L'amitié d'une femme avec un nouveau membre du personnel de la prison où elle travaille prend une tournure malsaine.L'amitié d'une femme avec un nouveau membre du personnel de la prison où elle travaille prend une tournure malsaine.L'amitié d'une femme avec un nouveau membre du personnel de la prison où elle travaille prend une tournure malsaine.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 8 nominations au total
Gavin K. Barfield
- Mary
- (as Gavin Barfield)
Avis à la une
This film is quite dark. Definitely leave the kiddos at home for this one. The audience I was with, found itself snickering at the absurdity of some of the events that take place though. Thomasin McKenzie does a great job playing the awkward main character who can be darkly comedic at times. I thoroughly enjoyed her New England accent in this. She will most certainly win more acting awards in her future.
Anne Hathaway is very pleasing to the eye as a blonde in this and her character is perfect for this noir film. She does not disappoint.
The movie does a fantastic job of keeping the viewer wondering what will happen. Like most other reviews have disclosed, there is a chilling twist. It sends the movie in a completely different direction that is almost guaranteed to be unpredictable to anyone seeing it for the first time.
Anne Hathaway is very pleasing to the eye as a blonde in this and her character is perfect for this noir film. She does not disappoint.
The movie does a fantastic job of keeping the viewer wondering what will happen. Like most other reviews have disclosed, there is a chilling twist. It sends the movie in a completely different direction that is almost guaranteed to be unpredictable to anyone seeing it for the first time.
Thomasin McKenzie is quite good as the eponymous, rather timid, prison secretary who lives a rather pedestrian life watching the couples make out in the car-park, or fantasising about a quickie with one of her colleagues, before returning home to her retired cop/dipso father replete with two bottles! The arrival of new psychologist "Rebecca" (Anne Hathaway) injects a little life into her dull routine. This assertive sophisticate takes an interest in "Eileen", they go for a drink - there's even some flirting - before "Rebecca" shares a secret with her new friend that involves a young man in prison accused of the brutal murder of his father, and of just what his mother might know of the crime and it's causes. The first hour is quite intriguing but that sense of anticipation is let down by a last half hour that is really quite undercooked and the denouement, well that is just incomplete - on just about every level. The acting and writing is fine - nothing more, but I left the screening thinking that something was missing. What exactly was the point here? It's a good looking film - effort has certainly gone into the aesthetic but I'm not sure I'm really any the wiser.
Quick review: 'Eileen' is one of those films where all the pieces were there to be something great, but they just weren't quite assembled correctly. The film just comes across a little flat. There's quite a prolonged and drawn out build-up, and then the pay-off isn't quite worthy of it. I still liked the film, don't get me wrong, but I can't help feeling it could've been something more.
There are a few attempts at humour long the way, none of them really land though. And there are a couple of fake-out scenes that were truly shocking, but ultimately meant nothing unfortunately. Not a bad film, but not one I'm sure I'll remember much of a year from now. 6.5/10.
There are a few attempts at humour long the way, none of them really land though. And there are a couple of fake-out scenes that were truly shocking, but ultimately meant nothing unfortunately. Not a bad film, but not one I'm sure I'll remember much of a year from now. 6.5/10.
This movie had all the makings of a great film. Act 1 provided a satisfying introduction to our main cast and let us explore the intricacies of their personalities. It seamlessly eased into Act 2 with the twist that was greatly hinted at in both the trailer and the synopsis. Then once we get to the height of the climax the film ends. We get no Act 3 and no resolution to what went on in the whole film. Every single plot point was left open with too much room left to interpretation. I honestly got hooked onto these characters and invested in their lives and stories and from Act 1 to Act 2 I felt like the film had an average score of a 7 that turned into an 8, but when everything ended so suddenly that score in my head dropped to where it is now. This film really should have had another hour to explore the consequences of the character's actions whether they were allowed to lead their same lives or not. As for now, we as the audience will never know and that doesn't jive with this viewer.
To sum up my thoughts the movie was the start of something great. But since it cut off so suddenly I'm left to wonder what the point even was.
To sum up my thoughts the movie was the start of something great. But since it cut off so suddenly I'm left to wonder what the point even was.
Eileen (Thomasina McKenzie) lives a less than fulfilling life with her alcoholic, bad tempered father and working at a young man's detention centre as a secretary. Bored with her existence she frequently fantasises about sexual experiences and killing her father or herself. One day, a new smart and glamorous prison counsellor, Rebecca (Anne Hathaway) arrives and much to Eileen's surprise and joy, she befriends her.
Granted this is a slow, not much happens thriller, but the performances by McKenzie and Hathaway and the chemistry between them works well and always keeps you intrigued as to what's coming and when it does, it does so suddenly and surprisingly. The interaction between them also moves along nicely with their characters shifting depending on the circumstances. I assume that many will find this a bit dull and I do sympathise with that view, but overall I still enjoyed the characters and the building tension around where it's heading.
Granted this is a slow, not much happens thriller, but the performances by McKenzie and Hathaway and the chemistry between them works well and always keeps you intrigued as to what's coming and when it does, it does so suddenly and surprisingly. The interaction between them also moves along nicely with their characters shifting depending on the circumstances. I assume that many will find this a bit dull and I do sympathise with that view, but overall I still enjoyed the characters and the building tension around where it's heading.
Le saviez-vous
- AnecdotesAlthough it resembles the look of film stock, the movie was shot with ARRI ALEXA Mini digital cameras with a special Angénieux 25-250 HR zoom lens. According to cinematographer Ari Wegner, shooting on film was considered but the limited budget didn't allow for it.
- Citations
Jim Dunlop: Some people, they are the real people. Like in a movie, they're the ones you're watching, they're the ones making moves. And the other people, they're just there filling the space. And you take'em for granted. You think, they're easy. Take a penny, leave a penny. That's you, Eileen.
- Bandes originales(You Don't Know) How Glad I Am
Written by Jimmy T. Williams and Larry Harrison
Performed by Nancy Wilson
Courtesy of Capitol Records
Under license from Universal Music Enterprises
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- How long is Eileen?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Mi nombre era Eileen
- Lieux de tournage
- South Amboy, New Jersey, États-Unis(Lagoda's is a classic old-town longshoreman bar)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 16 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 435 007 $US
- Week-end de sortie aux États-Unis et au Canada
- 93 290 $US
- 3 déc. 2023
- Montant brut mondial
- 1 673 665 $US
- Durée
- 1h 37min(97 min)
- Couleur
- Mixage
- Rapport de forme
- 1.66 : 1
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