Journeyman

This is a beautiful film - peppered with moments of humour and breathtaking moments of shock. The use of music is inspiring (Nick Cave amongst the most wrenching) and Considine is a thoughtful and innovative director. I was fortunate enough to be at the screening where he attended for a Q&A and he spoke about the set being the actors' house and how they all feel comfortable and safe. And it shows. Jodie Whittaker is striking in her performance and all the supporting cast shine rather than simply be there. It is a shame that Paddy doesn't get the recognition he deserves. He spoke about turning up for films where he was disappointed in his part and the people he was working with - he is "in films for five pages" whilst we get the Hiddlestons and Redmaynes shoved at us. We should focus on the Paddy Considines and Stephen Grahams a lot more. A lovely, thoughtful and ultimately very moving story beautifully played out by craftsmen.

Journeyman is a great emotional experience that focuses more on the family life of a boxer rather than the boxing itself. Paddy Considine's direction is great and his performance as well as Jodie Whitaker's are both incredible. However, the fight itself isn't that well filmed and lacks the weight and impact it needs but the drama and acting in the rest of the film is good enough to overcome this flaw.

One of the most consistent and consistently underrated talents working in the industry today, British gun actor/filmmaker Paddy Considine has taken his time to step behind the director's chair again after his heart wrenching debut Tyrannosaur from 2011 but Journeyman re-establishes the fact that Considine is a force behind and in-front of the camera.

Not as powerful as Tyrannosaur or as unique, with Journeyman feeling a little more like well-trodden ground, Considine's film is still a great showcase for its lead performers in the form of Considine as champion boxer turned debilitated husband Matty Burton and Dr. Who herself Jodie Whittaker as Burton's caring but concerned wife Emma.

A boxing drama that barely spends any time in the ring, viewers should understand that Considine isn't concerned about following the general boxing movie tropes as he instead draws his focus away from the arena as we follow Burton on his journey to recovery after he suffers significant brain trauma in a title fight, ensuring the strain on his relationship with Emma and his friends is tested more than ever before.

Journeyman is a quiet affair, there's not much grandstanding or cinematic flair on offer and while it would've been nice for Considine to shake-up the familiar formula more often, the film is clearly the work of a performer that knows and understands his craft and remains in tune with the human intricacies that more polished and large-scale films can often lose sight of.

Considine himself is great as the determined, flawed and broken Burton while Whittaker takes a backseat to Considine's powerful turn, she to shows great heart and depth in her role, with the two top quality actors working magic when they get to share the screen together.

After Tyrannosaur and now this, it's safe to say Considine is a fine director of actors and should he continue to attract the type of talent to his productions as he has, it's an exciting fans for film fans the world to see what he has in store for us next.

Final Say -

It never punches above its weight class but Journeyman is another fine effort from one of the industry's most underappreciated talents, a boxing film with a different goal than the usual affair, Journeyman is well worth tracking down.

3 washing machines out of 5

Very moving film brilliantly acted and directed by Paddy Considine.

The story begins with World Champion Matty Burton (Considine) and the build-up to his fight with brash, unbeaten and mouthy prospect Andre Bryte (Anthony Welsh). Supporting Burton is his wife, Emma (amazing Jodie Whittaker), and the two have a young child together. The opening montage establishes Burton's life showing he has everything to fight for including: family, friends, pride, career and community.

After the fight in the ring Considine and Whittaker take centre stage in a deeply moving portrait of a family coming apart due to tragic circumstances. Their performances as two characters battling to stay in love, together and just fighting to keep going is remarkable. There are so many startling scenes and moments which punch and wind you; this story moved me beyond words.

Boxing is a very well decorated sports sub-genre. You can list off a number of high-quality films from this category that have received high praise from the audience and been given a number of major awards. Two of them have even won Best Picture at the Oscars, Rocky and Million Dollar Baby. But nowadays, I think it's tough to make a really good one now. I feel it as a bit of a worn-out genre. There's not much else you can do different with it.

Now that I've seen Paddy Considine make and star in his own Boxing drama, the story certainly concentrates outside of the ring rather than in it. That's definitely a root that might refresh this genre.

But I felt to be really torn with this one in the end. It starts off with some potential. But I think the pacing of it and general look to it made it look pretty ordinary and dare I say more of a TV drama.

The second half does get better and by the end of it it was a heart-wrenching finale and that was all thanks to Considine.

Paddy Considine was great. It's hard to know what to think of his performance at first. But by the turn of the second half, that's when he truly shines and we get a couple of really emotional moments that did not have a dry eye in the house by the end of it.

Jodie Whittaker was a solid support and had great chemistry with Considine. But sadly, like with a lot of this film, her performance felt better suited to TV.

I've briefly mentioned this already, but the major problem I had with this film was that none of it felt cinematic. It felt more like an excellent one-off TV drama that would win many National TV awards. The story does fall into the trap of a what you expect in a TV movie, the forced themes and melodramatic presentation.

It is a real shame, because Considine's performance comes out really strong by the end of it and enhances everything around him.

Despite the high praise for his acting, there was very little exceptional content outside of that I'm afraid to say. After his incredibly powerful directing in Tyrannosaur, it pains me to say that this did feel disappointing. It's certainly made with good intentions and I think it is still worth seeing for Considine's acting. But maybe wait until you can access it from your home, as that seems to be where you get the best viewing experience.

Rating: 7/10