Une drôle de fin

This is a good movie. It's a story well told but it's certainly one sided. For one thing it ignores the fact that National Lampoon wasn't very funny. It is also a bit of a hatchet job on the parents and P J O'Rourke, whose least credit, as probably the funniest American print writer of the 20th century, is editor of NL.

Worth watching though.

POILER: I really enjoyed this film. I have watched several of the documentaries concerning Animal House and Caddyshack and Doug Kenney's name comes up quite often amongst the cast and crew. Chevy Chase and he were really close and Chevy still feels some guilt over leaving Hawaii right before Kenney's death. The man was apparently a comic genius who couldn't escape his childhood baggage.

The format is well played with Will Forte as the young Doug and Martin Mull as kind of older, alternate universe Doug, if Kenney had lived, narrating the film. The rest of the cast is well known, playing unknown actors and writers. It took me a second to recognize Natasha Lyonne (American Pie) as Anne Beatts, Thomas Lennon (Reno 911) as Micheal O'Donoghue, and Joel McHale (Community) as Chevy Chase. All of them are covered in 70s hairstyles and McHale does a really good job of mimicking Chase's speech patterns and even his trademark pratfalls.

The film excels in showing how Kenney rose from a malcontent to a Harvard grad to a fledgling magazine editor to movie writer. Forte is especially compelling and funny as Kenney. He doesn't quite have the acting range to pull off the downward spiral of the person, but he does an excellent job with the jokes and the other aspects of Kenney's life. Where the film fails is trying to shoehorn too many characters into its 100 minute run time. There is even a humorous scene of older Kenney (Mull) explaining to a bunch of supporting characters that there wasn't enough screen time for all of them so they get ignored. But the film goes to great pains to cram in other famous people such as Gilda Radner, Christopher Guess (Seth Green), Bill Murray, and John Belushi. The actors playing Murray and Belushi came off as actors lampooning (no pun intended) the famous comedians. Belushi was such a huge personality, I doubt anyone could portray him properly in such a short cameo.

Another special mention goes out to Emmy Rossum. She is a stunning screen presence and even though her appearance is short, as Kenney's last girlfriend, she lights up the screen. She is a gorgeous actress as well.

There is also a fun nod to Animal House with Mark Metcalf (Neidermeyer) portraying a publisher.

The movie moves fast through the various periods of Kenney's life, but I think he would have enjoyed it. He comes off as funny, yet troubled, a brilliant comedian, but an emotionally stinted adult. A Futile and Stupid Gesture is anything but. The only thing I would have added, is maybe some post interviews with the actual people portrayed in the movie who knew Kenney, even if they were archival for some (Belushi and Ramis). Still, this was a well-done film.

Rarely do movies make me laugh out loud anymore. This movie not only made me do it repeatedly, but had me laughing hours later remembering some of the bits. Extremely clever, well told story of a brilliantly hilarious guy who I, and I would guess most of my generation (I'm 31), am not familiar with. This was truly a 10/10 and I hope Netflix makes more like it down the road.

'A FUTILE AND STUPID GESTURE': Three and a Half Stars (Out of Five)

A comedy biopic about writer Doug Kenney, who was the main contributor to the success of National Lampoon in the 1970s and 80s. The film stars Will Forte as Kenney, and it was directed by David Wain (who also helmed 'WET HOT AMERICAN SUMMER', and several episodes of the TV series based on it). It costars Domhnall Gleeson, Martin Mull, Emmy Rossum, Matt Walsh, Joel McHale, and many others (in cameos as famous comedians). The movie was scripted by John Aboud and Michael Colton, and it's based on the book (of the same name) by Josh Karp. The film was released by Netflix through it's streaming site, and it's gotten mixed to positive reviews from critics. I found it to be both educational and funny, but it's also a little too dark and unbalanced.

The film is narrated by Doug Kenney, supposedly in modern day (Mull). He tells his life story, starting when he was in his twenties (Forte); when he and his best friend Henry Beard (Gleeson) decided to create the magazine National Lampoon. It of course became a huge success, and blockbuster movies followed (like 'ANIMAL HOUSE' and 'CADDYSHACK'). Kenney could never be content, or happy, still though.

I knew nothing about Doug Kenney previous to seeing this movie, but I love his work. So I was absolutely fascinated by this film, and I of course found it to be very educational. I also loved seeing all of these other actors portraying other famous actors (like Chevy Chase, Bill Murray and John Belushi). I also just really enjoyed seeing how these classic comedy films, and that famous comedy magazine, came to life. Forte is great in the lead too, and the supporting cast is all more than adequate. The film, as funny and interesting as it often is, is still really dark and depressing though. It left me with mixed feelings about how I really felt about it as a whole. It's also got a strong TV feel to it, which kind of cheapens what should have been a theatrical film feel (the story deserved a theatrical presentation at least).

Just after watching the documentary "Drunk Stoned Stupid Dead" I discovered that there was also a TV movie covering the same period, focused on co-founder Doug Kenney. So I had to watch that, even though the reviewers were middling.

I don't understand those middling reviews, because I thought this was tremendously entertaining. It's basically a movie about very witty people saying funny things, held together by the protagonist's downward spiral. It is less reverential than the documentary, which tiptoed around the whole priveleged-white-male thing, and it does it's best to mock itself, as when a scroll points out all the discrepancies between the movie and the real story.

The movie does at times rely too heavily on its narrative devices, sometimes falling into a gimmicky cutesiness, and the ending feels like a flailing attempt to pull things together, but overall this is funny and very well acted. My advice: ignore the critics, watch the movie.