NOTE IMDb
5,7/10
845
MA NOTE
Ajouter une intrigue dans votre langueKeith, a twenty-four-year-old newly released from prison and living with his dad under house arrest in Baltimore, is struggling to reestablish himself, within a community scarred by unemploy... Tout lireKeith, a twenty-four-year-old newly released from prison and living with his dad under house arrest in Baltimore, is struggling to reestablish himself, within a community scarred by unemployment, neglect, and deeply entrenched segregation.Keith, a twenty-four-year-old newly released from prison and living with his dad under house arrest in Baltimore, is struggling to reestablish himself, within a community scarred by unemployment, neglect, and deeply entrenched segregation.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 4 nominations au total
Avis à la une
McCaul Lombardi stars here as Keith, finishing up a 9 months of home detention after a prison stretch. He's living with his father (Jim Belushi), in Baltimore, with whom he has a strained relationship.
As with many other films of this genre, Keith will have to decide whether to accept some help from other family members and go back to school, or somehow slide back into his old trouble prone ways. You want to root for him, but he sure doesn't make it easy for you, with his, at times, volatile and impulsive actions.
Overall, the movie, written and directed by Matthew Porterfield (Putty Hill) , is carried along by its believable realistic characters and elements, and I was engaged enough to want to know how this was all going to turn out. However, don't expect any easy answers here or things to be eventually all "wrapped up in a neat bow".
As with many other films of this genre, Keith will have to decide whether to accept some help from other family members and go back to school, or somehow slide back into his old trouble prone ways. You want to root for him, but he sure doesn't make it easy for you, with his, at times, volatile and impulsive actions.
Overall, the movie, written and directed by Matthew Porterfield (Putty Hill) , is carried along by its believable realistic characters and elements, and I was engaged enough to want to know how this was all going to turn out. However, don't expect any easy answers here or things to be eventually all "wrapped up in a neat bow".
This film is about a young man who is just released from prison.
The story is basically non existent, as it only shows the mundane life of a young man who has not got much to live for. It shows him driving from one place to another very frequently, which is rather unexciting. Most of the camera work is from afar, which adds to the detached feeling between the viewers and the characters. I'm afraid I found this film very boring, and I don't quite get the point behind the story, or indeed the point of the story
The story is basically non existent, as it only shows the mundane life of a young man who has not got much to live for. It shows him driving from one place to another very frequently, which is rather unexciting. Most of the camera work is from afar, which adds to the detached feeling between the viewers and the characters. I'm afraid I found this film very boring, and I don't quite get the point behind the story, or indeed the point of the story
It shoots hard in every direction and misses all angles just as hard, but i still feel that this director is going to be a real good one in time. kind of nietzschean illusion of grandness, trying so hard to intellectualise everything instead of focusing and sitting down and asking himself, what is this movies about, really, really really?
Sorry for my english. It is not my native language (from Sweden).
Sorry for my english. It is not my native language (from Sweden).
This movie is one of the worst pieces of cinema, I have had to sit through. The direction is uneven, cinematography is choppy and the sound is so horrible that the 10 people in the theater all stated that they missed 3/4 of the dialogue.
The lead has an endearing blue color, hustler charm, but the characters are one dimensional characters. Can't tell if any of these actors are talented given the dialogue they had to work with. Jim Belushi looks embarrassed he took the part.
The sound man needs to not work again. You can't hear dialogue, as the sound is so dismally inadequate!!!
I'm not sure what the other reviewers were expecting, but this is an all-too-accurate tale of a ex-con who has come home to face his demons, while he tries to make a new life. No, there are no "superheroes" and no CGI action, if that's what you were looking for! It's all too real and all too believable to the point that that the film is a more than a little scary to watch. The main characters go full force into their roles and if you were expecting a happy ending...well, don't.
McCaul Lombardi was an excellent choice to play the lead role of "Keith" and never lets us down in his believability. The film is shot in the vein of "The Wire" and gives an accurate depiction of how sad some area of Baltimore have become.
One star subtracted, though, for all the unnecessary use of the tobacco drug, which should have been left of this and all other films!
McCaul Lombardi was an excellent choice to play the lead role of "Keith" and never lets us down in his believability. The film is shot in the vein of "The Wire" and gives an accurate depiction of how sad some area of Baltimore have become.
One star subtracted, though, for all the unnecessary use of the tobacco drug, which should have been left of this and all other films!
Le saviez-vous
- AnecdotesJohn Waters named this film among his top ten favorites released in 2018.
- Bandes originalesFascist Institution
Written by Tony Dickens, Brian Talbot, Chris Gascogre, Denis Boardman
Performed by Doom
Courtesy of the artist
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- How long is Sollers Point?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Sollers Point
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 32 608 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 618 $US
- 13 mai 2018
- Montant brut mondial
- 32 608 $US
- Durée1 heure 41 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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By what name was Sollers Point: Baltimore (2017) officially released in India in English?
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