Le secret des Kennedy

This retelling of the death of young Kennedy entourage "Boiler Room" secretary Mary Jo Kopechne and the involvement therein (or lack of same, arguably) of rising US senator and last surviving brother of the Kennedy family dynasty, Edward Kennedy, holds back little as it nails its accusatory colours to the mast.

I re-read as much background as I could on the tragic incident and it's difficult not to come to the same conclusion as the writer and director of this movie, that Kennedy firstly failed to attempt to rescue the stricken girl immediately after he escaped the sinking car, then got two of his slavishly obedient underlings to repeatedly dive into the river to try to save the girl, didn't report the matter immediately to the authorities where we learn that if he had, Mary Jo might even have made it out alive, before most shamefully of all, he played down and indeed lied about his role in the matter to go along with the abhorrent advice of the supporting Kennedy machine, a phalanx of important Democrats, including former Secretary of State Robert MacNamara, to cover up his part and so keep alive his future eligibility for the presidency.

As usual in dramatisations of real life happenings, some dramatic licence appears to be taken with events. For example was Ted Kennedy really so scared of his elderly, paralysed father, the family patriarch Joseph (played by an unrecognisable Bruce Dern) and so ashamed of himself as the underperforming last son of the family to justify acting in this deplorable spineless way? Then, was there anything sexual between Kennedy and Kopechne on the night - there are cryptic but inconclusive flashbacks shown hinting at something and Kennedy, whose wife hadn't made the trip, was a known womaniser. Did he really contemplate resigning the Senate right up to the last minute before caving into the surrounding peer pressure and instead turn his live TV broadcast into the contemptible self-serving speech it turned out to be, including his horrendous assertion that this was the infamous "Kennedy Curse" working on him - this just in Senator Kennedy, you didn't die, Miss Kopechne did - and in so saying, trying to bathe in the reflected glory of his two slain brothers? I also thought it was a major mistake to fail to mention the substantial payment that was made to the dead girl's parents, presumably to hush them up.

Only one person knows what happened on that fateful night and I concur with the film-makers' assertion here that Kennedy not only acted in a selfish, cowardly way at the scene - he even tried to weasel out of this by faking a medical report that he was concussed in the crash which affected his actions and then compounded the felony by "wearing" a neck brace for effect at the funeral.

This as I said is a brave film, justifiably, I believe, taking a side and having the courage of its convictions to stick to it. Jason Clarke is excellent as Kennedy while the rest of the lesser known cast give him credible support. The direction could have done with less of the voguish drone shots which seemed at odds with the realistic approach adopted elsewhere plus I found the soundtrack dull and again lacking affinity with the era portrayed.

I doubt this film will gain wide distribution but hope it does. It's an excellent drama, the tragedy of which is how realistically it depicted a tragically avoidable real life accident.

There are two tragedies in this film. The first is the death of Mary Jo Koepechne, the young woman left to die in an upturned car in shallow water. The second is Ted Kennedy's ultimate refusal to accept responsibility for his negligence. The fact that the second tragedy works so well in the shadow of the first is a testament to how well the movie is written and performed.

The movie begins with a montage of Kennedy family photos and audio describing the achievements and deaths of Ted's three brothers, Joe Jr., Jack, and Bobby. The implication is that Bobby lives in a world of tragedy already, but that he also lives in the shadows of three brothers. Throughout the film, we hear from Ted, his cousin Joey, the secretaries (including Mary Jo), and even Joe Sr. that Ted either needs to find a way out of those shadows or that he will never be able to get out from them. Ted wants to be his own man, but he can't quite escape the gravitational pull of his family name that, a mere decade before, had dominated American political life.

In seeming preparation for what could be a presidential run, Kennedy rounds up Jack's secretaries in order to try and get them to work for him. He invites them to a small cabin in Martha's Vineyard to drink and participate in a boat race (that Ted embarrassingly loses). The secretaries as a whole, save Mary Jo, have bought into the Kennedy mystique completely, but Mary Jo is scarred by the deaths of the Kennedy brothers and is reticent about coming back into the "family", as Ted puts it. Ted drives her back to town in an effort to continue to try and convince her, but he takes the ill-fated turn and drives off the bridge, overturning the car.

One of his first lines of dialogue after exiting the car cuts right to him. He's gotten out of the car (he doesn't know how) and walked back to the cabin. When he sees his cousin Joey out of sight of everyone else, he says, "I'll never be president." It's not the safety of Mary Jo whom he's left behind, probably dead, that concerns him, but his political future and his ability to live up to the family's expectations.

What follows is something between a comedy of errors and a tragedy as Ted, Joey, and advisors brought in by Joe Sr. work to mitigate the situation with Ted making poor decisions left and right from a sloppily written statement to the police (that gets to the media) to a neck brace that brings nothing but scorn due to its obvious needlessness. All through this, Joey, the faithful cousin lawyer, is Ted's conscience, begging for Ted to do the right thing by calling the police right after the accident, telling the truth, and eventually resigning.

It's the final scene, Ted's address to Massachusetts and the nation, that shows Ted as completely fallen and Joey's complete degradation in the face of Ted's insistence on weathering the storm. Joey has begged Ted to resign, even writing a resignation letter at Ted's request with the expectation that Ted would read it. But it becomes obvious that Ted's not going to do it. His voice seems distant. The lighting is low. There's something wrong, and he tosses Joey's letter aside in favor of the message written by Joe Sr.'s advisors. Joey's ultimate disgrace comes when he is shanghaied into holding up the cue cards for Ted in his final half of the speech. Joey does his duty, but he simply cannot believe what he's seeing and hearing from his friend. He had expected Ted to rise up above the shadow of the Kennedy family by doing what was right, but Ted had fallen in with Joe Sr.'s view of greatness instead.

It's that final scene that really makes the movie, distilling the central conflict within Ted by using Joey perfectly in contradistinction to Ted's actions.

For those that grew up with the Kennedys, and anyone that didn't (ie, everyone) this story needs to be told. I think the movie was done well - acting and production - but that is not the purpose of the movie.

I knew a lot of what happened from reading over the years. But - this was an amazing portrayal, and accessible to the story for those less interested in politics.

The bottom line? At least Ted, (and if you know the history - his father) were very compromised people. They would, in the end, do anything for power no matter who got in their way. (And as the movie shows, there were always people that would work for them, or vote for them, and dismiss the truth that they knew about them.) From all things that have come out - John and Bobby had great similarities (especially with women).

I hope younger people look at this. Ted's faults were his own demons to a great degree - and these were portrayed very well. I would say what we have seen in the last few years is even more damaging to us, and more corrupt. And - if it takes a movie just to say - that people in politics ARE that dirty and DO lie that much - it will be useful for our country.

Nuff said.

The facts speak for themselves in this sober and sardonic telling of Senator Ted Kennedy's infamous late night car crash that drowned "Boiler Room Girl" staffer, Mary Jo Kopechne along with the subsequent cover up mostly stage managed by two of JFKs "best and brightest" Bob McNamara and Theo Sorenson. It is mostly a restrained telling as it displays less cynicism than pointing it out as the old gang huddles at the Hyannis Kennedy compound to plot and strategize for what they hope is a future President. Brother from another mother Joe Gargan attempts to get Ted to do the right thing but he is no match for the Realpolitik of Robert McNamara who is clearly running the interference, pulling strings and creating scenarios while local Sheriff Arena bungles his investigation, much of it in the favor of the Senator as a Kennedy flunky is dispatched to the deceased Ms Kopechne's parents to block access. It is a Humpty Dumpty make over and an unpleasant reminder of "justice" bought through power and influence in this democratic nation of ours.

There's an Oscar worthy performance to be found in tarnished angel's Ted played by Jason Clarke with a smarmy false bravado and unctuous cowardice while garnering great sympathy as he panics and leaves the girl to drown. Clearly the linch pin to the tragedy he is also responsible for some of the dark humor as says too much too soon, fails to re-new his license, comes up with far fetched attempts to elude blame and models a neck brace for effect before tussling on the floor with a fed up Gargan.

Kate Mara's Mary Joe rings with a mature and melancholy sincerity, her scenes with Ted tastefully handled, more concerned with revealing two people at uncertain moments in their life than a just a roll in the sand. Helms as Gargan suffers nobly and humiliatingly much by way of reaction. Bruce Dern as paralyzed dad Joe does as well but in a much more severe way while Clancy Brown's former Defense Secretary McNamara is take charge impressive in a room of heavyweights.

James Curran's direction is well paced and edited as he smoothly moves the investigation along amid the chaos of what's at stake as well as provide jarring flashbacks and allowing Mary-Jo in her own way provide brutal testimony to the audience. Overall the direction and writing (Taylor Allen, William Logan) is neither venally strident nor smugly damning as the film portrays the tragically flawed Kennedy, justifiably in some way, as a victim for being less than a great man in a circle that would not settle for anything but before once again finding himself out of his depth.

I really cant say much for the movie. but there is a very good pod cast with the sherif that showed up on the seen..what really bothers me is if you look into the whole story... if you or i would have done something like this we would be in jail...just sad that the power and elites get away with it all the time..