Barracuda

Talk about a wild ride of a heckava movie! This is a story about people who they think is good might often be the ones that they think is best to find out when they think they is not in the same goodness form of the people in the other room. The director guy is a new guy that has him some good ideas about the girl in his movie. who is a great acting girl! My mom and I watched this movie together on the last Friday and she did not see it all but says that it was good. It be the sacry movie for all of the movie and in the end. Please watch with your lights on!

An American thriller; A story about a young British woman who comes to Austin, Texas, to find her half-sister by way of their dead country musician father, and before long doubts are erased and chaos takes hold. There is an intriguing ambiguity to the stranger who rolls into town. Pent-up anger, pain, and defiance bubbles below the surface but never froths over into anything palpable, and refreshingly we are spared verbal conflict and manipulation and simplistic resolutions. The story creates empathy for the young woman as she tries to establish a connection to her new, foreign family. However, while engrossing and edgy, it fails to produce a vice-like grip on the viewer by the end. Instead, we get graphic violence in place of motive. Still, it is a smart, tense movie with two good performances, which make it just about work.

But that twangy country music and the dancing without rhythm rednecks was too much to bear, so FF was a blessing. It also came in handy with the bar scene with those two derelicts trying to make a move on Sinaloa and her sister who did the right thing for a change and sent these two packing. Sometimes these writer just cannot make a movie without certain idiocies incorporated into them.

I do however agree that the writers might have suffered from writers block when it came to the last 1/3 of this flick. I understand how Sinaloa would despise her half-sister's mother, she was a Biotch with a capital B. But the fight and strangulation was a bit much. And unexpected, I was more in line with something that would awaken Merle from being walked over by everyone in her immediate circle, and especially her mother followed by the gold digging fiance Raul who was more concerned about the finances and not her mental health.

Good movie, but did have some let downs in the writing department.

I have always enjoyed those Flannery O'Connor stories where a visitor "changes things." So, too, is writer/co-director Jason Courtland's (with co-director Julia Halperin) Barracuda, about a young woman, Sinaloa (Sophie Reid), who visits her half sister, Merle (Alison Tolman) in Austin for the first time. Sinaola does change things but not as fast as you might expect nor as clearly as I would like.

However, I may ask too much because family connections are never straightforward, dealing as we do with layers of biology and experience. In Barracuda (the fish depicted on her dad's guitar and an apt metaphor for her), Sinaloa can barely be accepted into the family, even with her talent and knowledge of her deceased dad's music.

Country, bluegrass, and folk music are interwoven with the slow disclosure of the legacies, e.g., dad was "a drunk, a drug addict and a cheater." She's suspected of falsely claiming kinship or arriving to cut herself into the inheritance, which could be considerable given the parcel of land the family owns. Yet, really, most of them, especially her half-sister, are just trying to figure out why she's there and where she's going.

The film is successful not letting us deeply onto Sinaloa's psyche except for a flash of her occasional discomfort at family interactions or Merle's suspicious and unlikable mother, Patricia (JoBeth Williams). Slowly, very slowly, Sinaloa's true character and intentions become clearer. Most everything relates to her exclusion from the family--her resolution is dramatic but not surprising.

No surprise that Bruce Beresford is a producer of this film, he the director of Tender Mercies, a milder rendition of this film's underlying family disabilities. Like bloodline and family in real life, this thriller has few certainties, exacerbated by the visitor who changes things.

If you're patient, you'll enjoy one of the year's oddest and most perplexing indies.

I don't know whether the title of my review surprises u or not..... I was extremely surprised when i first finished this movie....

Thriller movies are always high rated movies..we can say that. But what this movie shows us is exceptional. Usually thriller movies starts with some mysterical incidents... Runs the whole movie arounds it and finally reveals the mystery... like Fight club, Shutter island and so on ...on...But here thrill is constructed within music.Totally extraordinary plot. I think u will admire this when u will see it yourself.

Two sister Alison Tolman and Sophie Reid have done well in the film.Let me say i haven't spotted Alison Tolman before this movie though i have seen the movie "The Gift".But in this movie she has done some good work.

Sophie Reid is as good as She was in "Beauty and the beast".The two sisters creates foggy atmosphere within the film.Their chemistry mixed with family drama made a reasonable movie for audience.

The movie runs nearly 1 hour and 40 minutes...the whole time will just disappear in front of u. at the end of it u will be satisfied..

There is no complaint about acting...direction..story..etc....etc...

When u have thriller like this in ur hand complaint is the least u can do.