NOTE IMDb
7,7/10
27 k
MA NOTE
L'artiste allemand Kurt Barnert s'est échappé de l'Allemagne de l'Est et vit actuellement en Allemagne de l'Ouest, mais il est tourmenté par son enfance sous les nazis et le régime de la RDA... Tout lireL'artiste allemand Kurt Barnert s'est échappé de l'Allemagne de l'Est et vit actuellement en Allemagne de l'Ouest, mais il est tourmenté par son enfance sous les nazis et le régime de la RDA.L'artiste allemand Kurt Barnert s'est échappé de l'Allemagne de l'Est et vit actuellement en Allemagne de l'Ouest, mais il est tourmenté par son enfance sous les nazis et le régime de la RDA.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 5 victoires et 18 nominations au total
Evgeniy Sidikhin
- NKWD Major Murawjow
- (as Evgeny Sidikhin)
Avis à la une
This captivating and moving movie is essentially based on encounters, fortuitous or not, of good omen or not, in Germany, GDR and then FRG.
Professor Carl Seeband (Sebastian Koch) is a brilliant gynecologist, cold and completely devoid of empathy. His 'talent' will enable him to become an imminent member of the Nazi Party and to actively work in the eugenics process in order to improve the 'racial hygiene'. Kurt Barnert (Tom Schilling) is a young artist whose inspiration seems to be animated by repressed memories of his aunt Elisabeth May (Saskia Rosendahl), who mysteriously lost her mind during the rise of Nazism in the 30s, then silently 'disappeared' just before the Second World War: Elizabeth's fate will end at a fatal meeting with Professor Carl Seeband. A few years later, Kurt Barnert will accidentally fall in love with Ellie Seeband (Paula Beer), the only daughter of Professor Carl Seeband.
Freely inspired by the life of Gerhard Richter, the film describes the three decades of a black and then red Germany, struck by two destructive ideologies, before being sold to capitalism. Without reaching the near-perfectness of La Vie des autres (2006), this film is excellent: casting of first choice, neat photography, dialogues skillfully written, captivating scenario, a clever mix of sensual and sweet scenes alternately with cold and depressing other ones, ... As a synthesis: 8 of 10
Professor Carl Seeband (Sebastian Koch) is a brilliant gynecologist, cold and completely devoid of empathy. His 'talent' will enable him to become an imminent member of the Nazi Party and to actively work in the eugenics process in order to improve the 'racial hygiene'. Kurt Barnert (Tom Schilling) is a young artist whose inspiration seems to be animated by repressed memories of his aunt Elisabeth May (Saskia Rosendahl), who mysteriously lost her mind during the rise of Nazism in the 30s, then silently 'disappeared' just before the Second World War: Elizabeth's fate will end at a fatal meeting with Professor Carl Seeband. A few years later, Kurt Barnert will accidentally fall in love with Ellie Seeband (Paula Beer), the only daughter of Professor Carl Seeband.
Freely inspired by the life of Gerhard Richter, the film describes the three decades of a black and then red Germany, struck by two destructive ideologies, before being sold to capitalism. Without reaching the near-perfectness of La Vie des autres (2006), this film is excellent: casting of first choice, neat photography, dialogues skillfully written, captivating scenario, a clever mix of sensual and sweet scenes alternately with cold and depressing other ones, ... As a synthesis: 8 of 10
This is a fantastic movie, historical drama and philosophical essey on art at the same time. The runtime might seem a bit long, but once the movie gets your attention, it never lets you go. The well-written charcters are full of life, which delivers a complex yet relatable story throughout the history of XX. century Germany. The film is also beautiful, awesome cinematography. And an inevitable piece if you want to understand the thouhts behind modern art. While the english title is good (Never look away - the primary thesis of the movie), please also notice the original title (Art without author). Recommend 10/10
I had time to check out this film yesterday and decided to go for it despite its 3 hour and 9 minute running length. I have seen von Donnersmarck's The Lives of Others and The Tourist (the latter of which was awful). The Lives of Others was great though, so I was in anticipation to see what he would see next. Pay no mind to the running length of this film, its an astounding and really fantastically gripping film that is actually quite inspiring.
The film is about the life of an artist named Kurt from his childhood to adulthood and the events in his life that inspire him to become the artist that he is. Early in his life his aunt is euthanized during Nazi, Germany because of suspicions that she may be schizophrenic. Growing up he struggles to find his calling in life but little does he know that the events of his past are what are present in his current day life, unbeknownst to him. I know this wasn't a really in depth summary but that is intentional as I want you to go see this film and experience it for yourself.
From the opening moments in the museums art gallery to the closing moment of Kurt staring at the camera, this is an alluring viewing. Its beautifully shot and is inclusive of a wide range of emotions and life processes including love, hate, death, despair, ambition, and determination. I liked the love story in the film as well. Normally you would see couples in films bicker but in this film its pure love, passion, and support throughout.
Apparently the film is loosely based on the life of Gerhard Richter. I can't really comment on that accuracy but I will say that the blurred paintings of photographs that Kurt paints are absolutely wonderful. Its so nice to see him finally have that moment and find his true calling and his real motivation for painting. I was actually inspired by Kurt's journey in his life and finale finding that recipe for success. In many ways I can relate.
I was a huge fan of the moving score for this film. Especially in latter stages of the film where it was so effective and just so perfect fit. The acting is good all around and at times the film utilizes subtle humor. I could have actually sat through another hour of this film because it embodies so much of what I wish films would these days.
I'm not often really moved by pictures like I was with this. Every scene in this long film is important as it comes back later. Its just pure art in cinematic form. I rarely ever hand out ratings this high but I really feel like Never Look Away is very deserving of that honor. Indeed, its hard to look away from the beauty on display in this film. Just a truly moving experience that I recommend to everyone.
9/10
The film is about the life of an artist named Kurt from his childhood to adulthood and the events in his life that inspire him to become the artist that he is. Early in his life his aunt is euthanized during Nazi, Germany because of suspicions that she may be schizophrenic. Growing up he struggles to find his calling in life but little does he know that the events of his past are what are present in his current day life, unbeknownst to him. I know this wasn't a really in depth summary but that is intentional as I want you to go see this film and experience it for yourself.
From the opening moments in the museums art gallery to the closing moment of Kurt staring at the camera, this is an alluring viewing. Its beautifully shot and is inclusive of a wide range of emotions and life processes including love, hate, death, despair, ambition, and determination. I liked the love story in the film as well. Normally you would see couples in films bicker but in this film its pure love, passion, and support throughout.
Apparently the film is loosely based on the life of Gerhard Richter. I can't really comment on that accuracy but I will say that the blurred paintings of photographs that Kurt paints are absolutely wonderful. Its so nice to see him finally have that moment and find his true calling and his real motivation for painting. I was actually inspired by Kurt's journey in his life and finale finding that recipe for success. In many ways I can relate.
I was a huge fan of the moving score for this film. Especially in latter stages of the film where it was so effective and just so perfect fit. The acting is good all around and at times the film utilizes subtle humor. I could have actually sat through another hour of this film because it embodies so much of what I wish films would these days.
I'm not often really moved by pictures like I was with this. Every scene in this long film is important as it comes back later. Its just pure art in cinematic form. I rarely ever hand out ratings this high but I really feel like Never Look Away is very deserving of that honor. Indeed, its hard to look away from the beauty on display in this film. Just a truly moving experience that I recommend to everyone.
9/10
10jrwygant
"Never Look Away" is essentially a film about three characters: a young artist, based on the life of Gerhard Richter, his wife, and his wife's father, a former Nazi who worked as a doctor committed to "purifying" the German race. So with the focus held so tightly on just three characters, it may seem surprising that it takes three hours to tell the story. But this film never left the feeling that too much was being told. It is a masterpiece of ideal personal relationships set against a background of truly evil and destructive behavior.
The story begins with the artist as a young boy in the care of his devoted but slightly strange aunt. We follow the artist into young adulthood and into a marriage that faces unique challenges. He carries with him his aunt's plea to "never look away."
While this tale begins at the onset of the Nazi era, much of what is presented is relevant to our contemporary world, though those political parallels are not drawn explicitly in the film.
Released in 2018, this film was honored with many award nominations and a few wins. Because of subtitles and a length of three hours, "Never Look Away" did not lend itself well to American tastes or to wide theatrical distribution. It is available on DVD or streaming and should not be missed.
The story begins with the artist as a young boy in the care of his devoted but slightly strange aunt. We follow the artist into young adulthood and into a marriage that faces unique challenges. He carries with him his aunt's plea to "never look away."
While this tale begins at the onset of the Nazi era, much of what is presented is relevant to our contemporary world, though those political parallels are not drawn explicitly in the film.
Released in 2018, this film was honored with many award nominations and a few wins. Because of subtitles and a length of three hours, "Never Look Away" did not lend itself well to American tastes or to wide theatrical distribution. It is available on DVD or streaming and should not be missed.
Ich spreche Deutsch ziemlich gut um zu kommunizieren aber nicht genug um die ganze Kritik auf Deutsch zu schreiben darum I'll write it in English. The new movie by Florian von Donnersmarck mesmerized me from the very beginning - the way he can capture the atmosphere, the way he portrays a main hero and even every little character is outstanding and you can literally never look away while watching this modern masterpiece. I actually don't understand why some movie titles are translated into other languages with their own meanings because "Never look away" does not fully capture the true meaning of it while "Work without author" does that almost perfectly. The author of another great one ("The lives of others", 2006) has not outdone himself but came pretty close to doing so: a movie that's so versatile, so multidimensional that you just can't fully figure it out on watch one - it needs to be watched many times. A story of a young boy growing up, facing difficulties, experiencing life changing moments, disappointments, reevaluations in search of an answer to the eternal question: who am I in this fast-changing world? - does it ever get old? I don't think so.
Le saviez-vous
- AnecdotesKurt's art teacher, played by Oliver Masucci, is modeled on artist Joseph Beuys, the head of sculpture at the Kunstakadamie in Dusseldorf during the early '60s, at the time Gerhard Richter first enrolled.
- GaffesAt one point Carl Seeband mentions that Mozart was dead by the time he was 30. This is incorrect; Mozart was 35 when he died. (He could have been lying to try to convince Kurt to give up Art).
- Citations
Elisabeth May: Don't look away. Never look away, Kurt. All that is true is beautiful.
- ConnexionsFeatured in 2019 Golden Globe Awards (2019)
- Bandes originalesDe torrente in via bibet [Dixit Dominus, HWV 232]
Composed by George Frideric Handel (as Händel)
Performed by Angela Kazimierczuk, Katherine Fuge, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- L'Oeuvre sans auteur - Partie 1
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 18 000 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 1 304 042 $US
- Montant brut mondial
- 6 193 234 $US
- Durée3 heures 9 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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