Tabula Rasa

Started out 'okay', but by episode 4 had some awesome twists and turns that made the show better than expected. Excellent characters... Loved Vronsky. Had me hooked, the sort of show that by the second to last episode you start to panic about what to watch next.

Only problem?..the high speed finishing off in episode nine...real shame.

A thriller with the sort of plot twist that means its not the sort of show you could watch through twice , still..one of the more worthy offerings on Netflix.

I can easily say this series is one of the best I have seen. Initially you may find it little slow moving but last two or three episodes will shockingly surprise you. Have little bit patience and continue watching this. The series will end much better than your expectations.

This nine part Belgian drama is centred on Annemie D'Haeze, a woman who is being held at a secure medical facility. The police believe that she holds the answers to what happened to Thomas De Geest, a man who has disappeared. Unfortunately she has no memory of him... in fact she has been unable to form new long term memories since she was involved in a car crash months earlier.

The story progresses in two time frames. In the present we see her interviewed by a policeman with a special interest in the case, talk to her psychiatrist and befriend a fellow inmate. In the months after her accident where we see her life with husband Benoit and young daughter Romy; how she comes to know the missing man and how she tries to cope with her memory loss. As the story progresses it becomes clear that many things she believed weren't true and many people are keeping secrets from her; for motives which may or may not be in her best interests.

I really enjoyed this series; the story was told in a way that drip fed us key facts before twisting many certainties... early on I wasn't even certain of its genre as well as a conventional central mystery there were even hints of supernatural elements. What happened to Thomas De Geest, suitably renamed 'Thomas Spectre' in the subtitles, was not obvious by any means and if something bad had happened to him there were plenty of suspects; these included Annemie, Benoit and a mysterious man lurking near their home amongst others. The final resolution was perhaps a little melodramatic but it was enjoyable. The cast did an impressive job; Veerle Baetens was great as Annemie; young Cécile Enthoven really impressed as Romy, especially during her character's more disturbing moments and Gene Bervoets was solid as Inspector Jacques Wolkers... to be honest I don't think there were any weak performances just some characters that stood out more than others. The way the story is told amplifies Annemie's self-doubt in a way that creates an oppressive atmosphere. Overall I'd definitely recommend this to anybody wanting a mystery that keeps one guessing right to the end.

These comments are based on watching the series in Dutch with English subtitles.

To be fair, movies which incorporate (seemingly endless) time jumps could sometimes not only be hard to follow but structurally deficient as well. Thankfully, "Tabula Rasa" ("Blind Slate") had all their ducks in a row. Obviously, a ton of plotting went into making this mystery series, As Nordic Noir goes (if it truly fits into that category), "Tabula Rasa" sits head and shoulders above similar titles, fitting right up there with other excellent series like"Bordertown," "Depart Q", etc. Cinematography was to die for as was the general acting. Some reviewers complained about pacing issues. I didn't mind the long drags, though. That seems to be part and parcel of Nordic Noir anyway, you know, allowing the viewer enough time to absorb the lush scenery, as it were.

Have never written a review before but this show deserves to be watched! It's a slow burner yes, but what a pay off in the end. Worth the viewing time. If you have watched a lot of horror/thriller/mystery you will appreciate it. The pyro guy is fun to watch along with the other 'nuts' of the asylum ward. Everyone plays their part well.