Deux ans après que la vie après la mort ait été scientifiquement prouvée, un homme tente d'aider une jeune femme à rompre avec son sombre passé.Deux ans après que la vie après la mort ait été scientifiquement prouvée, un homme tente d'aider une jeune femme à rompre avec son sombre passé.Deux ans après que la vie après la mort ait été scientifiquement prouvée, un homme tente d'aider une jeune femme à rompre avec son sombre passé.
- Réalisation
- Scénario
- Casting principal
- Janice
- (as MJ Karmi)
- Hospital Janitor
- (as Willie Carpenter)
- Oliver
- (as Adam Morrison Khaykin)
- Green Jumpsuit Person
- (non crédité)
- Pat Phillips
- (non crédité)
- Man in Red 1
- (non crédité)
Avis à la une
The main problem is that the story doesn't hold. I mean, the message of the movie is good and inspiring, but the story is just a mess that is full of holes.
They just took one good old movie and re-told it slightly adjusting the focus. I won't spoil it for you so check this out if you're interested anyways.
But be warned, this movie is slow and packs quite a run time. What's more interesting is that they actually stretch it out intentionally, it has a lot of unnecessary scenes they should've cut and it wouldn't hurt the movie. Probably they had a run time to meet or something.
The dialogue is often forced, some scenes are written so badly they are barely believable. Also, the lead seriously underperforms, his acting is unconvincing and he is unable to deliver emotional moments (you'll see).
If you're a hardcore sci-fi fan, the ending will disappoint you (mostly because of how random it is). But you will know long before that the movie is going nowhere.
Set in the near-future, the story of The Discovery takes place in a world where suicide rate is at an all-time high after a scientist's breakthrough research proved the existence of an afterlife. The plot follows his son who is skeptical of his father's discovery and a mysterious young woman he meets on a ferry who wants to find out more about the afterlife.
Co-written & directed by Charlie McDowell, the film opens with a prologue that skilfully sets up the future the rest of the plot unfolds in. For a while, it appears as if the director is taking more time to properly establish the characters & explore the metaphysical elements but the longer it continues to ponder over the same stuff, the more tedious it becomes.
The script is where the problem lies, for the brilliant hypothesis that the writers came up with isn't meticulously explored as if they couldn't figure out what to do with it, plus none of the characters inhabiting its future-setting are compelling enough. The plot wrapped around its theory begins on a promising note but by the time it ends, it finds itself in a familiar territory.
The cold colour palette, overcast ambiance & muted textures evoke a grim, hopeless future which fits the story requirements. Pacing is an issue as the movie plods through its 102 minutes runtime before concluding with a rushed ending. Rooney Mara, Robert Redford & Jesse Plemons play their part well but Jason Segel is severely miscast, and his chemistry with Mara is absolutely flat.
On an overall scale, The Discovery is one of those sci-fi flicks that teases with a fascinating idea but is unable to fill a compact & captivating narrative structure around it. Deficient in storytelling department and further marred by its cluelessness & lack of vision, it is a dull & sterile mess that had the opportunity to offer a sensory & stimulating experience but what it ultimately delivers is a cinematic ride that's as frustrating as it is hollow.
A sci-fi romantic drama about a world where an afterlife has been scientifically proven, and how that knowledge drastically affects society. It was directed by Charlie McDowell, and it was written by McDowell and Justin Lade (the duo also teamed on 2014's 'THE ONE I LOVE'). The film stars Jason Segel, Rooney Mara, Robert Redford, Jesse Plemons, Riley Keough and Ron Canada. It's received mixed reviews from critics, and it was released by Netflix through their streaming site. I found the movie itself to be a little disappointing, due to the extremely promising premise and setup.
The story takes place two years after 'the discovery of an afterlife', by Thomas Harbor (Redford). The scientific proof of an afterlife has caused an extremely dramatic increase in suicides. Thomas's son, Will (Segel), blames his father for the high suicide rate. He travels to see him, at an isolated mansion, where Thomas is doing more research on his findings. Will meets a suicidal woman on his trip, named Isla (Mara), who he later prevents from killing herself. He then brings Isla to his father's mansion, and the two assist him in his research there. The whole time Will is extremely skeptical about the damage they're doing to society, with these new findings.
The movie is extremely dark and depressing, for almost it's entire running length. Like I said, the idea for the film is really intriguing, and fascinating, but it's definitely not fun watching it play out. The performances are decent, and the climax is somewhat interesting, and unpredictable, as well. I had hoped for a lot more from it though, when I started watching it.
I would have given this a higher rating just for tackling such a difficult topic but the direction, acting and even cinematography never really came together. There were plenty of big, proven names who lent their prestige to this project and yet surprisingly none of the people involved seemed willing to commit. It was like they all knew the outcome would stink but no one wanted to sully their reputations by doing a bad job.
It is worth a watch if you are fans of some of the actors as I am. The arc of the plot is not unsatisfying even though it is in many instances frustrating. A film perhaps to while away the time and put yourself in a more contemplative mood.
This movie has an interesting take on consciousness and death that is worth the time to watch. Perhaps people are not liking the existential weirdness and the questions it brings up but I enjoyed myself on this one.
I think we all need to ponder consciousness and reality a little more.
Le saviez-vous
- AnecdotesCharlie McDowell directed his then girlfriend Rooney Mara and his mother Mary Steenburgen in this film.
- GaffesWhen Will saves Isla, she tells him: "You were supposed to be the last person I ever spoke to.". But after they talked while she was hitchhiking, she got a ride, so the last person Isla talked to should be the driver, at least to tell him where she was going to (even is she might be meaning that Will was "the last person she had a significant conversation with").
- Citations
[first lines]
Interviewer: Dr. Harber, before we're live, I just wanted to say thank you for choosing me.
Thomas: [warming up his voice] Peter Piper picked a peck of pickled peppers.
Interviewer: The rich history you have with other journalists...
Thomas: I chose you precisely because we don't have a history. Now, don't fuck it up.
Producer: Fifteen seconds...
- Bandes originalesA Fancy Place to Cry
Written by Billy Hayes
Performed by Patsy Maples
Courtesy of Fervor Records
Meilleurs choix
- How long is The Discovery?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Khám Phá Thế Giới Bên Kia
- Lieux de tournage
- Aquidneck Island, Rhode Island, États-Unis(Newport, Rhode Island)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 42 minutes
- Couleur
- Rapport de forme
- 2.35 : 1