Pororoca, pas un jour ne passe

That's it. Watch it, it's a good drama but only if you're really patient and have your phone at the ready and playing a match 3 game. Really didnt need to be 2.5 hours. Excruciating long camera pauses and boringdepictions of... nothing. It feels like an extended cut. I agree it is mood setting however i believe the "lull" scenes could have been more interesting to the viewer. A fantastic ending too but they could have given us a little more certainty since we just invested 2.5 h.

Yes, film is depresing, but It has to be like this... how one can feel having no idea where his child is. The biggest pain a parent can have! You can feel their pain. Movie is two hours and a half long, but you realised it only after the ending.

Aside from the wholly unintelligible title (and, yes, I am fluent in Romanian), the film is depressing and way too long. Every scene is drawn out to interminable lengths, as the camera lingers on unnecessary details. I get it that the director was trying to establish a mood, but it comes at the cost of making the viewer impatient for something to happen. Something eventually does happen but it's not worth the pain of getting there.

The acting is good; the principal actor, Bogdan Dumitrache, is very good. The dialogue is credible. The production values are good. One just wishes this had been brought to a close in 90 minutes rather than 152.

To build a character is more than long fixed shoting. Yes, it takes effort to come up with a script that contributes to psychological build up. This is another example of Romanian cinematography that lacks imagination and technical craft. Actors play well, but they cannot save the entire production.

Two hours and a half passed very quickly. This if you don't follow the action, but the changes in characters mind. Maybe the most powerful Romanian film made after "After hills". There is a resemblance with Zvyagintsev "Loveless" but goes dipper. Untill the mind blowing final scene, the film is very quiet, despite the tragic situation. In thos quite there is an inner scream that the main character exposes extraordinary. If you want to see the decomposition of a man through pain, watch it.