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Saying this is my first Basque movie probably lacks impact since there are so few of them, but if this is what to expect from them then sign me up for more.

Yet another Netflix original it tells the story of a reclusive blacksmith who imprisons the demon he deems responsible for much of his misery.

It is arguably a dark fairytale, it looks the part, it sounds the part and the cast are fantastic. I had no idea what to expect going in but am certainly happy that I ended up giving it a chance.

It's very hard to categorize Errementari as it has fantasy roots but plays out much like a horror. It's grim, it's dark, its pretty unforgiving yet it has its heart in the right place and doesn't lose atmosphere in favor of needless impact. It has themes with religion, sacrifice and loss, which makes it even more fascinating and relatable.

It had me gripped early, partially because there simply isn't enough of this type of movie out there. It's deep, it's rich and I really enjoyed it. Sure it's not without its flaws, but nothing can take away from it's originality and overwhelming charm.

Good job!

The Good:

Looks great

Truly stands out from everything else on Netflix

The Bad:

Certain things are ridiculous and unexplained

Should have been a tad longer

Things I Learnt From This Movie:

Thin twigs don't make for the most intimidating weapons

Dolls are immortal and cannot be killed by mere decapitation

We need more movies like this!

Devilishly entertaining and fun terror and touches of black comedy about a kid and a blacksmith who become involved in terrible situations. As a Blacksmith : Kandido Uranga has captured a nasty demon, but things go wrong when a little girl , without knowing his badness , releases him . Then , the Blacksmith is chased by the townfolk , and he finds himself at the end of a lynch mob that have come searching for the missing child . Not all tales always have a happy ending.

Errementari or El Herrero or Blacksmith is a retelling of an old fable about a Blacksmith who finds himself battling the Devil as well as saving a little girl from inferno. It contains fabulous effects specials, attractive production design, impressive make-up and wonderful, iconography from inferno , in fact, demons and other horrible figures are taken from Medieval paintings , frescoes , legends and old films as Haxan by Benjamin Christensen. The film is spoken in Basque language but due to its surprising great hit has been dubbed to a lot of languages to export all around the World . All cast give nice acting , however , being unknown , exception for Kandido Uranga who has starred various films , usually as a secondary and a brief role by Itziar Ituño , formerly the participation in Money Heist or La Casa De Papel.

It packs a colorful and sinister cinematography by Gorka Gómez Andreu. Being shot on location in various gorgeous woods from Basque Country as El Pobal , Ubide, Bizkaia, Agorregi, Vitoria-Gasteiz . The motion picture was competently directed by Paul Urkijo Alijo at his first one . It won several prizes and nominations such as : Winner Fantaspoa International Fantastic Film Festival to Artistuc contribution : Paul Urkijo. Grossman Fantastic Film and Wine Festival winner Best Film . San Sebastián Horror y Fantasy Film Festival Winner Best Feature . Goya Awards 20109 Nominee Best Specual Effects : Jon Serrano, David Heras .Motelx Festival International Lisboa de Cinema Terror Nominee Best European Feature Film Award, among others.

An intriguing visualization of a classic Basque folklore tale representing the hubris of humankind and the question of what is good and evil. Oddly rewarding and disappointing at the same time; rewarding in the sense of a well designed period piece and visualization of a region-specific folktale, but disappointing in the casting choices and acting methods of some of the roles.

I was impressed with the boldness of the religious hypocrisy portrayed in this film as well as the representation of Hell as seen from the 19th century Christian church. I find it interesting how different cultures find similarities in Hell while completely changing other facets of its representation.

Although I would not recommend multiple viewings of this film, and in the end it left me a bit underwhelmed, I would recommend a single watch simply to see a film version of this folktale and how the director and writers viewed their version of Hell.

I have never reviewed a movie on IMDB before but I was moved to since someone gave this a 1 rating then only copied the plot verbatim. I found this to be immensely enjoyable. Even with the dubbed dialogue and the captioning that didn't quite agree, it had a wonderful feel of old midevil Europe. The make up on the demons was so 1950s I felt I was enjoying an old Lon Chaney movie. Great direction and great special effects. Pop some corn and grab a Coke and a blanket and kick back for an hour and a half of running with the devil!

A few days ago I stumbled across this film, I expected nothing but it looked interesting and so I gave it a watch. What I got was a well told Basque folktale, that whilst not impressive acting or some visuals (although for such a small budget, even though goofy, the practical effects are really well done) but impressed me is how unique the story is. You get a sense of morality vs religion, which was especially important In the 19th Century of where this film is set. All in all, its a very entertaining movie, you get an interesting story that gives some damn good Horror Fantasy elements that were often gripping.

The thing is, the movie is interesting, especially if you're interested in mythology or movies like the Witch (2016) or Pan's Labyrinth. Whilst not as good as those two, especially in the acting at points, I was definitely entertained. Good movie to watch during the lead up to Halloween. It may not be a film that needs in-depth analysis, I'm not going to spoil anything because that would ruin the experience for you but give it a watch. I was personally mixed on the film, I enjoyed it a lot but some elements were underwhelming. Looking for a foreign folk tale, this movie is probably for you, it'd recommend it, there's some great vision here, come in with an open mind and you won't be disappointed.

This one took me by surprise - the story, a kind of fairy tale with elements of horror, a fine production, solid acting. No doubt, among all those bad to ueber-bad movies (not the good bad kind) that are sold to us, Errementari is a little shining jewel. Recommended, if you like to watch movies like Sleepy Hollow, The Cursed (2021), The VVitch, The Others, Red Riding Hood (2011), and Legend. Exact rating: 6.5.

Visually intriguing, this film reminded me a lot of Jim Henson's massively enjoyable The Storyteller. The production design of The Devil may well be stylised but that only adds to the fact that this is essentially a traditional folk tale. The only thing that really spoiled this for me is that there wasn't a subtitled version available. I prefer to watch foreign films in their original language. I don't find subtitles distracting but am put off by mouths moving differently to the words being spoken, particularly when the film seems to have a small number of voiceover actors speaking for a large number of characters. That said, the visual aspects of the film do compensate for this minor disappointment.

The number of positive reviews on this utter mess of a film is certainly baffling. Cinematography was decent and makeup was quite well done, but that's not enough to hold a movie together at all. Horrendous acting was the biggest anchor here, dragging it down to mediocre silliness. Very annoying characters, especially the demon. Any supposed horror movie that has a demon being a whiny sniveling wuss just fell apart. Watch The Apostle. It's at least clever.

I don't know if the dubbed version just sucks or what. While not any kind of "purist" I watched this movie subbed. I'm sure some of the folklore bits sailed over my American head, but this movie is absolutely amazing. The acting, superb. For what isn't a blockbuster movie, the special effects are quite good. The whole feel of the world has a fantastic dark fairytale reality. If you're looking for a slasher movie, this isn't it. But it's a charming fascinating and beautiful retelling of an old folktale sprinkled with some comedic bits. Seeing it on Netflix I actually thought it was going to be a piece of schlocky European horror. Boy was I wrong.

A very old and common myth, apparently, is shown here in the version told in Basque tradition. I liked seeing a film shot in Basque, and there are lots of things done well in the film. The photography and scenery is excellent, the critical view of rural village life is recognisable, and the acting is overall good - what can be seen as a problem is the light-hearted approach to the story. While I don't mind such a film not taking itself seriously, it is true that the material could produce a powerfully dark horror story. Instead we have a pretty goofy demon. It seems wrong at first glance, but let's remember this is a retelling of a folk tale. It is likely this approach, with the clumsy demon and the back and forth trips to hell is closer to the traditional story - and I cannot fault the filmmakers for making this choice.

What a great find I stumbled on. So refreshing to watch a film, which does not have to rely on big budgets and flashy special effects. Simply a great piece of story-telling, like watching a live theatre show.

Well, where to start with "Errementari"?

First of all, I have to say that "Errementari" is not your average fantasy horror movie. It has a pretty straight forward storyline, sure, but writers Paul Urkijo Alijo, Asier Guerricaechebarría and Paul Urkijo Alijo managed to squeeze so much more out of the storyline than just your average fantasy horror movie.

What works for "Errementari" is the setting, because it definitely feels very believable and realistic, and that definitely works well in favor of the movie and the atmosphere of the movie. The props, costumes and sets were really nice and there had really been paid attention to small details. And that showed on the screen.

The storyline is good, because it is a very interesting story. And it is very nicely compiled, told and paced by director Paul Urkijo Alijo, slowly building up the intensity and then completely throwing a curve ball to the audience. I liked the plot twists there were along the way. I hadn't foreseen those, so they were very interesting and surprising. Something that really brought the storyline nicely along.

It should also be said that the acting performances in the movie were good, and the actors and actresses cast for the roles really carried the movie well, as they put on good performances.

The special effects were good as well, and I do love practical creature effects. And trust me, the creature designs and effects in "Errementari" were fabulous. I love those. And they make it well-worth to sit down and watch the movie.

"Errementari" was a nice surprise of an entertaining movie for me. It was not one I had expected much from, to be bluntly honest. If you enjoy a good old fashioned horror movie, then "Errementari" is a good choice.

My rating of this 2017 Basque fantasy horror movie lands on a well deserved six out of ten stars.

I don't know where to put this movie. Horror? Comedy? It is neither. The scenery was good, but at some points it was off because of the pretty bad/amateur special effects. Still 8/10 for scenery. Story wasn't really good written, it did not make much sense and when you add really bad acting together with that, well you end up disappointed but amused. I wanted to quit watching after first 20 minutes, then after 40 minutes again, but I somwhow managed to watch the movie to the end (I was very bored during the movie but that is just my feel on it, maybe not yours, give it a shot). There is good comedy in this movie but it is not enough to tag it as a comedy. And for a horror, well there was absolutely no horror in there. Overall I felt like I was watching an expensive theater play and I feel it would be a great piece to go and look with this acting and writing. Score is 3,71 so I'm rounding it up to a 4/10.

As a whole, I enjoyed this film far more than I thought I would. It was incredibly different than what I thought it would be when I went into it, and for that I am glad. When I started the movie, I expected it to be a semi-schlocky horror flick with a high body count and some cool effects, but instead I was met with a thoughtful folk story with some interesting twists, beautiful production design, and more heart that I ever would've expected. While I can say for certain that this movie is not for everyone, I can say that the right audience will be entertained. For hundreds of other reviews, articles, and podcast episodes visit True Myth Media!

The trailer was kinda bizarre and i didnt know what to expect. In the end its no horror flick but a very watchable tale you might even tell your children. It seems to be an adaptation of some basque folklore. The (german) dubs were ok. The visuals were good and created a nice atmosphere.

The only thing this movie has going for it is the novelty of " Basque". Terrible writing + terrible acting. It is a bore fest with action sprinkled in to keep you from falling asleep.

Currently out on Netflix, Errementari is a Basque film, a dark fairy tale kind of like the Brothers Grimm based on a European fable. In it, a young girl comes across a blacksmith who has trapped a demon.

The whole thing is well done. It captures the roughness of original fairy tales without trying to make this a straight-out horror movie.

The best part is the whole look of the thing. The demon design is based on medieval drawings of Hell. The demons have this retro look that is both fun, but also a little unsettling.

Errementari is a strange film, and seems to approximate what you get when you mingle a tonality and visual style reminiscent of Guillermo Del Toro (specifically Pan's Labyrinth), an obsession with Catholic myth, and quality lower budgeted filmmaking.

Much like Pan's Labyrinth, the story centers around a girl in historical Spain (I forget when exactly, maybe 1800's? I'm a pro reviewer!) who is being raised by the minister of a small town. Her mother committed suicide shortly after she was born, and she don't believe in no Gods and Devils! On the outskirts of town, there is a blacksmith, an errementari, who, according to legend, has made a deal with the devil. The narrative goes in some pretty wild directions, and I won't spoil too much, but it turns out this is true, and he's got one of the demons under lock and key.

You can synthesize the preliminary narrative thrust here pretty well by the trailer, which appreciably does not spoil the whole movie, as many modern trailers tend to do:

The look of the film is something that comprises both a point of praise and, perhaps for some, equally a point of contention. The movie is generally very good looking, impressing the viewer with lots of deep cold blues and heated reds, and both color temperatures are imbued with an appreciable mistiness. The cinematography is quality, and the production design, especially, I found to be really impressive. Much of the time is spent in and around the blacksmith's hut, and the reliance on visual motifs like crosses and spikes both looks cool and serves the general vicious Catholic spirit that imbues the movie. What some people might take umbrage with, and may distract them, is that the devil is quite clearly a guy in a rubber devil costume. Personally, I love this choice. Whether the inspiration for it was budgetary, or simply an homage to the monster pictures of the pre-2000's, when such concessions were technically necessary for lack of computer graphics, give me a rubber costume any day. Even The Lord of the Rings knows the glory of this. The Hobbit not so much.

It's a good costume, as well. Possibly the best you could do in bringing a devil to life through latex, but it does stretch believability somewhat, and this keys into a tonal point about Errementari. Like the costume, the film rides a curious line between good cinema and a good B movie. It establishes tension fairly well throughout, with good camera work, great acting, and the aforementioned cinematography and production design, but often crosses the line into schlockier territory where the tension was surmounted by a silliness that had me either smiling or laughing. This is particularly pronounced towards the end, in a wonderful scene I won't spoil, but you'll know it when you see it.

The point here is that all things considered, the tone might not jive with some people. It's not entirely consistent, as the line is blurred between a serious narrative and fun, slightly goofy, rubber-monster elements, but I thrive in this environment. It scratches the Well Done Movie itch as much as it scratches the Reel Weirdo itch, if you get my drift, and almost feels like a remake of some classic 80's flick in some regards, right down to the plotline, which toys with revenge, redemption, damnation, and familial entwinement in a classic sense. It's very much like a weirdo fairy tale, and as easy as it is to draw Guillermo Del Toro inferences, I could just as easily see this being a movie Lucio Fulci made for 7 dollars in 1989, but resurrected by a good modern filmmaker.

FINAL TAKE: In all, I quite enjoyed my time in Errementari, although it's a little hard to know who to recommend it to. I think Pan's Labyrinth is probably a good metric, in that regard. You have a little girl facing down mythological forces, a fair degree of darkness in both the tone and narrative elements, and a tone that flits between serious and slightly silly. It must be said that this is certainly not the equal of Del Toro's masterpiece (almost nothing is), but if this sounds like it might be up your alley, I'd give it a shot. There's some really fun stuff here.

Unmitigated tosh. The terrible dubbed American English dialogue made it even worse. Both boring and ridiculous. I cannot think of any redeeming features.

Another reviewer labeled this as a "Dark Fantasy", and that is simply spot on! It's not really a true horror movie; almost more a morality play based on Basque folklore, and is scary in a proper "Grimm's Fairy Tales" sort of way. If you're familiar with the movie "Legend"(1985 w/Tom Cruise), this movie should be next to it on your shelf... or I guess these days in the same folder on your computer/tablet.

As to viewing options, and some of the complaints about the acting, I'll say this: the English dub is pretty bad(for both dialogue and overall audio), which often over or under sells the actor's delivery. If you are one who can handle subtitles, you're best experience will be listening to the original Basque audio, and the subtitles of your native language.

This movie is a pretty good movie.

A decent little deviation from your average Demonic horror or in this case, Dark fantasy/historical-fantasy movie.

I feel like it's initial vision set out much stronger than the end product, though that's no fault of the actor's and maybe not the director.

I was entertained enough to pull through to the end, and that's enough.

In two words : don't watch. I still can not believe this movie have a rating of +6!!! It should be -99999

More than a little over whelming piece of dark fantasy that is nevertheless quite compelling in its little-girl-meets-demon story.

Impressively visualized with great production, it is more than a little dense but the whole thing is pulled off with conviction and personality.