Phillauri

I liked this movie because it imparts a lot of meaning to life. Anusksha Sharma acted her role superbly and the Diljit was true to his role and both of these important roles could not have been edified without our young Bride and Groom. Well written script and of course the poetic love songs of Phillaur takes it to another extreme high. To me it made a big difference since I do not speak or understand the movie but just seeing the movie made me universal and comprehensible. Excellent artistic work of the Director. Credits to all that made this movie a success. The story was of course a standard format but the actors highlighted it and made it dynamic and smooth sailing. Sadness of massacre and sadness and loss by suicide are finally neutralize peacefully with happy endings. My two good friends from training program used to sing clips of poems during lunch hour and of course they were born and brought up as children from this region or culture. I was amazed then and I am amazed now. I give it a 7.4 Also I want my hands on the big collection of LP's just mail me the address of that location.

This is a good movie, but it could have been better if the flashbacks weren't so lengthy. It drawls especially towards the second half. Phillauri has a crazy, goofy start with Shashi (Anushka Sharma) getting confused with the technology of the 21st Century. The makers could have added some more confusions and cut most of the flashback scenes to give it some speed. Worth a watch.

Phillauri is Anushka Sharma's second movie as a producer after NH10 and this time she has ventured into the genre of romantic comedy.

While there are many Bollywood movies consisting of love stories, Phillauri is a movie you don't get to see everyday. Although the story of the movie was not new, the concept of the movie was something fresh and people were eager to watch the movie right after seeing the trailer. Phillauri's story is an average story but the way the story was set up was new. Anvita Dutt has written the story and screenplay of the movie and she has done a really commendable job. Anshai Lal as a debutant director has done a job worth praising.

The cast of Phillauri consist of Anushka Sharma, Diljit Dosanjh, Suraj Sharma and Mehreen Pirzada. Anushka Sharma's performance as a ghost and a long lost lover was quite heartwarming and lovely to watch. Suraj Sharma's performance as a confused NRI was quite fun to watch although he was lacking a bit of depth in the emotional side, Mehreen Pirzada's performance as his lover was quite impressive. While all the cast members did their job wonderfully, it is Diljit Dosanjh who steals the show, Diljit handled his role quite sincerely and weaved his character brilliantly in the movie.

The music is probably the best part of the movie. The music has its own uniqueness and this kind of music is rare to find in any Bollywood movie nowadays. The background scores by Samir Uddin and the songs by Shashwat Sachdev & Jasleen Royal were wonderfully composed which sincerely sticks to the theme of the movie.

The VFX and editing was very good and impressive, the cinematography was quite impressive as well.

The only downside of the movie was that it was progressing in a very slow pace and it gets slower in the second half. Certain scenes looked stretched, certain scenes could have also been avoided and more elements could have been added to the story instead.

Although the progression of the story was slow, the ending of the movie was totally unexpected, it was also quite quick owing to the fact that the movie was slow, but then again the ending was quite satisfying and truly concludes the whole movie.

Conclusion-

Although Phillauri is your average love story, it has been beautifully weaved with a new concept. The progression of the movie was slow but the performances of the cast makes you forget about the slow pacing. In short, it is a heartwarming film about love which will truly entertain you and won't make you disappointed.

Successful fantasy dramas in Bollywood are a rare phenomena. With Amol Palekar's Paheli (2005) as a solid benchmark, it can be difficult to create an interesting film, as this ambitious project by a debutante director shows.

Kanan (Suraj Sharma) is a young man who arrives from Canada and is taken by his parents straight to his would-be-fiancée and high school sweetheart Anu's (Mehreen Pirzada) house for their engagement and subsequent wedding which is scheduled a week from now. Already mad with the swift turn of events and unsure about the whole marriage thing, Kanan tries to speak his mind, but it all falls in deaf ears. Things move at a faster rate as he is directed by the family pandit (Hindu scholar) to first marry a tree so that he can get rid of his astrological curse. No prize for guessing, but Kanan soon finds out that the tree that he married the previous day contained the ghost of a woman named Shashi (Anushka Sharma) who now believes and takes him to be her lawfully-wedded husband. A shaken Kanan tries to avoid her, but for how long? And how is he going to explain it to Anu, who now thinks that Kanan has changed from a genteel lover-boy to a weed-smoking hipster who plays around with women's feelings...

If there is a thing called convenient filmmaking, then this is it. With the setup of a big Indian wedding that reminds me of a yesteryear Malayalam-language film, Anwar Rasheed's Ustad Hotel (2012), used to introduce the characters, the film makes a promising start. Superstitious families, an over-attached girlfriend, and a mysterious ghost from the previous century - the film has everything a Bollywood film could ask for. And for some time, it even manages to entertain. However, the level of quality and entertainment soon falls when you realize that the humor is forced and the drama unceremonious and inconsequential. Kanan is a 26-year old man and his encounters with Shashi are so childish they are cringe-worthy. Suraj's portrayal as the helpless guy does not work either, even when he is supported by a talented supporting cast.

The only positive element that works for the film is that the suspense about Shashi's past stays strong throughout the film, mostly because it is explored non-linearly and is only dug deeper in the final 30 minutes. The base is quite similar to Palekar's 2005 SRK-starrer, with the exception of disappointing performances from the lead cast. Suraj sports a single expression throughout the 2 hours of running time - whether it is him flirting with his would-be or being terrorized by Shashi. Anushka does not do much for her character other than lazing around from point A to B looking like she hasn't a clue. All excuses defending her character should be attributed to bad writing. Pirzada is a cutie, but needs to improve her acting chops if she wants to stay. Diljit Dosanjh is the only main character who gives out an authentic performance, and we cannot thank director Anshai Lal for that. The direction is overall average, with Lal using tried and tested methods to narrate his story and still failing to impress. The fitting and well-crafted background score and few hummable songs further accentuate the film as a one-time watch.

With laudable CGI for a Bollywood film and the fact that the romance in the film is tied to an important part of Indian pre-Independence history, this second production by Anushka Sharma is a watchable but average affair. Go for it if you have nothing else to do.

BOTTOM LINE: Anshai Lal's "Phillauri" is a ghost story that flip flops between romance, fantasy, and comedy with these genres providing entertainment in the descending order. It is high on romance thanks to the backstory set in the 1910s, but is pretty low on comedy, no thanks to the writing. Watch it on TV.

Can be watched with a typical Indian family? YES

Very worst idea and concept. The fearing is not natural. Dialagues writing is not good.