Hostages

It may be a true story and may be technical it is good, but my opinion is that there is so much filling in the movie at the beginning and then the main event is very short and i didn't really enjoy watching this movie.

The film Hostages (Mdzevlebi) directed by the young Georgian director Rezo Gigineishvili was shown at the Berlinale in the Panorama section. It is based on the true events of a plane hijacking in 1983 by a group of youngsters belonging to the artistic elite of Georgia. The hijacking resulted in multiple casualties and all hijackers, except the woman, were executed. After the USSR dissolved, the participants of these events were sometimes romanticized and represented as heroic martyrs.

The film leaves a strong impression and leaves room for thought. The closing sentence of the film – " In 1991 the freedom of movement was finally granted" – is something completely unnecessary; first of all this is common knowledge and secondly the lack of freedom of movement cannot be an excuse or explanation for the atrocities depicted in the film.

The film does not offer answers and does not explain motivation of horrific actions of hijackers, however it poses some profound questions, which is also important, especially as this event is still shrouded in mystery. The picture filmed in minimalistic style and is made in an almost documentary fashion, it is tense and grips the viewer all the way through.

Read more at: http://indie-cinema.com/2017/02/hostages/

I have red, haired and watched quite a lot about this historical event. Opinions always differ.. I will say briefly, that this film was more than I expected. It was way far from subjectivity and excessive romanticism what would make unambiguous heroes out of the main characters. Great scenario! Great actors! bravo!!! Great film!

A good story, but not very well acted. Besides, why would they hijack a plane from Tbilisi to Batumi within the boundaries of the same country if the ultimate aim was to escape the country itself? Why didn't they take the bus or drive, which would solve things peacefully? The movie should have told the reason behind this.

It is one of films coherent, maybe, only for the Eastern Europeans . Because the story is far to be a comfortable one , it seems only a sketch, the simpathy for young people looking for freedom becomes in conflict with the victims. For many reasons, a manifesto. About an age, so unique, against dictatorship, about fear and unpredictable reactions, about a wedding and a too fragil plan of escape. One of the virtues - the presence of Avtandil Maharadze in one of secondary roles.