction and crude humor fan. I'm one of these people, but I'm not sure if there are enough of us to support the production. Hopefully, we'll be seeing a lot more of The Orville.
Star Trek discovery was also released, and I have to say, this show comes closer to what I expect in a Star Trek series.
Somebody who reviewed one of the new and frankly bizarre "Star Trek" series that are out there said that they should just hand the entire Star Trek franchise over to Seth MacFarlane as he was most suited and likely to actually do a good job of keeping the essence of Star Trek and its legacy. I could not agree more. What the new Star Trek series fail miserably at achieving MacFarlane does so effortlessly. In just one or two episodes of the Orville we already like and understand who the characters are. We care for them. In the new Star Trek series they cry all the time either when leaving each other or when being reunited, obviously they are incredibly attached to each other, however, the viewer has not partaken in the actual bonding that seems to have occurred between the characters. Must have been happening behind the scenes. Again, MacFarlane makes the interaction between the crew members very successful. For example, by understanding the importance of downtime and using an inviting dining or pub area for people to hang out.
Instead of filling our screens with doomsday scenarios the Orville brings us hope for the future and the message that we can always aspire to better as human beings.
At any time, but especially now, I feel the world could do with more positive messages like this.
However, even though the Orville reminds us of the "real" Star Trek, it has its own personality and manages to effectively balance humour, the weird, with the serious, with the current topics of our modern world.
We need the Orville and I sincerely hope we get several more seasons of this well-made, well-rounded, quality show!
Also a plus for the good music and a real intro theme!
And i'm not sure why that puzzles me but it seems the actual Star Trek franchise has been taken over by directors and writers who wish to take it to a very dark place.
The release of Star Trek: Picard sadly confirmed that with the introduction of profanity and for the first time in a Star Trek show the M for Mature rating so it's good to see The Orville keeping the tradition of Star Trek while even managing to create its own universe and characters.
The Orville has proved that the Star Trek serialized format is still a popular one with the viewers and I hope the creators can keep it going. Fantastic show that addressed many of todays insane ideals (gender pronouns, sex change, etc) while maintaining the comedy. Genius.
If this is your thing then check out the British comedy that was missed by many called Hyperdrive.
The release of Star Trek: Picard sadly confirmed that with the introduction of profanity and for the first time in a Star Trek show the M for Mature rating so it's good to see The Orville keeping the tradition of Star Trek while even managing to create its own universe and characters.
The Orville has proved that the Star Trek serialized format is still a popular one with the viewers and I hope the creators can keep it going. Fantastic show that addressed many of todays insane ideals (gender pronouns, sex change, etc) while maintaining the comedy. Genius.
If this is your thing then check out the British comedy that was missed by many called Hyperdrive.
Seth McFarlane and the team have done a wonderful job of taking the best elements of Star Trek, lighten it up with a little comedy and telling stories that are entertaining and relevant at the same time.
Where Star Trek has become a dystopia, a dark vision of the future with unlikeable characters (especially discovery) and a focus on action and visual effects instead of great stories, the Orville focusses on what matters and really goes where no man has gone before.
This show should be called Star Trek: Orville. It's more Star Trek than anything else out there right now. And I mean it in the most positive way.
Where Star Trek has become a dystopia, a dark vision of the future with unlikeable characters (especially discovery) and a focus on action and visual effects instead of great stories, the Orville focusses on what matters and really goes where no man has gone before.
This show should be called Star Trek: Orville. It's more Star Trek than anything else out there right now. And I mean it in the most positive way.
Le saviez-vous
- AnecdotesUnlike the first two seasons, the whole third season was written in advance, and scenes from different episodes were shot in a row, based on the location and actors' availability. Jon Cassar and Seth MacFarlane split the direction duties for the 10 episodes so they could work like that.
- GaffesThe universal translator is treated as a magic Babelfish, allowing anyone to understand the language of someone the Union has never met before, which means that no samples of their language would be in the translation computer files. This hand-wave is carried over from Star Trek.
- Citations
[repeated line]
Captain Ed Mercer: Alara, you want to open this jar of pickles for me?
- ConnexionsFeatured in The IMDb Show: Take 5 With Jessica Szohr (2019)
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