Ajouter une intrigue dans votre langueFollows the creation of The Metropolitan Museum of Art's most attended fashion exhibition in history, "China: Through The Looking Glass," an exploration of Chinese-inspired Western fashions ... Tout lireFollows the creation of The Metropolitan Museum of Art's most attended fashion exhibition in history, "China: Through The Looking Glass," an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton.Follows the creation of The Metropolitan Museum of Art's most attended fashion exhibition in history, "China: Through The Looking Glass," an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton.
- Récompenses
- 2 nominations au total
- Self
- (as Kar-Wai Wong)
- Self (Cameo)
- (as Beyoncé Knowles)
Avis à la une
Questions are raised from watching this film that make you think: Is fashion an art form? Does art have to be relevant to be taken seriously? Is it fine art or is it a commercial product?
Although I know little about her, Anna Wintour strikes me as someone whose life might be interesting to learn more about. We got a glimpse of that, but that would have been worthy of a documentary of its own.
The Met Gala is an interesting social gathering. I had heard of it through mentions from people like Stephen Colbert, but knew little about it. It was that reasons that I watched this. We got some of that, too, but not in the way that was interesting in the least.
What resulted is an epic failure of direction and having an editorial point-of-view. Much of the content that did make it into the documentary was not relevant - or its relevancy made unclear due to the poor story-telling.
It bounced from topic to topic, missing context, and failing ultimately in telling any story.
I'm not a fashionista so I didn't expect to be intrigued much less dazzled but I was, particularly by the stunning floral displays created by genius designers and the intimate look at the many details of the meticulous planning involved in this enormous undertaking. The behind-the-scenes of the Met's museum storage were very cool.
I thought I'd watch this documentary for a few minutes and switch over to something else but I enjoyed it start to finish.
I have a new appreciation of fashion as an art form and the incredible loss of Alexander McQueen whose last show took my breath away ("Savage Fashion"?) The costume look and makeup that appeared to be melting in the rain with a dramatic, almost foreboding effect will have you asking,
"How did he do that?"
Left to my own accord, I wouldn't have chosen to watch this doc; I appreciate the Hulu algorithm knows better than I do and served it to me.
& calming Anna W. D o w n = Never let the 'Party Planner' get in Your way.. she's just selling tables LOL BIG shout-out for Bill Cunningham (gone, but not forgotten) reminding us Diana Vreeland WAS genesis of the "Met Costume Institute" / although AndreLeonTalley seemed to forget his 'muse' while sucking-up to 'Celebrities' (quickly gone / now forgotten) tho Anna w o u l d make a good Wedding Coordinator... IF she could work w/o sucking java in her face repeatedly.
Le saviez-vous
- Citations
Kar-Wai Wong: When there is too many things to see, you see nothing.
- Bandes originalesYumeji's Theme
Written by Shigeru Umebayashi
Courtesy of First Name Music Ltd., Novello & Co. Ltd., and Lantis Co. Ltd.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Бал
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 527 474 $US
- Week-end de sortie aux États-Unis et au Canada
- 99 242 $US
- 17 avr. 2016
- Montant brut mondial
- 1 072 943 $US
- Durée
- 1h 30min(90 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1