Dix ans avant Kirk, Spock et l'Enterprise, l'USS Discovery découvre de nouveaux mondes et de nouvelles formes de vie alors qu'un officier de Starfleet apprend à comprendre toute chose étrang... Tout lireDix ans avant Kirk, Spock et l'Enterprise, l'USS Discovery découvre de nouveaux mondes et de nouvelles formes de vie alors qu'un officier de Starfleet apprend à comprendre toute chose étrangère.Dix ans avant Kirk, Spock et l'Enterprise, l'USS Discovery découvre de nouveaux mondes et de nouvelles formes de vie alors qu'un officier de Starfleet apprend à comprendre toute chose étrangère.
- Récompensé par 2 Primetime Emmys
- 22 victoires et 93 nominations au total
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Résumé
Reviewers say 'Star Trek: Discovery' receives mixed reactions for its fresh take, impressive effects, and diverse cast. Fans appreciate modern themes and character development. Criticisms include Klingon redesigns, deviations from traditional values, and reliance on action over philosophical depth. Some find character arcs and storytelling lacking, while others praise progressive social justice themes. The series polarizes audiences with its approach to core Star Trek elements and new directions.
Avis à la une
Where to begin...
For starters, it claims to be in line with the original series and its timeline yet nothing on display lines up with it or even visually resembles it. Instead it tries to replicate the look, feel, and energy of the JJ Abrams/Kelvin timeline movies(lens flares aplenty!) but it even fails at that.
The characters are mostly bland, stereotypical, and unlikeable.
It feels like everything that the original series tried to say has been thrown out the window to appeal to one-sided politics, Gene Roddenberry was trying to present hope and optimism for the future but here as far as Discovery is concerned the future is to be pretty but cold and uncaring.
As for the acting it ranges from good to okay mostly, very talented performers such as Jason Isaacs, Michelle Yeoh, Anson Mount, and Doug Jones all try their hardest but only in tiny glimpses are able to make the rough material work.
I would have to agree with other commenters that you are just better off with The Orville instead, far better Star Trek series.
For starters, it claims to be in line with the original series and its timeline yet nothing on display lines up with it or even visually resembles it. Instead it tries to replicate the look, feel, and energy of the JJ Abrams/Kelvin timeline movies(lens flares aplenty!) but it even fails at that.
The characters are mostly bland, stereotypical, and unlikeable.
It feels like everything that the original series tried to say has been thrown out the window to appeal to one-sided politics, Gene Roddenberry was trying to present hope and optimism for the future but here as far as Discovery is concerned the future is to be pretty but cold and uncaring.
As for the acting it ranges from good to okay mostly, very talented performers such as Jason Isaacs, Michelle Yeoh, Anson Mount, and Doug Jones all try their hardest but only in tiny glimpses are able to make the rough material work.
I would have to agree with other commenters that you are just better off with The Orville instead, far better Star Trek series.
80% Adolence Drama + 10% Extra Stupidity + 10% Star Trek = ST Discovery. Compared to ST TNG / PICARD / ST New Worlds this series unfortunately has all the ingredients of high school summer camp. The actors / actresses are great, it's the plot writers that seem to focus the topic with realistic actions. Current plots and individual interactions are predictable. Final Season starts with two large Federation ships with near a thousand crew members going to get ancient Romulan artifact in a pre-determined hostile environment only to transport only three Star Fleet crew members to confront two armed thieves. End Result = Mission Failed = Start of final season series plot. Good grief!!!
I just finished watching season 4 episode 1 and I don't know what to make of it. The show's script and dialogues feels like it's for an audience of 12 years old. The special effects are nicely done but the technology is borderline "magic" not believable.
The show started out techno-clever with interesting character interactions.
Now all we have is a bunch of needy characters episode after episode. Even the computer is needy. It is exhausting.
I give it a 6 because I still have hope, but the writing is being sucked into a black hole of neediness.
Now all we have is a bunch of needy characters episode after episode. Even the computer is needy. It is exhausting.
I give it a 6 because I still have hope, but the writing is being sucked into a black hole of neediness.
Watching season 4 up to episode 4 at the moment i can't shake the feeling overly sensitive person or people are responsible for directing and producing this soap opera-like show. There is so much drama that it feels there is only drama. No dark and light areas, no contrast just heavy drama situations, overly acted, overly wise conversations. I don't want to point fingers at the actors but some of them make my stomach turn how absolutely terrible they are at conveying emotion on screen.
I love star trek but this is the most boring series I've ever seen.
I love star trek but this is the most boring series I've ever seen.
Representation: LGBTQIA+ Characters On-Screen
Representation: LGBTQIA+ Characters On-Screen
Celebrate the LGBTQIA+ characters that captured our imaginations in everything from heartfelt dramas to surreal sci-fi stories.
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- AnecdotesThe Starfleet vessels seen in the first season, including the Discovery, the Shenzou and the redesigned Enterprise, were all designed by production artist John Eaves. Eaves' work with Star Trek spans three decades. Probably his most notable contribution was the design of the Enterprise-E for Star Trek : Premier Contact (1996).
- GaffesWith Michael being the adoptive sister of Spock, the series has many flashbacks to their childhood and upbringing on Vulcan. Spock's Vulcan half-brother, Sybok, does not appear nor is mention during these scenes. In Star Trek V : L'Ultime Frontière (1989), Spock says that he and Sybok grew up together. However, since it's never stated when Sybok joined Sarek's home - only that he did so following his mother's death - or when he was exiled from the family, it's not impossible Sybok moved in after Burnham, and left before she graduated (the two extremes of the flashbacks). Also, since Sybok was never mentioned before Star Trek V, it seems reasonable the family never spoke of him again after his estrangement.
- Versions alternativesThe serif-font legends and subtitles in the "broadcast" episodes are absent from the DVD versions, where they are replaced with the standard DVD subtitles.
- ConnexionsFeatured in MsMojo: Top 10 Female Lead TV Shows You Should Be Watching in 2017 (2017)
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