Une adolescente et son petit frère doivent survivre 24 heures de folie au cours desquelles une hystérie collective d'origine inconnue pousse tous les parents à se retourner violemment contre... Tout lireUne adolescente et son petit frère doivent survivre 24 heures de folie au cours desquelles une hystérie collective d'origine inconnue pousse tous les parents à se retourner violemment contre leurs propres enfants.Une adolescente et son petit frère doivent survivre 24 heures de folie au cours desquelles une hystérie collective d'origine inconnue pousse tous les parents à se retourner violemment contre leurs propres enfants.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
- Damon
- (as Robert Cunningham)
- Dr. Mehmet Oz
- (as Dr. Mehmet Oz)
- Jin-Lisa
- (as Adin Alexa Steckler)
Avis à la une
The plot is similar to The Signal (2007). Unknown virus/transmission turns parents into murdering their own kids. Myself cant stand harm shown towards kiddies n any kinda rape. So dont worry, the film takes it a bit easy on kiddie deaths but it has some genuine tension, over the top performance, solid dark humour n a cameo by Lance Henriksen n an attractive Selma Blair. The scenes in the hospital delivery room especially wher bunch of parents r waiting to kill their newborns is truly frightening.
The strong start really leaves you excited for the rest of the movie, showcasing this strange parent uprising pretty damn well for the first few minutes of the movie. This ultimately falls short when the scope of this apocalypse is condensed into one single family.
Admittedly, that would have been a fine idea - but at the end of the movie, I felt like I wanted more. With such an original concept, you'd imagine that they'd have more scenes that portrayed this apocalypse outside the breadth of the single family. Unfortunately, they failed to deliver anything substantial.
Even when the setting was shifted to the one family, I felt more engaged pointing out the plot holes than I did actually enjoying the film. Even though this movie is supposed to be nothing more than a murderous blur, I didn't really feel invested with the movie as it went along.
In other words, it became predictable as it went along.
The only thing that gave me hope was the ending. I was really excited to see how they would wrap this one up. They even hinted at things throughout the plot, like the television static and the unusual ringing. But this was to no avail.
At the end of the movie, I felt disappointed. I came in wanting some mindless, original savagery. What I got was a somewhat intriguing killing spree affixed to an incredibly underwhelming plot, which left much more to be desired.
Brian Taylor's style is a treat for the eyes. And the electronic music soundtrack throughout by Mr Bill is a perfect match for it. Performances are great, Nicolas Cage is on form.
Maybe people just don't understand it or they don't like the abrupt ending- I'm surprised to see such low scores for it. I think the ending works well.
If you like Crank, Nicolas Cage and electronic music then definitely check this one out!
High 7/10.
The script is not as strong as ever , but it was as i said tight and organised and somewhat quick which leveled up the thrill ,, and not forgetting the sense of humor and the "kids we love you but sometimes we wanna kill you" it just gave the whole movie a new perspective.
The casting was good, Nicolas Cage was so engaging and tense, same for Selma Blair and the kids.
Final thought,, even though it's not the high-budget movie you're looking for, the movie was really nice, so it is definitely recommended.
Le saviez-vous
- AnecdotesNicolas Cage said this was his favorite movie that he had filmed in 10 years.
- GaffesThe hinge to the basement is on the parents' side, so they could have taken the door off its hinges to get to their kids.
- Citations
Brent Ryan: Now the world you kids are living in. The things you've seen on the Internet. Mouth to dildo, dildo to ass, ass to ass! Hi, Brent! Anal beads.
- ConnexionsEdited into Happy!: The War on Easter (2019)
- Bandes originalesYesterday when I was Young
(Hier Encore)
Music by Charles Aznavour
French lyrics by Charles Aznavour
English lyrics by Herbert Kretzmer
Performed by Dusty Springfield
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Mamá y Papá
- Lieux de tournage
- Louisville, Kentucky, États-Unis(the high school which is Saint Xavier High School)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 000 000 $US (estimé)
- Montant brut mondial
- 165 962 $US
- Durée
- 1h 26min(86 min)
- Couleur
- Mixage
- Rapport de forme
- 2.40 : 1