Vaysha, l'aveugle

People nowadays are always looking at either a romanticized version of the past that exists only in their minds, or at a bleak and terrifying "What if?". But very few focus on the present, on its wonders and horrors, and try to make it a better place worth living in. "Do you look at the world with the eyes of Vaysha the blind?" We should learn to live in the present and to value every little thing.

I adore Georgi Gospodinov's works - not only his stories, but also his poetry and novels. Theodor Ushev has animated this story in such a brilliant and astonishing way and it is a pity that this movie did not won an Oscar. Kottarashky's incredible and extraordinary music makes the film even more touching and powerful.

This movie is a masterpiece with a very strong message.

I think this is possibly the most accurate cinematic depiction of that Shakespearian adage "...this way madness lies..." that I've seen. The eponymous girl is born with perfect 20/20 vision. The thing is - the first 20 can only see into the past, the other into the future. She cannot see her present nor can she choose the subject matter of what she does see. Perhaps she could just shut one eye? Is it better to have the certainly of the past or is it better to anticipate the excitement of the future? Maybe it is better just to close both eyes? I loved the style of animation here - it reminded me a little at the start of Gauguin's brushwork, and the philosophy of the choices she faces is presented to us by way of a little audience participation at the conclusion that does make one think. It's an intriguing eight minutes worth a look.

I just came home from a wonderful screening of the Oscar nominated animated short films this year, and they all truly delighted me. However, this one was certainly the most impressive! The story is unique and powerful, it is both beautiful and surprisingly hopeless-and the simple yet breathtakingly effective way it is told is super refreshing! However, the main thing that this film has going for it is not its story nor its approach to said story, but its ANIMATION and, equally as important, its ATMOSPHERE. This is a creepy and melancholy little film that is beautifully and uniquely animated. This heavily stylized way of animation is perfect for this story and this atmosphere, it captures the darkness of its tone, its surprising sadness.

If you have a couple of minutes to spare, there is no better way to spend those minutes than by watching this brief and haunting gem.

This is one of two Canadian nominees (the other being Pear Cider and Cigarettes). It's sort of like a very, very dark modern fairy tale. It's a strange tale about a little girl born with two very strange eyes. Through one, she can only see the past and with the other she can only see the future. So, for example, when she sees an adult, they appear in one eye as a small child and in the other incredibly elderly and feeble. As to what all this means, well I was left wondering this when the film ended.

As far as the animation goes, you'll either love it or hate it and it strongly accentuated the darkness of the story. It certainly is NOT a pretty film to watch and many of the animations are a bit horrifying to watch. Like too many shorts this year, I did wonder why it was nominated as well as feeling a bit depressed after seeing it.

I think "Blind Vaysha" is very unlikely to take home the Oscar, as "Piper" is much more of a crowd pleaser and it s sweet little film...without the dark edges the other nominees all see to have in spades!

This animated short, nominated for an Oscar in that category, is an interesting affair. It does not seem right to me for this meditation on a girl who sees the future with one eye and the past with the other, to win, but I have old-fashioned tastes.

It is a very interesting effort, mostly for the quality of its visuals, which resemble wood-cuts rather than other, more conventional drawings or computer animation. This is clearly intended to offer some visual gloss on the subject, which is about how difficult it is to see only the past and the future, but never to exist in the moment, I have no idea how it does so, but it is a pleasant change from the more usual techniques.