Buster's Mal Heart

This film is more than just a film. It is an experience, and it has you from start to finish in its seemingly quiet way. Then it comes to you in your dreams too, in your conversations about it, and your will for others to see it too. The characters, the world, the scenarios, all bring to light a new perspective. I loved the storytelling and it's fresh, funny, and dramatic.

I often find that I am not so moved by newer films, that they aren't succeeding in providing me with new insight or actual cinema or unique stories. I have no issue with walking out and never needing to look back. This is a movie I want to see again. And I will find new revelations there.

I wish many more films would aspire to this, which succeeds in what it does.

Greetings again from the darkness. A film festival wouldn't be complete without at least one mind-blowing avant-garde cinematic experience. I'm not the kind that needs every ending neatly bow-wrapped, and I often enjoy having conventional story structure challenged and even dissolved. Writer/director Sarah Adina Smith seems to thrive in such an environment in this twisty psychological thriller covering three timelines (one of which may be a dream) … or a split personality … or two/three men from one … or some combination … or something else entirely that I might have missed. (I'm not too proud to admit this distinct possibility).

When a filmmaker bravely dives into the bizarre, casting becomes crucial. Ms. Smith nails it with Rami Malek, DJ Qualls and Kate Lyn Sheil. Thanks to the popularity of TV's "Mr. Robot", Malek is now a leading man – albeit far outside the Ryan Gosling mold. Here he plays Jonah, a struggling family man with a wife (Ms. Sheil) and young child. Working as a night Concierge at a hotel, Jonah tries to make the best of the lack of sleep and minimal contact with his family. In addition to Jonah, Malek plays Buster, a slippery and hirsute mountain man who negotiates his way through the Montana mountains by hanging out in the multi-million dollar vacation homes (mostly) vacated by their owners during the snowy winter months.

The film bounces between 3 periods for Jonah/Buster: the elusive near-mythical mountain man running from the law, the bleak nights of the family man, and a dream-like sequence where he is adrift at sea in a row boat. Throughout the film, references to "sphincter" and multiple proclamations that "The Inversion is coming" lead us to believe there could be a sci-fi connection or an apocalyptic ending headed our way. Instead, it's "the belly of the whale" that might unlock the mystery or mysteries serenaded by the thunderous techno-bass bass. Even with the dark comedic elements, it's a head-scratcher for sure; but one that manages to keep us engaged despite our whirlwind of theories and uncertainly.

This is a visually striking film with an amazing plot. It took some time for me to fully understand this film but once you understand it, it will stick with you for a long time. Rami Malek's performance is flawless and minimalistic. If you're obsessed with filmmaking and cinematography you will appreciate this to its full potential.

'BUSTER'S MAL HEART': Four Stars (Out of Five)

An indie mystery about a mentally unstable mountain man, and former family man, who now survives by breaking into empty vacation homes, while he constantly warns others (on talk radio) about an upcoming 'Inversion' at the change of the millennium. It was written and directed by Sarah Adina Smith, and it stars Rami Malek (in his first starring film role), Toby Huss, Kate Lyn Sheil and DJ Qualls. The movie had it's world premiere at the Toronto International Film Festival, and it's received mostly positive reviews from critics. I found it to be bizarrely interesting, and for the most part pretty well made, but it also left things just a little too unexplained for my tastes.

The film opens with a mountain man, Buster (Malek), desperately trying to escape the authorities that are chasing him. He makes it to the top of a mountain, where the film then flashes back to his past as a family man, with a wife (Sheil) and daughter (Sukha Belle Potter). He also recollects on his time breaking into empty vacation homes, and calling into radio shows ranting about an upcoming 'Inversion' (at the turn of the millennium). Buster also has multiple visions of being lost at sea. As a viewer we have to interpret what's real, what isn't, and when and where it's all taking place.

The film is definitely bizarre and interesting, and I was always curious of where it was leading to. I think the acting is good in the film (especially Malek in the lead) and Smith is obviously a very talented filmmaker. I was just hoping for a little more from the conclusion. I don't need everything explained to me in a film, but I don't like everything to be left a question mark either. I'm sure some viewers will think they understand it, but I think most of the film is entirely left up to individual interpretation. If you like that type of movie you'll probably love it, I'm not a huge fan of the genre though.

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After a first watch, it's difficult to characterise or rate this movie. Certainly intriguing and engaging, the viewing experience is mind-bending. The atmosphere is a weird mix of claustrophobia, psychedelia and human drama. The movie explores ideas around sanity, reality, imprisonment and the quest for freedom. It comes over as sensitive and real on a human level, alternately touching, tragic, funny, sad, depressing, chilling, and strangely inspiring. The main character gives a brilliant portrayal of an altered state of consciousness. The meaning and story of the movie are expressed in a very unconventional way; non-linear, disorientating and confusing - which I'm sure was intentional. The experience is rather psychedelic, and there isn't quite enough logical substance to really carry the viewer to a satisfactory conclusion, but this might change with a rewatch, when the rating might go up.