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IMDbPro

Sage Femme

Titre original : Sage femme
  • 2017
  • Tous publics
  • 1h 57min
NOTE IMDb
6,7/10
3,2 k
MA NOTE
Catherine Deneuve and Catherine Frot in Sage Femme (2017)
An unlikely friendship that develops between Claire (Catherine Frot), a talented but tightly wound midwife, and Béatrice (Catherine Deneuve), the estranged, freespirited mistress of Claire's late father. Though polar opposites in almost every way, the two come to rely on each other as they cope with the unusual circumstance that brought them together
Lire trailer1:56
2 Videos
42 photos
Drame

Une sage-femme reçoit des nouvelles inattendues de l'ancienne maîtresse de son père.Une sage-femme reçoit des nouvelles inattendues de l'ancienne maîtresse de son père.Une sage-femme reçoit des nouvelles inattendues de l'ancienne maîtresse de son père.

  • Réalisation
    • Martin Provost
  • Scénario
    • Martin Provost
  • Casting principal
    • Catherine Deneuve
    • Catherine Frot
    • Olivier Gourmet
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    3,2 k
    MA NOTE
    • Réalisation
      • Martin Provost
    • Scénario
      • Martin Provost
    • Casting principal
      • Catherine Deneuve
      • Catherine Frot
      • Olivier Gourmet
    • 22avis d'utilisateurs
    • 97avis des critiques
    • 66Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 1 nomination au total

    Vidéos2

    Official Trailer
    Trailer 1:56
    Official Trailer
    The Midwife - Official HD U.S. Trailer
    Trailer 1:56
    The Midwife - Official HD U.S. Trailer
    The Midwife - Official HD U.S. Trailer
    Trailer 1:56
    The Midwife - Official HD U.S. Trailer

    Photos42

    Voir l'affiche
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    + 35
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    Rôles principaux28

    Modifier
    Catherine Deneuve
    Catherine Deneuve
    • Béatrice Sobo
    Catherine Frot
    Catherine Frot
    • Claire Breton
    Olivier Gourmet
    Olivier Gourmet
    • Paul Baron
    Quentin Dolmaire
    Quentin Dolmaire
    • Simon
    Mylène Demongeot
    Mylène Demongeot
    • Rolande
    Pauline Etienne
    Pauline Etienne
    • Cécile Amado - une patiente
    Audrey Dana
    Audrey Dana
    • La chef de service hôpital moderne
    Pauline Parigot
    • Lucie
    Marie Gili-Pierre
    Marie Gili-Pierre
    • Evelyne
    Jeanne Rosa
    • Élodie
    Élise Oppong
    • Sophie
    Ingrid Heiderscheidt
    • Hôtesse d'accueil maternité
    Jacques Mechelany
    • Francis
    Ana Rodriguez
    Ana Rodriguez
    • Patiente bébé cordon
    Karidja Touré
    Karidja Touré
    • Patiente Madame Naja
    Jisca Kalvanda
    Jisca Kalvanda
    • Patiente Madame Werba
    Fayçal Safi
    • Mari Madame Werba
    Marc Prin
    • Médecin de Béatrice
    • Réalisation
      • Martin Provost
    • Scénario
      • Martin Provost
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs22

    6,73.1K
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    10

    Avis à la une

    7subxerogravity

    Just good, It did not get a lot out of me.

    Another recent French film that I felt was just OK.

    It was not bad, but it's nothing to brag about. Everything is pretty mediocre.

    Sure, it's a lovey and interesting story about Midwife who is contacted by her father's mistress 30 years after the relationship because she going through cancer and wanted to see her and her father again, but as it turns out the father is dead leaving the midwife to be the only thing close to a family the mistress has, and most of the movie is about if the midwife feels the same way.

    it was mostly drama with a few funny moments but nothing really made me laugh or cry, it was all too bland in the delivery.

    I'm still waiting for the french to come out with something like the Intouchables again.

    http://cinemagardens.com
    8CineMuseFilms

    a emotionally rich tale about two very different women

    One of the many ways that European and Hollywood films differ is that the former is willing to dwell on the ordinary while the latter usually prefers to make stories bigger than they merit. The French film The Midwife (2017) is an example of storytelling that works simply by putting two very different women together and watching how they resolve the webs of emotion that have become tangled over time.

    As she approaches her 50th birthday, devoted midwife and single mother Claire (Catherine Frot) faces professional upheaval when her clinic must close. Her orderly conservative life is fractured further when the woman she blames for her father's suicide suddenly makes contact after 30 years. Opposites in every way, Beatrice (Catherine Deneuve) is manipulative, irresponsible, and a chronic gambler who loves fine wine and rich food. Claire's suspicion that Beatrice wants something is proved correct when the latter confides that she is dying, homeless and without support. Initial rejection turns into understanding for the midwife whose instincts are to nurture life, as she juggles the needs of Beatrice, the clinic's closure, and her neighbour's romantic advances. When her son announces he is quitting medical school and his girlfriend is pregnant, the always competent Claire confronts being helpless in a sea of change.

    These narrative strands and their complications are not what sustains the story. Rather it is the way these two icons of French cinema fill out their roles and the emotional connections they make. The flamboyant Beatrice is dramatic and unfiltered, while the restrained Claire is measured and well aware of the other's character flaws. One is a taker, the other a giver, yet both are engaging in different ways. As Beatrice confronts her fate, Claire continues bringing new life into the world in several very moving childbirth scenes that anchor the earthy realism and ordinariness of the story. The filming style dwells on warm and intimate moments, capturing both the charms and emotional swirls of French village life. Great acting and filming complements a script that finds uncontrived humour in everyday places.

    Richly nuanced performances in the European cinematic tradition are at the heart of The Midwife. This is not a film that offers rising tensions towards a big resolution. Instead you are likely to leave the cinema with a bitter-sweet afterglow that comes from sharing moments of unbridled joy, sadness, and the ambivalent ordinariness of our existence.
    frukuk

    Early termination (so no rating)

    I gave this 30 minutes to get going, but there were no signs of anything of interest developing and so early termination seemed both appropriate and ethical.

    Perhaps it picks up pace later on, but I just didn't care what happened to either of the two principal characters. (I actually had a sense of deja vu while watching this: perhaps it's that Catherine Deneuve has played several similar characters in this latter part of her career?)
    8pagbwi

    Wise Women

    Midwife = Wise woman in translation. This movie is about two wise women. Unlike Hollywood you are not drawn to a particular conclusion. You see the main characters interact with each other and what they don't say and their behavior towards each other, tells you more at times than the dialog. See it for yourself. Your own experiences will influence it's interpretation. I enjoyed this movie. You rarely see movies like this in America.
    9zicteban

    Touching

    Nice story line, great acting and a subtle and beautiful face to face between two complex and good-hearted women whose common feature is sweetly whispered at the end of the movie: for 2 women whose birth was not so welcome we've made it fairly well. It is all about memory, regret and will to go ahead. Great movie.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The birthing scenes were real. Catherine Frot took training to become a midwife and actually delivered five babies on camera. Because of this, while the action is set in the Paris region, the birthing scenes were filmed in Belgium as French law prohibits the filming of babies younger than 3 months old.
    • Crédits fous
      The title on screen first appears as "Sage-Femme" before the dash fading away to leave "Sage Femme". This makes a wordplay in French, the title going from "Midwife" ("Sage-Femme") to "Wise Woman" ("Sage Femme").
    • Connexions
      Referenced in Breakfast: Épisode datant du 8 juillet 2017 (2017)
    • Bandes originales
      Ma Liberté
      Music by Georges Moustaki

      Lyrics by Georges Moustaki

      Performed by Serge Reggiani

    Meilleurs choix

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    FAQ

    • How long is The Midwife?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 22 mars 2017 (France)
    • Pays d’origine
      • France
      • Belgique
    • Sites officiels
      • Lumière (Belgium)
      • Memento Films (France)
    • Langue
      • Français
    • Aussi connu sous le nom de
      • La Sage-femme
    • Lieux de tournage
      • Clinique Sainte-Elisabeth, 17 rue du Naimeux, Heusy, Province de Liège, Begium(maternity scenes)
    • Sociétés de production
      • Curiosa Films
      • France 3 Cinéma
      • Versus Production
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 6 789 000 € (estimé)
    • Montant brut aux États-Unis et au Canada
      • 603 582 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 21 341 $US
      • 23 juil. 2017
    • Montant brut mondial
      • 7 286 136 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 57 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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    Catherine Deneuve and Catherine Frot in Sage Femme (2017)
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    By what name was Sage Femme (2017) officially released in Canada in English?
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