Kabaneri of the Iron Fortress

There's not much (that I know of) in the zombie/steampunk world and Kabaneri of the Iron Fortress is a sold, interesting and generally likable entry into this market.

Its helped in this effort by some interesting world-building, the zombie (Kabane) outbreak seems to have happened at the height of the Japanese samurai age, with survivors grouped in great walled cities protected by samurai musket-men. At the start in particular there is a good focus on class, honor and society. These cities are connected by great iron railways on which armored trains run, taking supplies and people from one to the next, running the gauntlet of horrific zombie hordes from which, a single bite proves entirely fatal..

Kabaneri of the Iron Fortress starts strong with a great two part episode showing the horrific attack of the Kabane (basically fast zombies with flowing hearts, eyes and a nasty bite) on a walled survivors city. Its a great two episodes with a high body count, some terrific action and a desperate escape by armored train. Alas the series steadily looses it's way, but the ride is nevertheless enjoyable while it lasts.

Whats good?

• While it lasts, the story is quite enjoyable, being a sort of bizzaro 'Battlestar Galactica on rails' as our heroes and survivors try to reach safety aboard the great steam train. Its tense, interesting and fresh.
• The supporting cast is largely interesting and well voiced. You care for them more then our main characters anyway.
• The Kabane make for a horrific, interesting foe, a worthy entry into the zombie market.
• Mumei is...well for the first half of the series quite an interesting, watchable character, seeing how the survivors view her and Ikoma is quite interesting.
• The animation is generally excellent as is the character design, the use of CGI (for the iron trains) is solid and the Japanese voicework is similarly good.
• Excellent opening track, one of the best, a thunderous operatic ode.

Whats bad?

• Ikoma makes for a...well a fairly unlikable lead. He's not as bad as some might make out, but he is a little irritating and his character arc is fumbled.
• The second half makes a regrettable choice to focus on more human enemies. These enemies are both obvious, cliche and uninteresting, the second half is watchable but a notable drop in tension, interest and horror.
• This coincides with a notable change in Mumei from bad-ass mysterious warrior to the 'oni-chan' damsel in distress, hugely regrettable.

Conclusion This is a solid series, particularly for those into zombies, steamtrains and samurai, three things that don't normally appear together. While, yes, it probably never would have been made if Attack on Titan didn't exist it really is different enough to warrant a watch. Try it, enjoy it and don't watch the follow up (bleh)

First off, many are comparing this to Attack on Titan, but they are completely different. The kabane are zombie-like creatures with less intrigue than titans from AOT. The anime focuses less on the threat of the kabane and more on the social tension. The animation and soundtrack are amazing, often similar to AOT but that's to be expected given they share the same studio. The apocalyptic Japanese-steampunk setting draws you in and captivates you. Every episode kept you intrigued and hooked you to keep watching. There's barely any filler in the show which makes it packed full of plot. The villain is truly despicable, developing a hatred for him in just a couple episodes. Overall well done. I would give it a 10 if there were more episodes since some it did feel rushed in some of the backstory and plot points.

I'll be brief, I love this anime already. I watched the first episode not really expecting much and I was amazed. I then watched the rest of the season, and loved every minute. The story is great, the animation is beyond top-notch, the voice acting and characters are great, and I absolutely love the music (especially the opening and closing themes). On top of all that, it's intense but also emotional, and it mixes those perfectly. I don't know why people keep saying it's an Attack on Titan clone, because it's not. It's it's own original idea. It takes a zombie apocalypse to a whole new level and it is great. All in all, it's one of those very rare perfect anime shows. Can't wait for the second season, I hope there's a second season.

The world is in the midst of an industrial revolution when near-immortal monsters appear and, through infection, turn humans into undead creatures: the Kabane. These monsters' only weakness seems to lie in their hearts, but these are protected by a thick layer of iron, requiring tremendous firepower or physical strength to destroy.

On the island of Hinomoto in the Far East, humans have built stations to protect themselves from these creatures; the transportation of people and goods between these stations takes place with the help of huge steam locomotives called hayajiro. The inventive Ikoma not only helps build these locomotives, he has also developed his own weapon to fight the evil creatures with.

When one day his home, the Aragane station, is overrun by Kabane, he tries to save himself with other survivors on board the Koutetsujou. After being bitten while successfully fending off a Kabane, he decides to sacrifice himself to allow the others to escape. However, he is saved at the last second by the mysterious Mumei, who explains to him what he has become: a hybrid of human and Kabane - a Kabaneri.

"Kabaneri of the Iron Fortress" actually surprised me positively, but that was probably because I wasn't expecting much.

The anime looks nice, just like the fights.

The story is relatively predictable, but the anime is still fun.

But it's mainly something for the eye.

It's impossible not to compare this to AoT in your mind reflexively, but it is without question it's own anime.

Yes it's another Post-Apocalypse show with a dash of "Steampunk" style action thrown in, with a hero with a special ability, but that is were the similarities end.

Overall it's a bleak and beautiful world hanging on by its nails, and as it tries to claw its way back from the edge humanities self-destructive tendencies strike as is to often the case.