Hairspray Live!

I still love every second of hairspray live from start to finish. Ariana Grande and dove Cameron are my most favorites of the whole cast. Those two should make couple of more together again!!!. songs I still wish that it had a cameo of john waters (director of the original movie) that wouldve Been perfect!. But I still love the movie exactly as it is. I was so happy for ariana for being part of this, I actually watched the original 1988 and the 2007 versions of hairspray just before this (2016) version premiered.

I give the 9/10.

It's not as strong as 2007's Hairspray. And can Rosie O'Donnell please stop acting. But Hairspray Live! is a vibrant and entertaining adaptation with colourful costumes, fun songs and good performances.

I LOVED 'Mamma, I'm A Big Girl Now'!

I saw the John Travolta movie some years ago, but don't remember a whole lot about it.

However, NBC got it right again this year. I don't recall any weaknesses other than the sound being poor in a few cases, and I wasn't able to hear dialogue.

Apparently having an unknown as the lead is the best idea. it worked last year, and Maddie Baillio did a great job. She can sing and dance and has a nice personality.

Harvey Fierstein makes an ideal drag queen. That voice!

Martin Short is surprisingly good as Tracy's father. He is basically the same character Martin Short always plays, but he just stands out so much more than I expected.

While I am kind of a square, most of this music isn't too bad compared to what passes for music in 2016. And there were even songs for someone with my particular taste.

Jennifer Hudson does a great job. Her style of singing isn't really my taste, but that's not important. She steals the show when she sings. People will like her.

Ariana Grande is so adorable as the shy best friend, but she really shows her singing and dancing talent later, and she looks good in a short skirt.

What a hypocrite Kristin Chenoweth is! All this emphasis on high moral standards but she shows off her chest. Great job, and she even hits those really high notes.

Dove Cameron does a nice job as the spoiled daughter who thinks she will be Miss Hairspray because of all the strings being pulled.

Ephraim Sykes is quite appealing as Seaweed, the teen who is tired of being a second-class citizen and teaches Tracy the moves she needs to make it, and he really stands out.

I'm sure I left someone out, but I can't think of anyone who didn't do a good job.

I was surprised by the amount of time devoted to the quest for integration, but it's an important message here.

NBC needs to keep doing these musicals.

I think this was hard to do considering the other amazing movie version with Christopher Walken and John Travolta. On the other hand, Harvey Firestein is so cute as the mom, he kind of steals the show. I have no idea how he has such cleavage, but it is quite impressive. And Martin Short is adorable but just not Walken, you know. Jennifer Hudson is A-Freaking-mazing, of course. And Ariana Grande, well I had never heard her sing before today(because I'm apparently not that cool) but she did a great job.Costumes were pretty nice, and Rosie O'Donnell is actually bearable. I thought it was worth the watch. Yes there were some technical issues, however its live and therefore forgivable. Hardcore fans probably will notice the technical precision in which the dancers do their thing, the change in costumes on many of the originals etc. But the new costumes are really well done and, while different, are just as well done as the original. I had very few dislikes. Harvey was a little stiff, but he is not a young man. Ariana at the end was wearing heels that were way too high for the period, and it made her look a little kinky. Still love the shout out to Essex Community College. I graduated from Baltimore City Community College myself. Yeah! MobTown!!

NBC and Fox seem to be leading the way with broadcasting live musical events and the results can be hit or miss. For every success like The Wiz, there is a misfire like The Sound of Music (is there any way to remove the horrid miscasting of Carrie Underwood in that debacle from our collective memories?). Shortly prior to the broadcast of Hairspray Live!, Fox completely stumbled with a dunderheaded effort of The Rocky Horror Show. Mercifully, Hairspray barely edges out The Wiz as a prime example of when things come together nicely.

By now most people know the story of the hit stage play and film focusing on chubby 1960s Baltimore-based teen Tracy Turnblad, whose dream of dancing on The Corny Collins Show, winning the heart of hottie Link Larkin, and championing the cause of integration for African-Americans, while taking on white Barbie nemesis Amber von Tussel and her monstrous mama Velma, producer of the very show that Tracy hopes to conquer.

The story is fun, the music by and large is bright and lively, and the production numbers veer between both personal and lavish. NBC does a creditable job of mounting a mammoth and rousing production. Although I am uncertain why they chose to omit the very funny production number The Big Dollhouse.

If there are any stumbles it comes in some quibbles in the casting. Maddie Baillio is an energetic Tracy and holds the center of the show together, but she is probably the least impressive singer/dancer of the Tracys that I have. Baillio's singing seems to take on a breathy air when notes become too strenuous for her - which is a bit too often. She does a lot of vocal straining here. Ditto, her dancing is mediocre at best, so when everyone in the cast keeps harping on what a great dancer she is, they come off a tad delusional.

Stage legend Harvey Fierstein returns to play Tracy's mom Edna, a rotund introvert forced out of the house by Tracy's popularity. I missed Fierstein on stage, but seeing him here I actually prefer John Travolta's more vulnerable take on the role in the film. Fierstein is amusing, but he cannot sing...at all. The majority of the lyrics to the songs are garbled by his trademark gravelly voice (let's be honest, Carol Channing has a gravelly voice, but she knows how to use it for effect and does not garble lyrics!) to the point where one feels like they are straining to make heads or tails of what he is saying. By contrast, Martin Short is a delight as the eternally upbeat Wilbur Turnblad.

Of the supporting cast, Garrett Clayton is a bit too bland and Ken Doll-ish as Link. Derek Hough is surprisingly strong as Corny Collins. Both Kristin Chenoweth and Dove Cameron hit all the right notes, both acting and singing-wise as the villainous Von Tussels. Cameos by performers as Rosie O'Donnell, Sean Hayes, and Ricki Lake actually seem pretty pointless.

The film's biggest misfire in my mind is the miscasting of Jennifer Hudson in the pivotal role of Motormouth Maybelle. Hudson sings well, but she is not much of an actress (fluke Oscar win included). One could best describe her efforts here as pleasant, but nothing disguises that she is all wrong for this part. Motormouth Maybelle is written as (and previously been played as) an older woman with weight issues. Watching the youthful and skinny Hudson sashay into the room, one is puzzled when she sings a song to Edna about how she has accepted her own "extra large largesse," because Hudson does not currently share any of these elements. One could get away with casting Queen Latifah in the part. One could even imagine the thrill of seeing an Aretha Franklin or Patti LaBelle play the role. But Hudson is completely wrong.

Still, for these quibbles, at the end of the day, this production largely succeeds because it is such a blast of good spirits and its message of fighting for a good cause and racial harmony seems more timely than ever in the Era of Trump Supporters.