NOTE IMDb
6,4/10
14 k
MA NOTE
Deux frères démons, Wendell et Wild, doivent affronter leur ennemi juré, la nonne chasseuse de démons Sœur Helly, et ses deux acolytes Kat et Raul.Deux frères démons, Wendell et Wild, doivent affronter leur ennemi juré, la nonne chasseuse de démons Sœur Helly, et ses deux acolytes Kat et Raul.Deux frères démons, Wendell et Wild, doivent affronter leur ennemi juré, la nonne chasseuse de démons Sœur Helly, et ses deux acolytes Kat et Raul.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 26 nominations au total
Lyric Ross
- Kat
- (voix)
Jordan Peele
- Wild
- (voix)
James Hong
- Father Bests
- (voix)
Sam Zelaya
- Raul
- (voix)
Tamara Smart
- Siobhan
- (voix)
Seema Virdi
- Sloane
- (voix)
Ramona Young
- Sweetie
- (voix)
Michele Mariana
- Sister Daley
- (voix)
- …
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As a fan of stop-motion animation as well as Keegan Michael-Keys and Jordan Peeles electric chemistry I was greatly anticipating this film when it was announced.
However I was overhyped for its release. The only aspect that is truly outstanding about this movie is stop motion animation.
The story is chaotic and introduces lore without a hint of context. The finale? Condensed. The solutions? Convenient. And for a movie called "Wendell & Wild" the title characters do not get as much screen time as you might imagine. Which is a shame because Key and Peeles voice delivery is stellar.
As a movie? It's middle of the road. As a stop motion movie? It's kinda bad.
However I was overhyped for its release. The only aspect that is truly outstanding about this movie is stop motion animation.
The story is chaotic and introduces lore without a hint of context. The finale? Condensed. The solutions? Convenient. And for a movie called "Wendell & Wild" the title characters do not get as much screen time as you might imagine. Which is a shame because Key and Peeles voice delivery is stellar.
As a movie? It's middle of the road. As a stop motion movie? It's kinda bad.
'Wendell & Wild (2022)' is adaptation of Henry Selick's own book about a troubled girl who meets her demons shortly after being enrolled at an all-girls catholic school in her home town. It's the director's first film since his much-loved classic, 'Coraline (2009)', and it features many of the hallmarks of his delightfully macabre style. Teaming up with Jordan Peele (who takes on co-writing, producing and acting as the titular Wild) seems like a match made in heaven - or, perhaps, hell - and a lot of the movie lives up to that potential. However, ultimately it's one of the weaker entries in either filmmakers' filmographies because it simply can't get a handle on what it wants to be. Straight away, something seems off with the pacing. The editing is very elliptical, even in the most straight-forward sequences, and the overarching structure is very unfocused. The piece bounces around between its various elements, never quite coming together as a cohesive whole. These elements are mostly excellent in isolation, but the fact that they never quite gel leads to an experience that's difficult to get fully immersed in. The flick deals with a lot of interesting ideas, touching on themes of family and guilt while commenting on important societal issues such as the prison-industrial complex, and it's also awash in positive representation (even though I could have done without the deadnaming of one of its characters). It's a bit heavy-handed, sure, but it mostly works and actively enhances the narrative. It's a shame that these subtextual, and even textual, aspects get a bit lost in the overall muddled nature of the affair. There are, I suppose, too many for any one of them to be fully fleshed out, leading to moments in which certain things pop up and affect the plot - despite never having been set-up properly - and then fizzle away just as quickly as they appeared. Despite its issues, though, the film is enjoyable throughout. Its aesthetic is distinct and and appealing, with its fluid animation combining with its colourful characters to bring its gleefully grotesque world to life. It has a tangible vibe to it, which is one of its most valuable assets. Regardless of how messy its story is, it's undeniably entertaining, and it conveys several good messages that are as expected as they are necessary. It often deals with familiar elements in an unfamiliar way, at its best when playing with its more subversive scenarios. The picture is a solid effort, even though it certainly has a few narrative issues. If it were more focused, it could have been great. Still, it's a good time overall.
Henry Selick's welcome return to direction is expectedly visually splendorous. Though a lot more rudimentary in it's appearance than Coraline, Wendell & Wild is brimming with life in the design of every one of its memorable characters and sets.
The unique style and quirky designs add a great deal of vibrancy to the many, many creative ideas present in the story. It makes for a gleefully bizarre, oddly captivating experience. I can see this becoming a cult classic like some of Selick's other stop-motion animated films.
I thought the characters all had more than sufficient unique personality to keep the film effortlessly watchable and engaging.
But there is WAY too much going on here. And I'm starting to see this as a trend in screenplays involving Jordan Peele, as Nope had the same problem earlier this year.
Wendell and Wild as characters are actually barely in this movie, and they are woefully underdeveloped, given the bare minimum of motivations and rushed, shallow character growth. And it's because the writers felt the need to make room for a plethora of other characters and story beats that are never given their time to become impactful.
Kat has an "overcoming trauma" arc that is simplistically glossed over in one scene, and she has magical powers that are introduced with almost no build-up.
Some generically-written friends of Kat's are given even less development and some scenes try to highlight them only to have little to no impact on the story.
I could go on, but I'll lastly mention that there are way too many antagonist characters, and because there's no time to focus on them, they're disappointingly simplistic and cartoonish, and it results in the story's themes being delivered in such an on-the-nose manner that the film's conclusion is unfortunately disappointing.
The unique style and quirky designs add a great deal of vibrancy to the many, many creative ideas present in the story. It makes for a gleefully bizarre, oddly captivating experience. I can see this becoming a cult classic like some of Selick's other stop-motion animated films.
I thought the characters all had more than sufficient unique personality to keep the film effortlessly watchable and engaging.
But there is WAY too much going on here. And I'm starting to see this as a trend in screenplays involving Jordan Peele, as Nope had the same problem earlier this year.
Wendell and Wild as characters are actually barely in this movie, and they are woefully underdeveloped, given the bare minimum of motivations and rushed, shallow character growth. And it's because the writers felt the need to make room for a plethora of other characters and story beats that are never given their time to become impactful.
Kat has an "overcoming trauma" arc that is simplistically glossed over in one scene, and she has magical powers that are introduced with almost no build-up.
Some generically-written friends of Kat's are given even less development and some scenes try to highlight them only to have little to no impact on the story.
I could go on, but I'll lastly mention that there are way too many antagonist characters, and because there's no time to focus on them, they're disappointingly simplistic and cartoonish, and it results in the story's themes being delivered in such an on-the-nose manner that the film's conclusion is unfortunately disappointing.
I love Henry Selick's work in Stop Motion, Coraline is even one of my all time favorite films, however this new effort has unfortunately left me a little cold.
On the technical side it is certainly something great but the script is really simple with an unbalanced pace.
The ending comes all of a sudden and the viewer is not given time to empathize with what's going on.
The protagonists are nice even if some have a design that didn't drive me crazy. However, the film is not a bad film but thinking about past works it does not even reach those levels a bit.
Such a shame as I was very confident for Wendell & Wild.
On the technical side it is certainly something great but the script is really simple with an unbalanced pace.
The ending comes all of a sudden and the viewer is not given time to empathize with what's going on.
The protagonists are nice even if some have a design that didn't drive me crazy. However, the film is not a bad film but thinking about past works it does not even reach those levels a bit.
Such a shame as I was very confident for Wendell & Wild.
I usually love Henry Selick's work. In fact the Nightmare Before Christmas and Coraline are two of my favourite movies. But this just didn't hit the mark.
There was far too much going on, and many of the additional story points feel unnecessary, which ultimately ends up taking away from the quality of a film that could've been great, but really wasn't.
This film would've been so much better if the story was simplified and streamlined a bit.
Pretty disappointing overall.
The animation style was nice though, although not my favourite of his work, and it was nice to have diversity in the characters.
There was far too much going on, and many of the additional story points feel unnecessary, which ultimately ends up taking away from the quality of a film that could've been great, but really wasn't.
This film would've been so much better if the story was simplified and streamlined a bit.
Pretty disappointing overall.
The animation style was nice though, although not my favourite of his work, and it was nice to have diversity in the characters.
Le saviez-vous
- AnecdotesJack Skellington from "The Nightmare Before Christmas" makes a brief cameo during the credits. In the scene going down in the ground, Jack's skull appears among other skulls. He is also seen as a topper on the antenna of the juvenile justice van.
- Crédits fousIn a post-credits scene, an animator working in the middle of the night films on his camera the model of Kat coming to life and is amused by it.
- ConnexionsFeatured in AniMat's Crazy Cartoon Cast: Mushroom Kingdom, Here We Come! (2022)
- Bandes originalesMa and Pa
Written by Kendall Jones (as Kendall Rey Jones) and Angelo Moore (as Angelo Christopher Moore)
Performed by Fishbone
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
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- How long is Wendell & Wild?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Wendell y Wild
- Lieux de tournage
- Portland, Oregon, États-Unis(Studio)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 45min(105 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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