NOTE IMDb
8,0/10
51 k
MA NOTE
Ajouter une intrigue dans votre langueWhen three young women are implicated in a crime, a retired lawyer steps forward to help them clear their names.When three young women are implicated in a crime, a retired lawyer steps forward to help them clear their names.When three young women are implicated in a crime, a retired lawyer steps forward to help them clear their names.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 21 victoires et 39 nominations au total
Arjun Chakrabarty
- Ritwik
- (as Arjun Chakraborty)
Avis à la une
The best thing about this movie is that it is too real. It doesn't matter if you are a conservative or a liberal or a feminist, if you are human, you will like this. The social issues raised by this movie is on point and at the same time it is an entertaining watch. Movies like this shows the strength of Indian cinema to produce amazing films despite the extreme commercialization.
Aniruddha roy chaudhary as the director have done a stupendous job. The first half of the movie has barely any dialogues and still the story is conveyed in a astounding and suspenseful way. The second half mainly focus on courtroom and I have not seen such intense court battle in a long time.
Amitabh's acting is fantastic. Piyush Mishra is marvelous as always. The acting by the three girls is real and believable.
Writing and dialogues by talented Ritesh Shah is one of the best I have seen.
"Pink" is intense, entertaining and honest. The issues raised by it really needs to be thought upon. It is a must watch for everyone.
Aniruddha roy chaudhary as the director have done a stupendous job. The first half of the movie has barely any dialogues and still the story is conveyed in a astounding and suspenseful way. The second half mainly focus on courtroom and I have not seen such intense court battle in a long time.
Amitabh's acting is fantastic. Piyush Mishra is marvelous as always. The acting by the three girls is real and believable.
Writing and dialogues by talented Ritesh Shah is one of the best I have seen.
"Pink" is intense, entertaining and honest. The issues raised by it really needs to be thought upon. It is a must watch for everyone.
Pink is not a film and this is not a review..
A dialogue from Rang De Basanti – "Koi Bi desh perfect nevi ho ta hai..use perfect banana parta hai" – and for that one needs to change the various aspects of societal mindset. #Pink is not just a film but a statement against this prejudiced, hypocritical feudal societal fabric that can't handle modern-thinking women.
Two major point raised without being didactic:- 1.Stop being judgmental. A modern working woman who wears short (I would say more comfortable in this humid climate) clothes or one who parties & drinks or one who is friendly doesn't mean SHE IS AVAILABLE. SO STOP LABELING HER..
2.Most vital point – NO MEANS NO..She can be your friend, GF, sex-worker, even your wife : NO means No. I am sure even most educated men won't get this point but I hope they does..
Honestly Shoojit Sircar (who is synonymous with quality films Vicky Donor Madras Cafe Piku) & debutante Dir Aniruddha Roy Chowdhury should be applauded for The Film Pink as it has the power to change mindset. Hope Pink is watched at a large scale, start a debate and inspire young adults. Going by the reactions all over I guess the movement has just began, that is Power of Great Cinema.
Kudos to Amitabh Bachchan to be part of such a topical film demanding respect.His acting and choice of films are getting better and better with old-age..This issue was necessary to be told and his name would increase the audience base. Tapsee Pannu and Kirti Kulhari are a revelation. Their pain reflects the voice of majority of Indian women who have to face ordeals even in the busiest of streets in our country. Angad Bedi is so authentic that you will hate him. Debutante Andrea Tariang is effortless. And can Piyush Mishra & Dhritiman Chatterjee go wrong in any role? Pink is indeed a taut social thriller which needs your attention.It is taut and gritty and it establishes its plot-points effectively keeping the tension intact. And while doing so it makes evident points against the society. The court-room sequences in the 2nd half is tremendously superb. As a cinema it is Talvar of 2016 albeit with a straight plot-line.
Btw, Do watch the end credit..
A dialogue from Rang De Basanti – "Koi Bi desh perfect nevi ho ta hai..use perfect banana parta hai" – and for that one needs to change the various aspects of societal mindset. #Pink is not just a film but a statement against this prejudiced, hypocritical feudal societal fabric that can't handle modern-thinking women.
Two major point raised without being didactic:- 1.Stop being judgmental. A modern working woman who wears short (I would say more comfortable in this humid climate) clothes or one who parties & drinks or one who is friendly doesn't mean SHE IS AVAILABLE. SO STOP LABELING HER..
2.Most vital point – NO MEANS NO..She can be your friend, GF, sex-worker, even your wife : NO means No. I am sure even most educated men won't get this point but I hope they does..
Honestly Shoojit Sircar (who is synonymous with quality films Vicky Donor Madras Cafe Piku) & debutante Dir Aniruddha Roy Chowdhury should be applauded for The Film Pink as it has the power to change mindset. Hope Pink is watched at a large scale, start a debate and inspire young adults. Going by the reactions all over I guess the movement has just began, that is Power of Great Cinema.
Kudos to Amitabh Bachchan to be part of such a topical film demanding respect.His acting and choice of films are getting better and better with old-age..This issue was necessary to be told and his name would increase the audience base. Tapsee Pannu and Kirti Kulhari are a revelation. Their pain reflects the voice of majority of Indian women who have to face ordeals even in the busiest of streets in our country. Angad Bedi is so authentic that you will hate him. Debutante Andrea Tariang is effortless. And can Piyush Mishra & Dhritiman Chatterjee go wrong in any role? Pink is indeed a taut social thriller which needs your attention.It is taut and gritty and it establishes its plot-points effectively keeping the tension intact. And while doing so it makes evident points against the society. The court-room sequences in the 2nd half is tremendously superb. As a cinema it is Talvar of 2016 albeit with a straight plot-line.
Btw, Do watch the end credit..
Shoojit and Aniruddha has delivered powerful punch on feudal mindset with engaging court room drama.Frame by frame excellence will bound you with your seat. Even you will not realize when movie reached to interval.Big B has refined himself as USP of movie. Taapsee has delivered stunning performance with fearsome dialogue delivery. Piyush Mishra was another performer. Kirti Kulhari,Andrea Tariang and Angad Bedi were good in supporting role. Script and dialogue were terrific and value addition to movie. Music is only section which need improvement. Although Kaari Kaari was delight to listen. Please stay in theater till the end credits for complete story. Let's paint it PINK. She said 'No' and 'No' means 'No'... based on this simple one word, director Aniruddha Roy Chowdhury raised some very relevant questions to our so called society through his exclusive film #PINK#. A gripping story, tight screenplay, sharp direction, excellent background score, perfect cinematography & brilliantly executed Court room Trials enriched PINK and make it more vibrant. The performances are pitch-perfect with Mr. Bachchan leading the way. He is Outstanding once again. Tapasee & Kirti Kulhari delivered power- packed performances. Angan Bedi is another one to watch out for those cold & brutal eyes. Gutsy congratulations to Soojit Sircar for making a contemporary youth-centric film with a strong socially relevant message. A Film That Everyone Needs to Watch. Make time for it.
Pink (2016)
"No. No, your honor. 'No' is not a word. It is a complete sentence. It doesn't need any further explanation. 'No' simply means 'no'. My client said no', your honor and these boys must realize that 'no' means 'no' whether the girl is an acquaintance, a friend, girlfriend, or a sex worker. Or even your own wife! 'No' means no'! I want someone says so, you stop."
The Good: * Makes important statements regarding social issues includes consent, double standards for females and males, inherent biases, molestation, misogyny, rape, self defense, social strata, and violence against women. This is especially relevant in India, where rapes often go unreported for to fear of public shame and possibly (as portrayed in the film) having it backfire. It is still frowned upon by some for a girl to be independent, outspoken, willful, or to drink or go anywhere in private with a male. * Amitabh Bachchan, due to his seniority, was originally first listed in the credits. However, to show gender equality, he requested to have his name listed after the three leading ladies. It is great to know that the actor was as passionate about gender quality as his character was in the film. * A clever creative choice was showing the scene of what actually happened that night, in slow motion, during the credits. Be sure to wait for that.
The Bad: * Great acting overall by the three leading ladies, but they were quite melodramatic. It alternated between an impressive performance and a performance completely overdone. * Bachchan may have had a powerful presence, but he was also creepy. Whatever the reasons, his breathing mask, combined with his mysterious demeanor and harsh voice, made for more of a creepy presence. Add to that the angles that made his eyes look white in many scenes, he was straight up scary. Supposedly he had bipolar, but I do not even know why that was a detail.
The Ugly: * Unrealistic portrayal of a court debate. These lawyers would not be a allowed to intimidate and yell at the witnesses on the stand, practically coercing them into a false confession. Likewise, they would not be allowed to preach on topics irrelevant to the case. The case becomes a stage for feminism, narrated by Bachchan. * Makes important points, but crosses the line very early on into preaching. To the point that I might call this propaganda. * Unrealistic to the point that I could not take it seriously and became bored in the second hour of this unnecessarily long film.
Conclusion: Many memorable lines, overall good performances,, made a valuable case for many important social issues; but excessive in length, portrayed court cases unrealistically, and it became preaching (practically) propaganda.
"No. No, your honor. 'No' is not a word. It is a complete sentence. It doesn't need any further explanation. 'No' simply means 'no'. My client said no', your honor and these boys must realize that 'no' means 'no' whether the girl is an acquaintance, a friend, girlfriend, or a sex worker. Or even your own wife! 'No' means no'! I want someone says so, you stop."
The Good: * Makes important statements regarding social issues includes consent, double standards for females and males, inherent biases, molestation, misogyny, rape, self defense, social strata, and violence against women. This is especially relevant in India, where rapes often go unreported for to fear of public shame and possibly (as portrayed in the film) having it backfire. It is still frowned upon by some for a girl to be independent, outspoken, willful, or to drink or go anywhere in private with a male. * Amitabh Bachchan, due to his seniority, was originally first listed in the credits. However, to show gender equality, he requested to have his name listed after the three leading ladies. It is great to know that the actor was as passionate about gender quality as his character was in the film. * A clever creative choice was showing the scene of what actually happened that night, in slow motion, during the credits. Be sure to wait for that.
The Bad: * Great acting overall by the three leading ladies, but they were quite melodramatic. It alternated between an impressive performance and a performance completely overdone. * Bachchan may have had a powerful presence, but he was also creepy. Whatever the reasons, his breathing mask, combined with his mysterious demeanor and harsh voice, made for more of a creepy presence. Add to that the angles that made his eyes look white in many scenes, he was straight up scary. Supposedly he had bipolar, but I do not even know why that was a detail.
The Ugly: * Unrealistic portrayal of a court debate. These lawyers would not be a allowed to intimidate and yell at the witnesses on the stand, practically coercing them into a false confession. Likewise, they would not be allowed to preach on topics irrelevant to the case. The case becomes a stage for feminism, narrated by Bachchan. * Makes important points, but crosses the line very early on into preaching. To the point that I might call this propaganda. * Unrealistic to the point that I could not take it seriously and became bored in the second hour of this unnecessarily long film.
Conclusion: Many memorable lines, overall good performances,, made a valuable case for many important social issues; but excessive in length, portrayed court cases unrealistically, and it became preaching (practically) propaganda.
More than half of the seats empty in the theater at an afternoon show of "Pink" gives us the message whats exactly wrong with Bollywood. Replacing the movie with Dabangg or other such worthless crap, shows would be house-full. Pink is a masterpiece and lives up to it's expectations. Powerful and world-class performances given by Amitabh Bachchan sir (once again) and Piyush Mishra makes this movie a gem. This is one of the career best performance by Big B. He runs the whole show. Tapsee's acting could have been so much better; but still, it was a job well done.
The movie deals with what we read daily in our newspapers. MOLESTATION. This movie depicts the corrupt system and shows it in a brutally honest way (personal experience).
I'd say go for this movie, you'll surely love it. Fans of Amitabh will get =a bombastic surprise! ;)
The movie deals with what we read daily in our newspapers. MOLESTATION. This movie depicts the corrupt system and shows it in a brutally honest way (personal experience).
I'd say go for this movie, you'll surely love it. Fans of Amitabh will get =a bombastic surprise! ;)
Le saviez-vous
- AnecdotesAmitabh Bachchan suggested that his name should be in the credits after the 3 leading ladies in order to show the importance of gender equality, which is what the movie is based on. As a result, in the introductory and end credits, the three lead actresses lead the credits before Amitabh Bachchan. Generally, due to the veteran actor's seniority, it would have been him leading the credits.
- GaffesWhen Tapsee Pannu goes to jog in the park for the first time she had earbuds in both her ears and she stops for stretching when we see her from Amitabh Bachchan's POV she had earbud only in her left ear but when we see Amitabh Bachchan in the same shot in Objective Shot with Tapsee Pannu in Foreground she had earbuds in both her ears.
- Citations
Deepak Sehgal: 'No' means no and when someone says No, you stop.
- Crédits fousDuring the end credits, the initial harassment scene of the film (not shown by then) appear.
- ConnexionsFeatured in 62nd Jio Filmfare Awards (2017)
- Bandes originalesPink (Title Track)
Lyrics written by Irshad Kamil
Music composed by Anupam Roy
Sung by Jonita Gandhi with rap written and sung by Santhanam Srinivasan Iyer ( aka EPR Iyer)
Arranged and Performed by Kuntal De
Musicians: Kishore Sodha (Trumpet), Rhythm Shaw (Guitar)
Mix & Mastered by Chatterjee Shommi
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- How long is Pink?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 180 180 $US
- Durée
- 2h 16min(136 min)
- Rapport de forme
- 2.35 : 1
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