Izzy Gets the Fuck Across Town

Thats essentially what this is. I say this. not to call the movie derivative, but to warn you that you should watch this with that expectation. I enjoyed it, because I liked clerks and thats the kind of film this ended up being. You follow izzy along with a cast of amusing but aimless trashy LA millennials on her journey to ruin a wedding. Its even told with a indie punk OST and in 10 or so chapters with breaks just like clerks. Nothing happens the way its supposed to as this is not a julia roberts movie and it just kind of ends. I liked Mackenzie Davis quite a bit. She played the part of a more realistic mess of a pixie dreamgirl well. I was charmed and disgusted, as you should be. The reason I give it something more like a 7 as apposed to a 10 because I feel like the scenes where izzy is having emotional introspective moments she did not emote well in so you're sort of left scrounging to figure out what shes supposed to be feeling and its awkward. That and I agree with others that the ending doesn't fit the film stylistically. The outcome is fine, but the way they get there doesn't fit with the dirty punk visuals and sound to the rest of the movie. That said I'd happily go watch MD in whatever she does next and I'll be open minded towards the writer/directors next project.

This indie film is very relaxing and pleasing to watch. But be warned: It starts like that but slowly, but strongly, becomes somewhat of a regular romantic comedy. Could have been great if stayed on the level of the 1st half.

'IZZY GETS THE F*CK ACROSS TOWN': Three Stars (Out of Five)

An indie comedy-drama about a desperate woman trying to get across Los Angeles, to her ex-boyfriend's engagement party so that she can crash it. The movie was written and directed by first time feature filmmaker Christian Papierniak. It stars Mackenzie Davis, Alex Russell, Carrie Coon, Alia Shawkat, Haley Joel Osment, Lakeith Stanfield, Brandon T. Jackson and Rob Huebel. The film has received mixed reviews from critics, and it's now playing in indie theaters like Portland. I found it to be mostly a pointless bore, but it does have it's moments though.

The film tells the story of a woman named Izzy (Davis). Izzy wakes up one morning in bed with a guy she doesn't know (Stanfield), or remember how she met him. She then decides she needs to get across town, in Los Angeles, to her ex-boyfriend's engagement party, so that she can crash it. Along the way Izzy meets an assortment of characters.

The film is really random, and kind of pointless, until it's conclusion. I do appreciate it's climax though, and how it unfolds, but the rest of the film I could have mostly done without. Davis is good in the lead role though, and the supporting cast is all decent as well. I was mostly bored throughout it though.

Besides the last act, this movie is like a slice of nostalgia pie from the mid to late 2ks. The golden era of everything 'indie'. From music to film and before social media ran the world. Before all the buzzwords especially'hipster', when 'hipster' was still attached to it's original meaning more than that of a certain look or type of smug person.

I was happy to be of that time. Now I am nearly 30 and life a whole ocean away in Japan where I live 'my dream'. A great little flick that took me back to the feeling of the hustle and bustle to living that dream.

As far as performances. I will stick to Mackenzie her being the only good part to me of the latest Terminator installment made me dig into her catalogue. I hope she continues to get more and more roles. She is badass, beautiful, and groovy.

Kanpai! -Malizilla

Izzy has to get across town to tell her ex boyfriend something. And she makes an epic journey. The most engaging scene is the one when Virginia challenges Izzy to tell something to Virginia's husband. It's a pity that this subplot isn't followed up or expanded. Izzy's journey is certainly eventful, and makes an interesting watch.