Clara, une infirmière solitaire de la banlieue de Sao Paulo est embauchée par la mystérieuse et fortunée Ana comme nourrice pour son enfant à naître. Les deux femmes se lient d'une amitié pr... Tout lireClara, une infirmière solitaire de la banlieue de Sao Paulo est embauchée par la mystérieuse et fortunée Ana comme nourrice pour son enfant à naître. Les deux femmes se lient d'une amitié profonde, mais une nuit fatidique bouleverse leurs plans.Clara, une infirmière solitaire de la banlieue de Sao Paulo est embauchée par la mystérieuse et fortunée Ana comme nourrice pour son enfant à naître. Les deux femmes se lient d'une amitié profonde, mais une nuit fatidique bouleverse leurs plans.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 32 victoires et 34 nominations au total
Avis à la une
The story seems straightforward enough at first: Impoverished Lesbian black nurse Clara gets hired by affluent yet unemployed white pregnant Ana - this in spite of giving her landlady as her only reference, who promptly tells her she's being owed rent. However, Clara's touch calms down the kicking baby, so Ana instinctively hires her - and soon their relationship gets very close. However, Ana's behavior becomes increasingly erratic as her pregnancy advances, culminating in... well, among other things, singing. Yup, it's a musical, too.
I've seen a lot of genre movies and it's the rarest of the rare when one of the formulas is injected with something new. Horror often serves as social parables for the exclusion of the different, but here, you will find yourselves drowned in references and allusions, from queer bashing over solitary motherhood to race issues. There's so much to handle that it might be best to not try and process it all, and just abandon oneself to the beautiful weirdness of this film.
Of course, a limited budget limits the scare of the CGI, you got to be open-minded about that. The emotional turmoil makes more than up for this as Isabél Zuaa's performance carries the film from the first shot. The script should have been tighter as it takes enormous leaps and then slows down. I'd recommend watching this late at night, with close friends who are into weird stuff, and after a few joints or drinks.
This is a captivating fantasy/drama/horror film, a French-Brazilian co-production, with a unique take on the werewolf mythos that blends the cinematic languages of both countries into its narrative and execution.
This film came onto my radar due to its inclusion in the BFI selection, and it has also competed in the Locarno International Film Festival, International Film Festival Rotterdam, and São Paulo International Film Festival, even winning an award at Locarno.
If you have the time and an interest in genre-bending cinema, you definitely shouldn't miss this one.
These different tones in the movie makes it difficult to comprehend what movie is trying to tell which is also shallow and mainstream. 6 points goes for cinematography and courage to make such a film.
And i'm not sure if having more money would solve anything cause the plot itself is shallow.
It's like the movie came from the mind of a 10 year old trying to impress adults.
Le saviez-vous
- AnecdotesThe directors found inspiration in the early Disney animated features, particularly Sleeping Beauty, in the use of color and music in key sequences.
- Citations
Dr. Ciro Poças: Big eyes. Big mouth. Big hands. He's a strong boy, Ana.
- ConnexionsFeatured in WatchMojo: Top 10 Fairy Tale Horror Movies (2020)
- Bandes originalesFome
Music by Marco Dutra
Lyrics by Marco Dutra and Juliana Rojas
Performed by Isabél Zuaa and Marjorie Estiano
Meilleurs choix
- How long is Good Manners?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 31 177 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 476 $US
- 29 juil. 2018
- Montant brut mondial
- 35 714 $US
- Durée2 heures 15 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1