NOTE IMDb
8,2/10
19 k
MA NOTE
Somaieh, la plus jeune fille d'une famille indigente, se marie et la peur envahit chaque membre de la famille quant à la façon de surmonter leurs difficultés après son départ.Somaieh, la plus jeune fille d'une famille indigente, se marie et la peur envahit chaque membre de la famille quant à la façon de surmonter leurs difficultés après son départ.Somaieh, la plus jeune fille d'une famille indigente, se marie et la peur envahit chaque membre de la famille quant à la façon de surmonter leurs difficultés après son départ.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 20 victoires et 18 nominations au total
Payman Maadi
- Morteza
- (as Peyman Moaadi)
Avis à la une
A complete drum and, in all sense, one of the best Iranian films, thanks to the dear Saeed Rustayi for making a good and lasting effect, forever and one day, a flip. It's a lie to remind us of a forgotten class. The buried class is under the rubbish of misery and poverty, and of addiction and dangers, and ....... But the most controversial and, most of all, the most golden, The dialogue is the one where Morteza said loudly to everyone: "Anyone can, and there is no shortage of lesser dogs, every time they go and get back from the dog less, less." This dialogue is tapped in the face of the audience.
This is an extremely good realistic movie about a family and it's miserable members. If you don't understand Persian language, you may find it little difficult to read the subtitle and keep up the fast moving documentary style visuals at the same time. But, as the film progress, it's amazing, you will get into it completely. Each character is well defined, there is no good or bad, everything is situation driven. This is the reason I love Iranian films so much. Amazing job on the acting as well.
First-Time director Saeid Roustayi captures Iranian culture, the current poverty epidemic that everyday Iranians face from a realistic standpoint. The performances, story and cinematography all allow us a realistic glimpse into this family, whose dealing with many issues. The film touches on a lot of Iranian taboos and cultural fallbacks on a surface level, and delves deep into others. The family business is struggling, one brother is addicted (solid performance from Navid Mohammadzadeh), another sister doesn't marry (big deal in iranian culture), one is divorced, and another plans to be married off to supposedly wealthy Afghan. The main character, portrayed brilliantly by Peyman Moaadi struggles to make wise business and family decisions, and it becomes taxing.
For fans of Iran's realist movement should watch this. I felt like this accurately captured Iranian culture, while also posing vital questions about the situations.
For fans of Iran's realist movement should watch this. I felt like this accurately captured Iranian culture, while also posing vital questions about the situations.
10nsiolios
Perhaps you will find that in the beginning the movie has so fast dialogues. And it continues through out all of the movie. So if you are foreigner (like me ) you will find difficult to catch all from the subtitles and perhaps you will say not worth to see. But if you insist, sooner or later you will start to understand the beauty of the movie. It needs to see at least one more time to start seeing all the surrounding that you missed first time by looking at the subtitles. The characters are so good in their roles! The photography unbelievable! you will enjoy seeing it again the next day. I had years to see a such moving movie.
Damn this is good, Pure Drama, An excellent depiction of poverty, Addiction and struggle in modern-day Iran, I highly Recommend it.
Le saviez-vous
- AnecdotesSaeed Roustayi's directorial film debut.
- ConnexionsReferences Rocco et ses frères (1960)
Meilleurs choix
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- How long is Life and a Day?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Forever and a Day
- Lieux de tournage
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 52min(112 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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