We Are Zombies
NOTE IMDb
5,3/10
2,1 k
MA NOTE
-Dans une ville infestée de zombies non cannibales, trois fainéants en quête d'argent facile doivent se battre contre des petits escrocs et une mégacorporation maléfique pour sauver leur gra... Tout lire-Dans une ville infestée de zombies non cannibales, trois fainéants en quête d'argent facile doivent se battre contre des petits escrocs et une mégacorporation maléfique pour sauver leur grand-mère kidnappée.-Dans une ville infestée de zombies non cannibales, trois fainéants en quête d'argent facile doivent se battre contre des petits escrocs et une mégacorporation maléfique pour sauver leur grand-mère kidnappée.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 3 nominations au total
Patrick Abellard
- Stanley
- (as Patrick-Emmanuel Abellard)
Jérémie Gariépy Ferland
- Zombie Beggar
- (as Jérémie Gariépy)
Avis à la une
My expectations were high. I mean, this is from the people behind the fabulous Turbo Kid (which I recommend highly). So, ah, what the hell happened?
As other reviewers have stated, it LOOKS great. The review suggesting you view it with the sound off makes a worthwhile point (although why you'd do that when great movies with great characters could be watched with the sound on, instead, I don't know). The problem is the main characters, in particular the two guys. What's presumably supposed to be "funny" dialogue is relentless, annoying-AF bickering and stupidity. One stupid decision (that NOBODY would make, EVER) after another. It's excruciating. Why it's called 'We Are Zombies' is also baffling. At no point does the film even deliver on the title.
Is it one for "zombie completists"? Hmm, well, sure, why not. If you brace for the punchable male leads' dialogue and the illogical decisions and actions, I guess it's "okay". As I said, my expectations were high. Set them low.
Better still, track down Turbo Kid instead.
As other reviewers have stated, it LOOKS great. The review suggesting you view it with the sound off makes a worthwhile point (although why you'd do that when great movies with great characters could be watched with the sound on, instead, I don't know). The problem is the main characters, in particular the two guys. What's presumably supposed to be "funny" dialogue is relentless, annoying-AF bickering and stupidity. One stupid decision (that NOBODY would make, EVER) after another. It's excruciating. Why it's called 'We Are Zombies' is also baffling. At no point does the film even deliver on the title.
Is it one for "zombie completists"? Hmm, well, sure, why not. If you brace for the punchable male leads' dialogue and the illogical decisions and actions, I guess it's "okay". As I said, my expectations were high. Set them low.
Better still, track down Turbo Kid instead.
If you've ever found yourself laughing through the gore of "Blood Sucking Freaks", dodging the undead with the hilarity of "Cooties", or reveling in the neon-soaked mayhem of "Nekrotronic", then "We Are Zombies" is your next cinematic obsession. This zombie comedy is a grotesque, hilarious, and utterly addictive ride.
"We Are Zombies" is a delightful surprise in a genre often overrun by tired tropes. This 2024 horror-comedy manages to balance gore, humor, and heart with impressive skill.
The film introduces us to a trio of misfits who find themselves in the midst of a zombie outbreak. What follows is a riotous blend of slapstick, character-driven moments, and surprisingly effective scares. The filmmakers have a clear love for the genre, evident in the countless nods to classic zombie films, but they also bring a fresh perspective to the well-worn formula.
The cast delivers standout performances, with a perfect blend of comedic timing and dramatic intensity. The characters are endearingly flawed and their camaraderie is the backbone of the film. The practical effects are gory and gruesome in all the right ways, satisfying the cravings of horror fans without overshadowing the story.
While "We Are Zombies" might not reinvent the wheel, it's a damn good ride. It's a film that knows exactly what it wants to be and delivers on all fronts.
"We Are Zombies" is a delightful surprise in a genre often overrun by tired tropes. This 2024 horror-comedy manages to balance gore, humor, and heart with impressive skill.
The film introduces us to a trio of misfits who find themselves in the midst of a zombie outbreak. What follows is a riotous blend of slapstick, character-driven moments, and surprisingly effective scares. The filmmakers have a clear love for the genre, evident in the countless nods to classic zombie films, but they also bring a fresh perspective to the well-worn formula.
The cast delivers standout performances, with a perfect blend of comedic timing and dramatic intensity. The characters are endearingly flawed and their camaraderie is the backbone of the film. The practical effects are gory and gruesome in all the right ways, satisfying the cravings of horror fans without overshadowing the story.
While "We Are Zombies" might not reinvent the wheel, it's a damn good ride. It's a film that knows exactly what it wants to be and delivers on all fronts.
Horror comedy, one of the most useless genres of all. To be a fan here is tantamount to an oath of disclosure in terms of taste in film. Yes, I know, Evil Dead 2, Tucker And Dale, Shaun Of The Dead, Zombieland. Exceptions prove the rule. This film is comparable to the last two mentioned, especially, no, exclusively in terms of the quality of the masks and effects. These are a good reason for a viewing, but also the only one. The rest is best described in one word: stupid. At times even unbearable, I recommend switching off the sound and then perhaps watching it 'on the side'. To emphasise once again, the visuals are excellent, so it's all the more regrettable that they opted for such unfunny slapstick in terms of content.
Looked like my kind of film. But...
Unlikable characters due to a weakly written script. Tries to be funny more than charismatic but most of the jokes don't land so ends up being neither. Seems like a lot of the acting choices are more to do with direction than each actor's ability so will give the cast the benefit of the doubt. If the humour was sharper the over-acting would probably land.
Gains points for a nice synth score and occasional funny splatter gore. Moves along at the right pace and escalates a good amount in the final act. I like what it's going for.
It might not be for me but I believe there's an audience for every film. Recommended for fans of Necrotronic (2018), Scouts Guide to the Zombie Apocalypse (2015), and The Night Sitter (2018).
Unlikable characters due to a weakly written script. Tries to be funny more than charismatic but most of the jokes don't land so ends up being neither. Seems like a lot of the acting choices are more to do with direction than each actor's ability so will give the cast the benefit of the doubt. If the humour was sharper the over-acting would probably land.
Gains points for a nice synth score and occasional funny splatter gore. Moves along at the right pace and escalates a good amount in the final act. I like what it's going for.
It might not be for me but I believe there's an audience for every film. Recommended for fans of Necrotronic (2018), Scouts Guide to the Zombie Apocalypse (2015), and The Night Sitter (2018).
This movie is on par with its zero-brainer title.
Though it starts off with a decent idea; a different vision of zombies that don't eat people, etc. Zombies taking up a place in society - this could be read (this isn't a spoiler) like the people who work 80 hours a week in terrible working conditions just to get a job more than the next poor schlub, etc. This idea quickly falls out next to the cheapest "humor", bad dialogue and an apparent inability to build up plot and have some actual story telling.
The movie looks like it is partially Robot Chicken style inserts, within a mediocre plotline, and well... yea, it doesn't really come out like something you are interested in watching. They added cheap slapstick style gags and "bellow the belt, haha this is funny because it is making fun of political correctness" at every turn, either hoping it would cover up for the b-series acting, the dull set up, the... well, I suppose everything.
I really can't imagine anyone that isn't stuck in an "antisocial teenager" phase finding this movie either funny or entertaining - maybe that's the target audience? If it wasn't enough, the people who worked on the colors and lighting must have taken a bunch of b-series horror films as an example - everything is shot in the dark, unengaging, almost can't see sh** half the time. Yea, shooting in the dark may work sometimes, but not when you have no atmosphere, dull scenes, cheap comedy and less than desirable acting.
As a note though, for any writers out there, this movie is a great example of why "show don't tell" is a thing. Because you can't see sh**, but they sure do spell out EVERY plot element and detail for you.
The basic ideas in this movie deserve a rip off, but this film deserves to be forgotten.
Though it starts off with a decent idea; a different vision of zombies that don't eat people, etc. Zombies taking up a place in society - this could be read (this isn't a spoiler) like the people who work 80 hours a week in terrible working conditions just to get a job more than the next poor schlub, etc. This idea quickly falls out next to the cheapest "humor", bad dialogue and an apparent inability to build up plot and have some actual story telling.
The movie looks like it is partially Robot Chicken style inserts, within a mediocre plotline, and well... yea, it doesn't really come out like something you are interested in watching. They added cheap slapstick style gags and "bellow the belt, haha this is funny because it is making fun of political correctness" at every turn, either hoping it would cover up for the b-series acting, the dull set up, the... well, I suppose everything.
I really can't imagine anyone that isn't stuck in an "antisocial teenager" phase finding this movie either funny or entertaining - maybe that's the target audience? If it wasn't enough, the people who worked on the colors and lighting must have taken a bunch of b-series horror films as an example - everything is shot in the dark, unengaging, almost can't see sh** half the time. Yea, shooting in the dark may work sometimes, but not when you have no atmosphere, dull scenes, cheap comedy and less than desirable acting.
As a note though, for any writers out there, this movie is a great example of why "show don't tell" is a thing. Because you can't see sh**, but they sure do spell out EVERY plot element and detail for you.
The basic ideas in this movie deserve a rip off, but this film deserves to be forgotten.
Le saviez-vous
- AnecdotesThe news station street scene with a fire burning in the middle of the street is used in an anti Kamala Harris ad.
- Citations
Freddy Mercks: Have you ever seen an asshole? They're not pretty.
- ConnexionsReferenced in Film Junk Podcast: Episode 959: The Deliverance (2024)
- Bandes originalesOne Child
written by Jean-Philippe Bernier & Jean-Nicolas Leupi
performed by Le Matos
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- How long is We Are Zombies?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 1 230 267 $US
- Durée
- 1h 20min(80 min)
- Couleur
- Rapport de forme
- 2.39:1
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