Tully

This movie says so much more than what is on the surface. Marlo a mother of 2, with one on the way is handling things just OK. The added stress of a newborn, a special needs kid and a darling girl tries to keep up. And true to life - things start falling apart. Her brother, with whom there is a not the greatest relationship, offers to get her a night nanny and it takes her awhile to take him up on it. And her life changes after first night of good sleep - and she and has a new friend too. She starts being able to handle her sons needs, take care of herself and slowly you learn what is behind it all. Many men and woman (who have not had children) do not understand the post-partum time - it is not easy all the time and with so many things on the plate of a mother with more children - it is hard. I was not prepared for the last part - but I am sure I will be thinking of it for quite awhile. To me a good movie is one that I still think about weeks later. I loved Diablo Cody's writing - again.

Greetings again from the darkness. Director Jason Reitman and writer Diablo Cody first collaborated on the filming of her debut script JUNO in 2007. Four years later they made YOUNG ADULT with Charlize Theron, and now all three reunite for this latest tip of the cap to motherhood and self-care. Simpatico is the word that comes to mind here with the perfect lineup of writer, director and actress. The biggest question is how to label it. Some will call it a comedy, while others will proclaim it a serious drama. As with much of life, there is a bit of laughter, a touch of drama, and a dash of most every emotion.

Ms. Theron stars as Marlo, mother of three. There is 8/9 year old daughter Sarah (Lia Frankland, 6 year old son Jonah (Asher Miles Fallica) who lands on the autistic spectrum, and now an unplanned newborn that threatens to rock a family already barely getting through each day. Sarah is a lovely sister and daughter, but the typical adolescent insecurities are magnified by her getting lost in the shuffle due to her two more needy siblings. Jonah gets booted from mainstream kindergarten by a principal who labels him "quirky" ... an awkward description people use when they are trying to be polite (even though it's exactly the opposite).

Ron Livingston plays Marlo's husband Drew, a traveling businessman who, though a nice guy and loving father, is clueless to the stresses of running the homestead. Also in the mix is Craig (Mark Duplass), Marlo's brother who is equal parts wealthy and smug. When Craig offers the gift of a night-nanny to Marlo, she is tempted, but her pride gets in the way as she compares herself to the 'cupcake' super moms who always seem to have their act together. Ultimately, the relentless pressure and sleep deprivation, bring the young night-nanny Tully (Mackenzie Davis) into the home. She and Marlo hit it off immediately leading Marlo (and us) to question if Tully is too good to be true.

As Tully entrenches herself, it becomes clear that her value is to Marlo more than the baby. The two ladies become friends, and Marlo confesses her fears and insecurities as Tully acts as a life coach encouraging her through some tough moments. Despite the surreal feel to these interactions, Diablo Cody's dialogue crackles with cynicism and realism. The quips we've come to expect from her writing are delivered by her best developed character to date. There is a depth to Marlo, and her exchanges with Tully take us places a teenage JUNO couldn't possibly.

Charlize Theron proves again that she is truly an elite actress when she commits to a role. Her 50 lb weight game adds the necessary realism, but it's her emotional teetering that is most impressive. She is like a supermodel who also plays rugby - a rare blend of beauty, talent and skill. Mackenzie Davis is a revelation. She holds her own in every scene and it's quite interesting to see her free-spirited modern day Mary Poppins with tats.

If a previous movie has dealt with the challenge and stress of motherhood with this level of depth and realism, it doesn't come to mind. The movie kind of creeps up on you with a message regarding the importance of dealing with lost youth, while also never losing sight of yourself as an individual ... all with incisive humor and pulling no punches on being an overwhelmed mom. Just don't call it quirky.

It's a daunting task to do this film justice with mere descriptions of what it may or may not be about. One thing is clear, it is about motherhood, it is about identity, and about self-acceptance, but one could argue most films are about identity and self-acceptance, which leaves us with motherhood.

It feels much more important to underline that Tully is a rare film with stunning writing and dialogue and acting, that takes the viewer through what it can feel like to be a mother of three children with rare sincerity, realism, lightness and freshness. Mostly, it just feels like we are there, we desperately want to lighten the load Marlo (Charlize) has on her hands, we are incredibly grateful for everything Tully (MacKenzie Davis - who is very far from Cameron Howe here, showing that she has great range on top of her talent) does for her. And when the film ends, it feels like what a movie is supposed to feel like: like we have journeyed somewhere else, both awed and scarred by some of what we've seen, and a little bit wiser than when we first came in.

My wife and I watched this movie at home on DVD from our public library.

I have always been a big Charlize Theron fan, ever since I first saw her in 1998's 'Mighty Joe Young'. She was a producer for this movie and, in the lead role, gained 50 pounds to make the character authentic. She is really great here in a difficult role.

Here she is Marlo, she and her husband are also best friends, but as often happens he can't quite relate to her task of taking care of two young children, and on top of that she is very pregnant and about to deliver their new daughter.

As we watched the story develop, and Marlo gets a night nurse, Tully, who comes in at bedtime and takes care of the baby, the story seems to be taking a very strange twist. At the height of that strangeness Tully talks Marlo into driving into New York City for drinks at night after the baby and her husband are asleep.

When the story resolves itself completely it all makes sense, the overall thrust is how what we commonly know as postpartum depression can affect a busy mother.

From the same writer that gave us "Juno" and "Young Adult."

This film tells the story of a struggling mother of three, whose life is tremendously helped by a night nanny.

The depiction of being a completely exhausted mother is really piercing. Charlize Theron makes it so accurate and so haunting. The night nanny is such a godsend, but the story comes with a peculiar twist. I enjoyed the plot, and I am impressed by Charlize Theron's performance as well.