La patineuse compétitive Tonya Harding se classe parmi les meilleures aux Championnats américains de patinage artistique, mais son avenir dans cette activité est remis en question lorsque so... Tout lireLa patineuse compétitive Tonya Harding se classe parmi les meilleures aux Championnats américains de patinage artistique, mais son avenir dans cette activité est remis en question lorsque son ex-mari intervient.La patineuse compétitive Tonya Harding se classe parmi les meilleures aux Championnats américains de patinage artistique, mais son avenir dans cette activité est remis en question lorsque son ex-mari intervient.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 46 victoires et 126 nominations au total
- Skater Mom
- (as Suehyla El-Attar)
Avis à la une
The media seemed much more about the sensationalism of it all than it was about maintaining the kind of objective balance that'd presume Tonya's innocence until evidence proved otherwise. But being honest, even if evidence came along that absolved Harding of any wrongdoing in the Kerrigan attack, how happy would the media have been to report it? Or would we have been to hear it? Because we've got to admit that, although it might not seem very nice, there was quite a bit of fun to be had during the couple months we spent focusing on this Hillbilly girl and her bumbling husband, right? Well with that in mind, what would the thought of her innocence have brought, other than damage to the narrative we were having such fun with? Regardless of where you stand in regards to her innocence, its only fair to acknowledge that her role had been laid out for her pretty much from the get-go. Kerrigan was its hero the moment she became the victim, could we have honestly entertained the notion that maybe Harding wasn't as much the villain as seemed to befit the story? How fun would that have been? Really?
In the last couple months, the articles about this upcoming movie had comment sections riddled with people mostly bemoaning the current state of Hollywood. Not the scandals, but that it'd even stoop so low as to peddle this kind of white trash story. "White trash" came up repeatedly of course, and while comment sections generally aren't the place to find the best sampling of voices, I personally wasn't able to find a single comment that was anything other than damningly derivative of Hollywood and/or Tonya...certainly not one suggesting the possibility that maybe there was more to this story than what we already knew. But that was always a possibility, wasn't it? The telling of a side that we hadn't heard?
After seeing the flick last night, I passed along my recommendation of it to a friend, commenting that Tonya Harding's guilt might have to be re-thought. In response, I got a chuckling, "Oh I have a hard time believing that!" Which, sure that has to be the prevailing opinion, I'd imagine. But why? Do we really and truly think that we have the kind of information on the subject that'd allow for the most objective, fact-based decision on it? Have many of us ever stopped long enough to have wondered whether or not we did? The line of questioning isn't likely to be met with much more than scoffs by those who've yet to view the movie, but they're questions that end up being well begged and something that the same people may find themselves unwittingly exploring afterward. I sure have been.
In the meantime, this isn't just a great movie, but a great sports movie, detailing an ice skating prodigy who love for skating drove her life, and whose life ultimately served as a testament to just how influential a class system can be that many of us are barely cognizant of even existing. Based off interviews and testimony from the key players in the Kerrigan scandal, watching it brings a much needed sense of balance to the story and will likely leave you amazed at how easily the truth can be blurred when viewed through the lens of sensationalized media coverage.
10/10, great movie that grabs you from its opening scene and will have you entranced throughout.
I'm old enough to recall the story well enough, and I didn't really care about it then, let alone now, and I've never been a fan of figure skating. However, I am once again pleasantly surprised with how good the resulting movie is. Robbie and Stan, two of the prettiest people in movies these days, do a good job of deglamorizing themselves. Robbie is fierce, a description I am loathe to use as it's overused, but it really fits here. Janney got an Oscar for Supporting Actress, and she's also "uglied up", and her character is completely reprehensible. In fact, most of the people are in this movie, and there's a lot of coarse language and violence, particularly spousal abuse both by and from Harding. The film doesn't really have a message, as it's more of a character study and a sad-but-true tale of shattered dreams. It's also very well acted, darkly funny, and occasionally moving.
Margot Robbie Through the Years
Margot Robbie Through the Years
Le saviez-vous
- AnecdotesAllison Janney filmed her Oscar-winning role in just eight days.
- Citations
Tonya Harding: There's no such thing as truth. It's bullshit. Everyone has their own truth, and life just does whatever the fuck it wants.
- Crédits fousAt the beginning of the ending crawl, actual interview footage of Lavona Golden, Shawn Eckardt, Jeff Gillooly, and Tonya Harding is shown that mirrors some of the recreated interviews shown in the film.
- ConnexionsFeatured in Studio 10: Épisode datant du 23 octobre 2017 (2017)
Meilleurs choix
- How long is I, Tonya?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Yo, Tonya
- Lieux de tournage
- Macon Centreplex, Macon, Géorgie, États-Unis(Skating Arena Scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 11 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 30 014 539 $US
- Week-end de sortie aux États-Unis et au Canada
- 264 155 $US
- 10 déc. 2017
- Montant brut mondial
- 53 939 297 $US
- Durée1 heure 59 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1