Lorsqu'un marine rentre chez lui après un déploiement à l'étranger, il part en guerre contre des trafiquants d'êtres humains qui ont kidnappé sa sœur de 13 ans.Lorsqu'un marine rentre chez lui après un déploiement à l'étranger, il part en guerre contre des trafiquants d'êtres humains qui ont kidnappé sa sœur de 13 ans.Lorsqu'un marine rentre chez lui après un déploiement à l'étranger, il part en guerre contre des trafiquants d'êtres humains qui ont kidnappé sa sœur de 13 ans.
- Réalisation
- Scénario
- Casting principal
Rome Stephens Singh
- Ramos
- (as Rome Stephens)
Alexander Gulati
- Ashfin
- (as Alex Gulati)
Jamie M Timmons
- Aimee Carson
- (as Jamie Timmons)
Nhev Scharrel
- Suzie
- (as Nev Scharrel)
Avis à la une
These kind of movies really get me, you have this trained killer who's just fighting against everybody just killing them? And then all of a sudden, it's just an ordinary person that has no training, never fights. And nothing like that, and they get the best of them. How is it? They get the best of them when it's other people that fight all the time, can't even get the best of them. Make it real. I just fast forwarded, because I just really needed to get to the end. This movie was taken a little too long, when we all know was going to find her.
While the movie attempts to weave an intriguing narrative, it falls short in several areas. The plot holds promise, but it seems to be the sole focus, lacking depth in character development and other narrative elements.
The casting choices are puzzling; for instance, a character who is meant to be a young teenager is portrayed by an actor who appears significantly older. This discrepancy is jarring and detracts from the authenticity of the story.
Cinematography is another area where the movie struggles. The camera work is erratic, seemingly in an attempt to compensate for the actors' performances, which unfortunately, are riddled with errors.
The action sequences are over-the-top, with the protagonist defeating adversaries with ease, reminiscent of falling dominoes. However, a particular scene involving a female antagonist almost defeating the hero stands out as an exception, though it feels like a forced narrative twist.
Continuity errors are also present, particularly concerning a photograph that plays a pivotal role in the plot. The inconsistencies in how the photograph is handled by the characters are confusing and disrupt the flow of the story.
In conclusion, while the movie has its moments, it's marred by numerous flaws that make it difficult to watch without a critical eye. It's a plea to Hollywood to retain its unique storytelling charm and not drift into the melodramatic territory often associated with Bollywood productions.
The casting choices are puzzling; for instance, a character who is meant to be a young teenager is portrayed by an actor who appears significantly older. This discrepancy is jarring and detracts from the authenticity of the story.
Cinematography is another area where the movie struggles. The camera work is erratic, seemingly in an attempt to compensate for the actors' performances, which unfortunately, are riddled with errors.
The action sequences are over-the-top, with the protagonist defeating adversaries with ease, reminiscent of falling dominoes. However, a particular scene involving a female antagonist almost defeating the hero stands out as an exception, though it feels like a forced narrative twist.
Continuity errors are also present, particularly concerning a photograph that plays a pivotal role in the plot. The inconsistencies in how the photograph is handled by the characters are confusing and disrupt the flow of the story.
In conclusion, while the movie has its moments, it's marred by numerous flaws that make it difficult to watch without a critical eye. It's a plea to Hollywood to retain its unique storytelling charm and not drift into the melodramatic territory often associated with Bollywood productions.
Wanted to like this film, as it seems by the ratings a lot of people did, but it's so amateurish beyond belief.
Our hero, a lady with so many teeth she cannot actually close her mouth, is the usual war hero, expert at everything to do with warfare, of course.
Somehow her friend finds out where young girls are being housed (if it was that easy the cops would have already done it?), so they start breaking into these houses. No mask, no hood, no voice disguiser, nothing.
Amazingly, the cops talk to her about it. Wonder how they realised?
Everyone talks in a bizarre, muffled way, and I inevitably missed some of the dialogue.
In short, this has all been done before, only SO much better, so I really wouldn't bother if I were you.
Our hero, a lady with so many teeth she cannot actually close her mouth, is the usual war hero, expert at everything to do with warfare, of course.
Somehow her friend finds out where young girls are being housed (if it was that easy the cops would have already done it?), so they start breaking into these houses. No mask, no hood, no voice disguiser, nothing.
Amazingly, the cops talk to her about it. Wonder how they realised?
Everyone talks in a bizarre, muffled way, and I inevitably missed some of the dialogue.
In short, this has all been done before, only SO much better, so I really wouldn't bother if I were you.
It's clearly a B film, so as such, it's a middle of the road viewing experience. There are much more bottom of the bargain bin B films, and much better ones, and this one had a good theme, but was riddled with many rookie filmmaking mistakes.
There were many holes in the writing as well as plot and technical issues. The PTSD flashbacks started to become annoying, then ended up being cringe and worthy of eyerolls. Even the sister's whole "dancing" scenes were pointless and just added annoying filler that detracted from the urgency and seriousness of her situation. Had those scenes and the PTSD ones been cut out, and the pacing picked up by at least 1.2x, I may have enjoyed this more and been more forgiving to the many other filmmaking errors.
But as it was, the 101 min runtime felt way longer and I caught myself losing interest many times. There were also too many sappy and poorly thought out writing issues, some I could even call lazy. For example, everyone knows from Vigilante Class 101, you wear a mask to hide your identity. I also found most of the action scenes poorly filmed and choreographed.
Casting and performances where adequate for a B film, although Jandreau's character was the least convincing. Partial blame I'm sure goes to poor cast direction and also to poor writing, especially when in some scenes she easily takes down big guys with her military training, and then can't handle taking down the women she fought. It really made those scenes feel like amateur-hour filmmaking you'd expect from a high school drama class. Nevertheless, it's better than watching paint dry, and that's a hard find with most of the poor quality B films out lately.
There were many holes in the writing as well as plot and technical issues. The PTSD flashbacks started to become annoying, then ended up being cringe and worthy of eyerolls. Even the sister's whole "dancing" scenes were pointless and just added annoying filler that detracted from the urgency and seriousness of her situation. Had those scenes and the PTSD ones been cut out, and the pacing picked up by at least 1.2x, I may have enjoyed this more and been more forgiving to the many other filmmaking errors.
But as it was, the 101 min runtime felt way longer and I caught myself losing interest many times. There were also too many sappy and poorly thought out writing issues, some I could even call lazy. For example, everyone knows from Vigilante Class 101, you wear a mask to hide your identity. I also found most of the action scenes poorly filmed and choreographed.
Casting and performances where adequate for a B film, although Jandreau's character was the least convincing. Partial blame I'm sure goes to poor cast direction and also to poor writing, especially when in some scenes she easily takes down big guys with her military training, and then can't handle taking down the women she fought. It really made those scenes feel like amateur-hour filmmaking you'd expect from a high school drama class. Nevertheless, it's better than watching paint dry, and that's a hard find with most of the poor quality B films out lately.
(2023) The Vigilante
THRILLER ACTION
Misleading title to which if one were to look at it one might assume it is an action movie, but it is like as soon as it's watched the action does not happen until after the 40 minute mark and all it is just a few fights.
It opens with her SUV getting rear ended with the lead star, Jessica Carson (Jet Jandreau) ended up in the hospital. It is during then the movie goes on a 40 minute introduction showcasing her as a special forces employed in Afghanistan, and shooting a young girl strapped with explosives and running toward her squadron unit. And because she was a part of that explosion, it deployed her services that means more time with her actual daughter, 13 year old Aimee Carson (Jamie M Timmons). Except that apparently, because Aimee is part of social media, human trafficking goons thought it might be a good idea to kidnap her for their human trafficking ring. And by the time Jessica comes through, and after meeting with the detective, Detective Tom Mason (Paul Bond) assigned to the case, it turned out he was worthless, hinting to her her daughter may have been abducted. And instead of staying home waiting for results, Jessica then seeks help for her tech friend, Dan Benson(Eric Pierce) who she used to served with, and a prostitute on the streets.
The only thing this movie was doing was attempting to capitalize on the success of another human trafficking movie released earlier during the same year called "Sound of Freedom", with action scenes that do not make a whole lot of sense.
Misleading title to which if one were to look at it one might assume it is an action movie, but it is like as soon as it's watched the action does not happen until after the 40 minute mark and all it is just a few fights.
It opens with her SUV getting rear ended with the lead star, Jessica Carson (Jet Jandreau) ended up in the hospital. It is during then the movie goes on a 40 minute introduction showcasing her as a special forces employed in Afghanistan, and shooting a young girl strapped with explosives and running toward her squadron unit. And because she was a part of that explosion, it deployed her services that means more time with her actual daughter, 13 year old Aimee Carson (Jamie M Timmons). Except that apparently, because Aimee is part of social media, human trafficking goons thought it might be a good idea to kidnap her for their human trafficking ring. And by the time Jessica comes through, and after meeting with the detective, Detective Tom Mason (Paul Bond) assigned to the case, it turned out he was worthless, hinting to her her daughter may have been abducted. And instead of staying home waiting for results, Jessica then seeks help for her tech friend, Dan Benson(Eric Pierce) who she used to served with, and a prostitute on the streets.
The only thing this movie was doing was attempting to capitalize on the success of another human trafficking movie released earlier during the same year called "Sound of Freedom", with action scenes that do not make a whole lot of sense.
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- How long is The Vigilante?Alimenté par Alexa
Détails
- Durée
- 1h 41min(101 min)
- Couleur
- Rapport de forme
- 2.40
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