The Meyerowitz Stories (New and Selected)

Ah yes, family dysfunctional. Everyone has it, and frankly its an over mined sub genre in film. With entries often pushing melodrama and character arcs to neat, organised catharsis, it has become as predictable as bad romantic comedies. Which is why i'm so happy to report that 'The Meyerowitz Stories' is one of the best dramedies I've seen all year! 

Told through various character perspectives in no real cinematic structure, there's a naturalism to the style. A humbleness that revels in subtleties rather than climatic overtures. And by god is it refreshing. There isn't a drop of pretension to be found in the film, no barriers between you and the characters, who are all lovingly played by an assured, veteran cast. 

Adam Sandler is a standout in what is already an outstanding ensemble. This is a performance quite different from what you might expect. It isn't a retread of Punch Drunk Love, or a dramatic overhaul of his past characters either. He instead lends a striking amount of humanity to Danny, which can be said of the entire cast. But Ben Stiller in particular deserves a shout out. I've never quite seen him pull off drama this straight faced and earnest before, and like most of the film, the sporadic dramatic beats are interspersed throughout his performance. 

Yeah i cant quite say enough nice things about 'The Meyerowitz Stories'. This was a joy to watch.So i'll just say this, if you love Wes Anderson films, in particular 'The Royal Tenenbaums' this is an easy recommend. And while it lacks the formalism and ridiculously cinematic glory of Anderson's style, there is far more humanity is Noah Baumbach straight faced approach. Meyerowitz Stories may not provide anything radically new, but it provides a great entry in the tired list of dysfunctional comedies, along with some of the year's best performances.

I am surprised by other reviews of this film, but I think understanding this work depends wholly on whether you have ever lived with or known intimately a narcissist. It may not be pretty to watch, but it's not pretty to live either. And this movie nails it. It may be a small percentage of the population that can truly understand the subtleties of this movie and appreciate them. The skill it took to capture the complexity of these characters and to make it believable is remarkable. Baumbach paints in detail the devastated landscape of a narcissist's world. Hoffman's character displays perfectly how a narcissist's personality cannot and will not make room for anyone else's experience or emotions, especially his children's. Every conversation eventually returns to him: his needs, his opinions, his preferences, his ego, his career, his art, his place in the world. People have remarked that Hoffman is tedious and exhausting in this film. Yes. Because that is exactly the point. And Adam Sandler, Ben Stiller and Elizabeth Marvel are brilliant as the relational afterthoughts of his all-consuming ego. I would recommend this film to anyone. Not because you'll feel great after watching it but because it dares to tackle a deeply complex human subject and succeeds. And isn't that the point of art anyway?

There were several things I really liked about the movie: the chemistry between Adam Sandler and Ben Stiller, Dustin Hoffman's performance, and the big surprise was how good Elizabeth Marvel was as Jean.

However, there were more things that held the film back as a movie including random, overdramatized dialogue which at times was meaningful, but at other times was painful to sit through. I enjoyed the focus on the characters but the plot didn't complement this exploration enough.

This film shows how Actor, Adam Sandler can play a dramatic role well (also/more so 'Uncut Gems'), Ben Stiller too, performs great through this film. This film touches upon the conflicts of many families, with siblings jealousy over 'the golden child', parents trying to be better then their own parent/s, and a fathers children trying to defend/ lie to themselves about his bad parenting behind his 'good' work that he put more effort into as they grew up. The film has a phew jokes to lighten the mood throughout the film and as any Sandler film would, and as said already, is quite realistic especially through the 'hospital scenes'. I would definitely recommend anyone to watch this film as it was well written, well directed and well performed.

Keeping things low key from beginning to end, the story presents a realistic family dynamic that's subtly dysfunctional. The ridiculously star studded cast all offer up believable, understated performances, and it's easy to find the characters relatable. The film stays so true to life that it can occasionally get a bit dull. I'd say for the most part it hovers just above being boring, but I could see someone who's used to more fast paced fare consider it's dry delivery to be a tedious slog.