Clemency

Judging from the relatively few votes it appears that not many have seen this movie. It is done very well but moves along quite deliberately. It is a fictional story inspired by real people and real events. It is mainly a character study of the warden, a woman, who for some years has been regularly required to preside over the execution of death row inmates after their appeals have run out. She has gotten very clinical about it, in one scene she is questioning the next one scheduled in a couple of days, asking if anyone wants to bury him, or what the prison will do "with the body" almost as if she were talking to someone other than the inmate.

This is an indication of how the psychology of her job has affected her, hardened her, and devolving into a seemingly inability to connect romantically with her husband, a professor. When he suggests they might retire and get different jobs, the change might do them good, she retorts that hers isn't just a job, it is her profession.

The movie also addresses the character of the condemned inmate, 15 years after a crime. What he is going through as his lawyer tries to gain clemency for him, at the same time trying to prepare himself for the execution if it comes to that.

This is a good movie of a difficult story, I am glad that I watched it, at home on DVD from my public library.

This features a really poignant and strong effort from Alfre Woodard as the warden of a prison charged with ensuring the execution of prisoners. She, "Bernadine" is finding it increasingly more difficult to reconcile the responsibilities of her job with her own conscience and her marriage. None of these demons are helped when one such "procedure" goes awry and, though not her fault, she finds herself under increased scrutiny as Aldis Hodge's "Woods" is soon to follow. The performance elements of this from Woodard and from Wendell Pierce as her loving but increasingly exasperated husband "Jonathan" work well, creating a really quite powerful vision of a woman torn between remaining objective - she is, after all, doing her job - and of a woman increasingly appreciative of the terminal nature of her task and of her own failings and religiosity. The remainder of the drama, last minute appeals etc., works less well and Richard Schiff really doesn't deliver much at all as the convicted man's attorney "Lumetta" - a man who seems to be trying to imbue hope in a man based on wishful thinking and some far-fetched technicalities. Auteur Chinonye Chukwu takes her time with this impassioned story and that's no bad thing at times, allowing us to become a little more immersed in the character of the troubled "Bernadine". At other times, though, the pace really does need a bit of a shake. The whole isn't as good as the sum of the parts, but it's still quite a thought-provoking look at just where responsibility lies in circumstances none of us would ever want to experience.

Alfre Woodard gives an award worthy performance in this stark and depressing movie about capital punishment.

I know there are arguments for and against capital punishment, and I'm not entirely sure where I land on the subject, though I'm much more against than for. I do know that every time I actually see or read something about what's involved to actually put someone to death, it leaves me almost nauseated. "Clemency" opens with the execution by lethal injection of a death row prisoner, and it's incredibly disturbing to watch. To know that there's a whole system and process that exists for the sole purpose of ending the life of another human being just feels wrong, no matter what arguments there may be on the other side. This film obviously thinks so too, and doesn't even attempt to address any other point of view.

It's an awfully uneven movie. The scenes set in the prison that show Woodard's warden character battling with the inhumanity her role asks of her are very good. But the domestic scenes that detail her troubled relationship with her husband and a long scene involving two other characters (a man condemned to death, played by Aldis Hodge, and the mother of his child) veer off into clunky melodrama.

A good but not great film, most worth watching for Woodard's performance.

Grade: B+

Greetings again from the darkness. You surely complain about your job. Most everyone does. But what if your career path had led you to oversee a dozen court-mandated executions, and the next one was already scheduled? In her first feature film, writer-director Chinonye Chukwu takes us inside the world of Warden Bernadine Williams, who manages a maximum-security prison, including inmates on death row. It's the rare film in this sub-genre that doesn't preach anti-death penalty politics, and instead focuses on the emotional toll it takes on those who must carry out the sentence.

Warden Williams (Alfre Woodard) is a seasoned prison professional who keeps her emotions in check, while sticking to policies and procedures. She is a restrained, often stoic person - both at work and at home. Early in the film, a lethal injection goes awry, and the warden finds this inexcusable. She wants answers and she prepares to make sure the next one scheduled ... for inmate Anthony Woods ... goes smoothly. Aldis Hodge plays Mr. Woods, a death row inmate for 15 years. His execution date is fast approaching despite his claims of innocence and the evidence showing he was not the one who killed the police officer. Woods' attorney (Richard Schiff) has informed him that his last strand of hope is a decree of clemency by the governor.

Bernadine's job involves dealing with family members, protestors, lawyers, media, guards, medical staff, procedures, final statements ... and even the search for veins. The stress is obviously taking a toll, and even her home life is a wreck. Husband Jonathan (Wendell Pierce) is frustrated at her aloofness. He's a high school teacher and reads a passage of "Invisible Man" to his class - words that hit home for him. Bernadine must also deal with the prison priest (Michael O'Neill) and the two share a powerful moment that relays the strain on both. Bernadine speaks matter-of-factly to Mr. Woods as she outlines the procedure of his execution. In another powerful moment, Mr. Woods attempts to exercise his last bit of control over his life and death. It's brutal to watch.

Even though the death sentence is for convict Anthony Woods, most every other person involved expresses some desire to retire or walk away. This speaks clearly to the burden associated with taking the life of another human being. In a meeting with his former partner Evette (Danielle Brooks), Woods is given hope of a legacy outside of crime, while Evette expresses what she needs to him. This life is no fairy tale, and hard edges and difficult moments are around every corner.

Ms. Woodard has long been an underrated actress. Her only Oscar nomination came in 1983, and she has been outstanding in most roles since TV's "St Elsewhere" in the 1980's. She manages to convey humanity and realism in most every character she plays. Mr. Hodge starred in the title role of BRIAN BANKS earlier this year, and in both roles, he possesses a strength of character that allows the audience in. In Ms. Chukwu's film, both are isolated in some way and struggling with how to deal.

Although the film spends very little time on the question of guilt or innocence, or whether the death penalty is a law of morality that fits within society, the approach of examining the psychological impact of those involved proves worthy of discussion. We do wish the script had not delivered such stand-off characters ... ones so difficult to connect with. But perhaps that's the inevitability of the environment - one that cuts much deeper than following the ritual of preparing for the next execution.

... by Alfre Woodward in a devastating film about inhumanity - presiding over death row executions takes its toll as she, the governor, witnesses first hand, the brutality of a world trying to be just and fair but failing badly.