Ajouter une intrigue dans votre langueThe incredible tale of Mozart's Prague years.The incredible tale of Mozart's Prague years.The incredible tale of Mozart's Prague years.
- Réalisation
- Scénario
- Casting principal
Hana Vagnerová
- Frau Smitt
- (as Hana Vágnerová)
Avis à la une
Positive aspects: the settings in the style of 18th century, the costumes, the music of Mozart
but regrettably there are too much negative aspects in it: the script could be better - and no, it´s not based on facts as another review claimed: it's a fantasy story with fantasy persons, Mozart never met a Baron with name Saloka or a woman Suzuzana Lubtak, the story is completely fiction...lame fiction...only Josepha Duschek existed really. Besides that, most of the persons are wearing permanently wigs but those were already dated during this time period (1788)...moreover Mozart never visited Prague in this year (longer stays 1787,1791) and the film music in modern style between Mozarts music sucks really...it ruins the last oddment of authentic atmosphere in this movie. Don´t know what the filmmakers thought whilst deciding for this unsuitably music. Why don´t they use Mozarts music for all the scenes (they can choose from thousands of movements)
but regrettably there are too much negative aspects in it: the script could be better - and no, it´s not based on facts as another review claimed: it's a fantasy story with fantasy persons, Mozart never met a Baron with name Saloka or a woman Suzuzana Lubtak, the story is completely fiction...lame fiction...only Josepha Duschek existed really. Besides that, most of the persons are wearing permanently wigs but those were already dated during this time period (1788)...moreover Mozart never visited Prague in this year (longer stays 1787,1791) and the film music in modern style between Mozarts music sucks really...it ruins the last oddment of authentic atmosphere in this movie. Don´t know what the filmmakers thought whilst deciding for this unsuitably music. Why don´t they use Mozarts music for all the scenes (they can choose from thousands of movements)
Zack Snyder meets Amadeus. Need to get a new editor, but it has the structure of a good story.
Really enjoyed this based on relatively unknown period in Mozart's life when he had an affair and was writing Don Giovanni. Beautifully directed, lovely music as you'd expect, and lots of insight into Mozart though the gripping story..
This movie is a nuanced presentation of how toxic masculinity affected women in the 1700s. While ostensibly about Mozart and a performance of the marriage of Figaro in Prague, the movie provides a speculative fiction of how Mozart came to compose Don Giovanni, based on "real life" occurrences. We are presented with a highly credible representation of an abusive, powerful man who exploits women of all backgrounds with impunity. Although the theme is tragic, the celebration of the era's lifestyles and the magnificent music sugarcoat the grim message. Beautifully photographed with B role of historic Prague to enjoy, fine acting performances, and gorgeous costumes, it is suitable for 14+ audiences and serves as an important warning to girls and young women today.
The acting was really fantastic. This movie has it all - music, love, intrigue and mystery. The settings and costumes were beautiful. Bravo and Brava for your work :-)
Le saviez-vous
- ConnexionsFeatured in Interlude in Prague: Behind the Scenes Featurette (2017)
- Bandes originalesPorgi Amor - From The Marriage Of Figaro
Written by Wolfgang Amadeus Mozart (as W A Mozart) (1786)
Performed by The City of Prague Philharmonic Orchestra
Vocals by Samantha Barks
Solo Violin by Lucie Svehlova
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- How long is Interlude in Prague?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Интерлюдия в Праге
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 £GB (estimé)
- Montant brut mondial
- 14 699 $US
- Durée
- 1h 43min(103 min)
- Couleur
- Rapport de forme
- 2.39:1
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