NOTE IMDb
5,9/10
7,5 k
MA NOTE
La rivalité entre deux anciens amis de l'université atteint son paroxysme lorsqu'ils assistent tous les deux au même événement glamour.La rivalité entre deux anciens amis de l'université atteint son paroxysme lorsqu'ils assistent tous les deux au même événement glamour.La rivalité entre deux anciens amis de l'université atteint son paroxysme lorsqu'ils assistent tous les deux au même événement glamour.
- Réalisation
- Scénario
- Casting principal
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There's a really good movie in here, trying to escape and transcend the trashy selling point of girl-on-girl violence. When it comes, it is shocking and over-extended, in a way that can only mean someone is getting a kick out of it, thus cheapening the film and taking it perilously close to Russ Meyer, "Faster, Pussycat" territory. Then there's the lesbian couple, who don't get violent but who do a lot of tongues, again unnecessary and overdone. Underneath it all is a fresh and original take on family relations, mother-daughter jealousy, pseudiness in the art scene, etc.
A weird and twisted character study of self absorbed, clueless narcissists ad nauseum.
I know, it's supposed to be a clever dark comedy, but having actually encountered more than a few examples of the very characters portrayed here in the real world, it was more like watching the equivalent of experiencing nails on a chalkboard.
I'm not knocking the film, or caliber of acting and direction, quite the contrary. As a film, it's actually a very well created production.
As a sort of snapshot into a world which really exists (well, sort of), perhaps it's a bit too realistic for comfort.
OK, the art gallery fight scene was more than a bit over the top.
Not to deliver any spoilers here, but perhaps an apt description could be summarized as a spectacular reversal of fortune story, mapped into a bizarre parallel universe of quirky characters and seemingly impossible scenarios which are actually all too real, depending upon which version of reality one might encounter at some seemingly random moment.
Not sure how to rate this, might not be for everyone, but it is definitely unique. A cautious seven stars . . .
I know, it's supposed to be a clever dark comedy, but having actually encountered more than a few examples of the very characters portrayed here in the real world, it was more like watching the equivalent of experiencing nails on a chalkboard.
I'm not knocking the film, or caliber of acting and direction, quite the contrary. As a film, it's actually a very well created production.
As a sort of snapshot into a world which really exists (well, sort of), perhaps it's a bit too realistic for comfort.
OK, the art gallery fight scene was more than a bit over the top.
Not to deliver any spoilers here, but perhaps an apt description could be summarized as a spectacular reversal of fortune story, mapped into a bizarre parallel universe of quirky characters and seemingly impossible scenarios which are actually all too real, depending upon which version of reality one might encounter at some seemingly random moment.
Not sure how to rate this, might not be for everyone, but it is definitely unique. A cautious seven stars . . .
This film tells the story of two women who have been adversaries in high school. They meet each other again in a party, and a huge fight entails.
"Catfight" is a rare comedy that is funny and thought provoking at the same time. The similarity of two women in both the ways they treat other people, and their experiences are remarkable. It tells the message that what comes around goes around, and fortunes are impermanent. Holding grudges aren't the way to go either, even though the three women in the film all hold grudges spectacularly. I enjoyed watching the film.
"Catfight" is a rare comedy that is funny and thought provoking at the same time. The similarity of two women in both the ways they treat other people, and their experiences are remarkable. It tells the message that what comes around goes around, and fortunes are impermanent. Holding grudges aren't the way to go either, even though the three women in the film all hold grudges spectacularly. I enjoyed watching the film.
The best thing about Catfight is that it offers a fairly unique and hard to find change of pace from many of the current crop of teen and young adult comedies.
Also on the plus side, it moves from a clearly satirical base into one of the most bizarre and (arguably) violent little feuds ever filmed (in the history of the medium) between two female characters who, presumably, should know better.
"Adults behaving badly" ... on steroids.
Which of course is its charm.
It also boasts performances from Heche and Oh which are not merely good but extraordinary. No matter how bizarre the character, no matter how over-stretched the script and dialog, these two actresses are fully committed to their portrayals.
It is the job of the reviewer to identify analogs of a story to better compare and contrast the production.
In the case of Catfight, this is not as easy as it looks.
While the overall plot can perhaps find resonances (for example) in something like Bad Santa 2003 (the first one, not the sequel) the overall tone and wickedness of the story, the complete disregard for anything resembling a normal dramatic narrative -- such as for example the over-utilization of "coma" as a continuity device? -- would require a trip back in time to the so-called experimental films of the 1960s.
Overall the final effect is remarkably like a car accident that attracts rubber-neckers, moreso than a cinematic breakthrough that attracts fans.
In other words, it is fun, novel, and interesting on first viewing. Something to tell your friends about.
But whether you would ever want to see another film just like it remains an open question.
Also on the plus side, it moves from a clearly satirical base into one of the most bizarre and (arguably) violent little feuds ever filmed (in the history of the medium) between two female characters who, presumably, should know better.
"Adults behaving badly" ... on steroids.
Which of course is its charm.
It also boasts performances from Heche and Oh which are not merely good but extraordinary. No matter how bizarre the character, no matter how over-stretched the script and dialog, these two actresses are fully committed to their portrayals.
It is the job of the reviewer to identify analogs of a story to better compare and contrast the production.
In the case of Catfight, this is not as easy as it looks.
While the overall plot can perhaps find resonances (for example) in something like Bad Santa 2003 (the first one, not the sequel) the overall tone and wickedness of the story, the complete disregard for anything resembling a normal dramatic narrative -- such as for example the over-utilization of "coma" as a continuity device? -- would require a trip back in time to the so-called experimental films of the 1960s.
Overall the final effect is remarkably like a car accident that attracts rubber-neckers, moreso than a cinematic breakthrough that attracts fans.
In other words, it is fun, novel, and interesting on first viewing. Something to tell your friends about.
But whether you would ever want to see another film just like it remains an open question.
This certainly won't be everyone's cup of tea but I quite enjoyed the sheer nihilistic futility of it all. Catfight is certainly original and takes on a narrative that keeps you guessing right to the end. There are some great digs at the pretentiousness of modern art and some gloriously violent fight scenes. You may hate it but it's definitely worth a try if you enjoy black comedy.
Le saviez-vous
- AnecdotesWhile promoting this film, director Onur Tukel and actress Anne Heche managed to be the second and third guests ever to be asked to leave a popular podcast, named Doug Loves Movies, for disruptive behavior. The first guest to be asked to leave, was Onur Tukel on a previous episode of "DLM".
- GaffesWhen Ashley and Veronica are talking after breakfast in the cabin (1 hr 26 min), you can see a very small bug flying around. Anne Heche plays it off nicely by blowing at it and staying in character.
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- How long is Catfight?Alimenté par Alexa
Détails
Box-office
- Budget
- 350 000 $US (estimé)
- Montant brut mondial
- 2 666 $US
- Durée
- 1h 35min(95 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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