Ajouter une intrigue dans votre langueA young man wakes up from a 12-year coma to discover new abilities that come to propel him into the middle of a dangerous conspiracy.A young man wakes up from a 12-year coma to discover new abilities that come to propel him into the middle of a dangerous conspiracy.A young man wakes up from a 12-year coma to discover new abilities that come to propel him into the middle of a dangerous conspiracy.
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- 3 victoires et 6 nominations au total
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I found this show enjoyable and it pulled me in. It has some good actors and some very well done scenes (I was particularly impressed by Eden Brolin- -it seems the Brolins may be getting better with each generation.) However, you must suspend disbelief almost entirely, as the show's plot really doesn't stand up to any sort of analysis.
Like many of the other early reviews here, I binge watched this series over the New Years holiday.
I went into 'Beyond' thinking it was likely campy, breezy, sci-fi with an eye toward a YA demographic (similar to Freeform's 'Shadowhunters', a guilty pleasure if you're in the right mood).
However, this show takes itself more seriously-the violence in the early episodes is much more realistic. As is the bickering that goes on in the lead character's family. Additionally, there are more serious background themes present here concerning the exploitation of grief by religion and commerce, as well as the common experience of PTSD by former soldiers. Heady stuff, for this kind of show. That this show takes itself more seriously, however, is not really a good reason to watch it. The early episode violence is gratuitous, to the point that it doesn't even make sense by the end of the series; and the background issues remain firmly in the background.
The central conceit of the show is that after recovering from a 12-year coma, the lead character Holden is plagued by mysterious visions, supernatural experiences, recruitment attempts by bizarre cultists, as well as the attention of a beautiful and mysterious woman who wants to help protect him from all of these other things.
With each episode, more memories from Holden's time in his coma are revealed. Whether these memories are dreams, near-death experiences, or actual memories of time spent in purely spiritual world slowly becomes clearer over the course of the episodes. The way in which Holden's memories are revealed, and their relation to the cult and his mysterious guardian are what pulls you into the story. Along the way, there are also some really well done bits concerning Holden's romance with another coma victim, as well the appearance of random characters, such as a movie obsessed pharmacist, that make the unfolding of Holden's story rather more enjoyable than it probably ought to be.
By the end, frankly, none of it makes a damn bit of sense, making a scene from Holden's middle episodes romance all the more foretelling. In that scene, after catching a fish with his paramour, he lets it go, much to her amazement-the moral being that it is about the effort/journey, not the result/destination. As long as you keep that in mind, and don't bother trying to make sense of the series as a whole, 'Beyond' is an enjoyable ride.
Like many of the other early reviews here, I binge watched this series over the New Years holiday.
I went into 'Beyond' thinking it was likely campy, breezy, sci-fi with an eye toward a YA demographic (similar to Freeform's 'Shadowhunters', a guilty pleasure if you're in the right mood).
However, this show takes itself more seriously-the violence in the early episodes is much more realistic. As is the bickering that goes on in the lead character's family. Additionally, there are more serious background themes present here concerning the exploitation of grief by religion and commerce, as well as the common experience of PTSD by former soldiers. Heady stuff, for this kind of show. That this show takes itself more seriously, however, is not really a good reason to watch it. The early episode violence is gratuitous, to the point that it doesn't even make sense by the end of the series; and the background issues remain firmly in the background.
The central conceit of the show is that after recovering from a 12-year coma, the lead character Holden is plagued by mysterious visions, supernatural experiences, recruitment attempts by bizarre cultists, as well as the attention of a beautiful and mysterious woman who wants to help protect him from all of these other things.
With each episode, more memories from Holden's time in his coma are revealed. Whether these memories are dreams, near-death experiences, or actual memories of time spent in purely spiritual world slowly becomes clearer over the course of the episodes. The way in which Holden's memories are revealed, and their relation to the cult and his mysterious guardian are what pulls you into the story. Along the way, there are also some really well done bits concerning Holden's romance with another coma victim, as well the appearance of random characters, such as a movie obsessed pharmacist, that make the unfolding of Holden's story rather more enjoyable than it probably ought to be.
By the end, frankly, none of it makes a damn bit of sense, making a scene from Holden's middle episodes romance all the more foretelling. In that scene, after catching a fish with his paramour, he lets it go, much to her amazement-the moral being that it is about the effort/journey, not the result/destination. As long as you keep that in mind, and don't bother trying to make sense of the series as a whole, 'Beyond' is an enjoyable ride.
"Here I come to save the day!" Is the song of a super hero created back in 1942. It's Mighty Mouse's theme tune.
And so roll out nearly every super hero since then basically singing the same old tune.
It's nice to see something different. I'm on the 8th episode, season 1. Does it have bad guys? Check. Are you sure you know who the bad guys are? Nope. Could they all be bad guys or all be good guys who's motives are at odds? Check.
As for formulaic? At 10% the audience must know what a successful outcome looks like. I don't even know now. At 25% the hero must buy in to the plot. I'm not even sure he's bought in at this point...
Lastly, if someone wakes up one day and has super powers? Well, the natural course of action is to save the world. "With great power comes great responsibility." and "Here I come to save the day!". One question I asked as a kid and ask now? Why? Where did that come from? I agree, it's the moral high ground but would you really do it? I mean, actually? Or would you sit there and wonder how you could turn this power into a money spinner so you can give up your meaningless job that your supposed to be oh so proud to have?
Guess he's not really here to save the day and, so far, would definitely prefer to live a normal life.
As for the women? Well, if I was 12, slipped into a coma and came out at 24? Well, yeah, girls would be high on the list of 'things to do'.
This is coming across as trying to be more realistic, as apposed to: "I'm doing this for my dead Uncle!" (Spiderman) or "Dead parents!" (Batman) or "Dead world!" (Superman) or "Dead mum!" (Meredith Quill). I call it "The dead dog syndrome." - always cracks me up when that heart felt moment pops up in the latest comic to movie cross over... and my brain says: "DEAD DOG MOMENT!!!" Are all your parents alive? Is so? You got NO HOPE of getting super powers! Ain't how it works buddy!!! Lolz! So as I said, nice to see something different.
Talked to one guy and he pointed out he prefers Marvel to DC because in Marvel, even when the world is in imminent danger, the hero always has time to crack a joke and make light of the situation. DC is far to dark for his liking. And, you know, I respect that. Hey, we all come to entertainment for our own reasons... but lets just say I won't be recommending Beyond to him.
And so roll out nearly every super hero since then basically singing the same old tune.
It's nice to see something different. I'm on the 8th episode, season 1. Does it have bad guys? Check. Are you sure you know who the bad guys are? Nope. Could they all be bad guys or all be good guys who's motives are at odds? Check.
As for formulaic? At 10% the audience must know what a successful outcome looks like. I don't even know now. At 25% the hero must buy in to the plot. I'm not even sure he's bought in at this point...
Lastly, if someone wakes up one day and has super powers? Well, the natural course of action is to save the world. "With great power comes great responsibility." and "Here I come to save the day!". One question I asked as a kid and ask now? Why? Where did that come from? I agree, it's the moral high ground but would you really do it? I mean, actually? Or would you sit there and wonder how you could turn this power into a money spinner so you can give up your meaningless job that your supposed to be oh so proud to have?
Guess he's not really here to save the day and, so far, would definitely prefer to live a normal life.
As for the women? Well, if I was 12, slipped into a coma and came out at 24? Well, yeah, girls would be high on the list of 'things to do'.
This is coming across as trying to be more realistic, as apposed to: "I'm doing this for my dead Uncle!" (Spiderman) or "Dead parents!" (Batman) or "Dead world!" (Superman) or "Dead mum!" (Meredith Quill). I call it "The dead dog syndrome." - always cracks me up when that heart felt moment pops up in the latest comic to movie cross over... and my brain says: "DEAD DOG MOMENT!!!" Are all your parents alive? Is so? You got NO HOPE of getting super powers! Ain't how it works buddy!!! Lolz! So as I said, nice to see something different.
Talked to one guy and he pointed out he prefers Marvel to DC because in Marvel, even when the world is in imminent danger, the hero always has time to crack a joke and make light of the situation. DC is far to dark for his liking. And, you know, I respect that. Hey, we all come to entertainment for our own reasons... but lets just say I won't be recommending Beyond to him.
If you run out of sf / mystery tv shows, and you try to dig out something, this show is watchable if you skip 2 till 4 episodes in both seasons, they are boring and have no relation to any important story plots. After 5th episodes things actually start to happen.
The Story is a little above bad. Acting same, tho Jonathan Whitesell and Eden Brolin performances are kinda good, and they basically lift the series with their scenes. Protagonist and the rest of the supporting cast are mediocre to bad.
If you like sf / mystery fun you might find some enjoyment in this show.
westworld...game of thrones..we can safely say in this day and age that the quality which can be achieved in the TV medium can be amazing,truly awe inspiring stuff.Being able to connect with the viewers through likable characters with fleshed out personalities and flaws,first class acting delivered by titans in their field.
then there's the 'arrow' style of TV production...colour by numbers,cookie cutter,play it safe TV.shows that stretch out story lines to pad out a lack of story.side stories that never lead anywhere.TV where all the teens have perfect white teeth,no acne,siblings who look nothing alike but fresh off a catwalk,mediocre acting that makes you feel nothing...vacant,slightly dead inside,coma TV.
now,don't get me wrong,I'm not saying 'coma' as in 'it'll bore you to sleep'.there has probably been a group of TV producers/executives who've done market research for this just to make sure it excites to just the right level without pushing anything so as not to rock the boat...the whole thing just stinks of 'formulaic' (even the mysterious assassin was done better and way more sinister in 'utopia')
basically..the shows a pass..in the same way that 'the dome' was a pass...'arrow'..'the flash' and all the other one dimensional shows that leave you pondering absolutely nothing except plot holes and inconsistencies. i don't know about you guys but I'm tired of giving formula TV 'a pass'...the bars been raised...its shape up or ship out time...go hard or go home
then there's the 'arrow' style of TV production...colour by numbers,cookie cutter,play it safe TV.shows that stretch out story lines to pad out a lack of story.side stories that never lead anywhere.TV where all the teens have perfect white teeth,no acne,siblings who look nothing alike but fresh off a catwalk,mediocre acting that makes you feel nothing...vacant,slightly dead inside,coma TV.
now,don't get me wrong,I'm not saying 'coma' as in 'it'll bore you to sleep'.there has probably been a group of TV producers/executives who've done market research for this just to make sure it excites to just the right level without pushing anything so as not to rock the boat...the whole thing just stinks of 'formulaic' (even the mysterious assassin was done better and way more sinister in 'utopia')
basically..the shows a pass..in the same way that 'the dome' was a pass...'arrow'..'the flash' and all the other one dimensional shows that leave you pondering absolutely nothing except plot holes and inconsistencies. i don't know about you guys but I'm tired of giving formula TV 'a pass'...the bars been raised...its shape up or ship out time...go hard or go home
I started watching Beyond with low expectations because the premise sounds pretty typical. Cute boy mysteriously receives powers and is forced into action to protect the cute girl. I'm glad I was pleasantly surprised. Its still a typical small town unwilling teen hero plot, but the story line is absorbing, the acting is good and the characters are interesting enough to drive the story forward. A nice mix of mystery, drama, action and a sprinkle of horror in a teen hero plot complete with all the eye candy needed in today's ADD environment. I either rate things high if I like it or low if I don't, I don't believe in anything that exists in between. Beyond gets my vote for a good TV show.
Le saviez-vous
- AnecdotesActors Dylan Schmid and Dean Petriw, who play the younger brothers (Holden and Luke) in the series, both played a younger version of Baelfire (Rumpelstiltskin's son) from Once Upon A Time.
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- How many seasons does Beyond have?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Na druhej strane
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée43 minutes
- Couleur
- Rapport de forme
- 16:9 HD
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