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The Discovery

  • 2017
  • 16
  • 1h 42min
NOTE IMDb
6,2/10
39 k
MA NOTE
Jason Segel in The Discovery (2017)
A love story set in a world where the afterlife has been scientifically proven, and as a result millions of people start taking their own lives to "get there."
Lire trailer1:44
2 Videos
43 photos
Dystopian Sci-FiPsychological DramaDramaRomanceSci-FiThriller

Deux ans après que la vie après la mort ait été scientifiquement prouvée, un homme tente d'aider une jeune femme à rompre avec son sombre passé.Deux ans après que la vie après la mort ait été scientifiquement prouvée, un homme tente d'aider une jeune femme à rompre avec son sombre passé.Deux ans après que la vie après la mort ait été scientifiquement prouvée, un homme tente d'aider une jeune femme à rompre avec son sombre passé.

  • Réalisation
    • Charlie McDowell
  • Scénario
    • Charlie McDowell
    • Justin Lader
  • Casting principal
    • Robert Redford
    • Mary Steenburgen
    • Brian McCarthy
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    39 k
    MA NOTE
    • Réalisation
      • Charlie McDowell
    • Scénario
      • Charlie McDowell
      • Justin Lader
    • Casting principal
      • Robert Redford
      • Mary Steenburgen
      • Brian McCarthy
    • 159avis d'utilisateurs
    • 74avis des critiques
    • 54Métascore
  • Voir les informations de production sur IMDbPro
  • Vidéos2

    Trailer #2
    Trailer 1:44
    Trailer #2
    Official Trailer
    Trailer 1:39
    Official Trailer
    Official Trailer
    Trailer 1:39
    Official Trailer

    Photos43

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 39
    Voir l'affiche

    Rôles principaux33

    Modifier
    Robert Redford
    Robert Redford
    • Thomas
    Mary Steenburgen
    Mary Steenburgen
    • Interviewer
    Brian McCarthy
    Brian McCarthy
    • Sound Recordist
    Jason Segel
    Jason Segel
    • Will
    Rooney Mara
    Rooney Mara
    • Isla
    Jesse Plemons
    Jesse Plemons
    • Toby
    Ron Canada
    Ron Canada
    • Cooper
    Riley Keough
    Riley Keough
    • Lacey
    Connor Ratliff
    Connor Ratliff
    • Coroner
    M.J. Karmi
    M.J. Karmi
    • Janice
    • (as MJ Karmi)
    Kimleigh Smith
    Kimleigh Smith
    • Hospital Receptionist
    Willie C. Carpenter
    Willie C. Carpenter
    • Hospital Janitor
    • (as Willie Carpenter)
    Wendy Makkena
    Wendy Makkena
    • Mom
    Adam Khaykin
    Adam Khaykin
    • Oliver
    • (as Adam Morrison Khaykin)
    Lindsay Schnebly
    • Newscaster
    Colin Allen
    • Green Jumpsuit Person
    • (non crédité)
    Paul Bellefeuille
    Paul Bellefeuille
    • Pat Phillips
    • (non crédité)
    Jim Boyd
    Jim Boyd
    • Man in Red 1
    • (non crédité)
    • Réalisation
      • Charlie McDowell
    • Scénario
      • Charlie McDowell
      • Justin Lader
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs159

    6,238.7K
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    10

    Avis à la une

    6kuarinofu

    If you love low budget sci-fi with interesting ideas - this is a miss for you

    They bait you into thinking that this will provide for some interesting ideas for you to reflect on, but nope.

    The main problem is that the story doesn't hold. I mean, the message of the movie is good and inspiring, but the story is just a mess that is full of holes.

    They just took one good old movie and re-told it slightly adjusting the focus. I won't spoil it for you so check this out if you're interested anyways.

    But be warned, this movie is slow and packs quite a run time. What's more interesting is that they actually stretch it out intentionally, it has a lot of unnecessary scenes they should've cut and it wouldn't hurt the movie. Probably they had a run time to meet or something.

    The dialogue is often forced, some scenes are written so badly they are barely believable. Also, the lead seriously underperforms, his acting is unconvincing and he is unable to deliver emotional moments (you'll see).

    If you're a hardcore sci-fi fan, the ending will disappoint you (mostly because of how random it is). But you will know long before that the movie is going nowhere.
    CinemaClown

    Teases With An Interesting Idea But Fails To Fill A Convincing Plot Around It

    The idea behind the premise of The Discovery is an interesting one but its implementation isn't as refined as expected and only works in bits n pieces. It's a thoughtful feature that experiments with existential elements and poses some intriguing questions but it neither presents it in a convincing manner nor remains thoroughly gripping.

    Set in the near-future, the story of The Discovery takes place in a world where suicide rate is at an all-time high after a scientist's breakthrough research proved the existence of an afterlife. The plot follows his son who is skeptical of his father's discovery and a mysterious young woman he meets on a ferry who wants to find out more about the afterlife.

    Co-written & directed by Charlie McDowell, the film opens with a prologue that skilfully sets up the future the rest of the plot unfolds in. For a while, it appears as if the director is taking more time to properly establish the characters & explore the metaphysical elements but the longer it continues to ponder over the same stuff, the more tedious it becomes.

    The script is where the problem lies, for the brilliant hypothesis that the writers came up with isn't meticulously explored as if they couldn't figure out what to do with it, plus none of the characters inhabiting its future-setting are compelling enough. The plot wrapped around its theory begins on a promising note but by the time it ends, it finds itself in a familiar territory.

    The cold colour palette, overcast ambiance & muted textures evoke a grim, hopeless future which fits the story requirements. Pacing is an issue as the movie plods through its 102 minutes runtime before concluding with a rushed ending. Rooney Mara, Robert Redford & Jesse Plemons play their part well but Jason Segel is severely miscast, and his chemistry with Mara is absolutely flat.

    On an overall scale, The Discovery is one of those sci-fi flicks that teases with a fascinating idea but is unable to fill a compact & captivating narrative structure around it. Deficient in storytelling department and further marred by its cluelessness & lack of vision, it is a dull & sterile mess that had the opportunity to offer a sensory & stimulating experience but what it ultimately delivers is a cinematic ride that's as frustrating as it is hollow.
    7Hellmant

    Disappointing, due to the extremely promising premise and setup.

    'THE DISCOVERY': Three and a Half Stars (Out of Five)

    A sci-fi romantic drama about a world where an afterlife has been scientifically proven, and how that knowledge drastically affects society. It was directed by Charlie McDowell, and it was written by McDowell and Justin Lade (the duo also teamed on 2014's 'THE ONE I LOVE'). The film stars Jason Segel, Rooney Mara, Robert Redford, Jesse Plemons, Riley Keough and Ron Canada. It's received mixed reviews from critics, and it was released by Netflix through their streaming site. I found the movie itself to be a little disappointing, due to the extremely promising premise and setup.

    The story takes place two years after 'the discovery of an afterlife', by Thomas Harbor (Redford). The scientific proof of an afterlife has caused an extremely dramatic increase in suicides. Thomas's son, Will (Segel), blames his father for the high suicide rate. He travels to see him, at an isolated mansion, where Thomas is doing more research on his findings. Will meets a suicidal woman on his trip, named Isla (Mara), who he later prevents from killing herself. He then brings Isla to his father's mansion, and the two assist him in his research there. The whole time Will is extremely skeptical about the damage they're doing to society, with these new findings.

    The movie is extremely dark and depressing, for almost it's entire running length. Like I said, the idea for the film is really intriguing, and fascinating, but it's definitely not fun watching it play out. The performances are decent, and the climax is somewhat interesting, and unpredictable, as well. I had hoped for a lot more from it though, when I started watching it.
    5mingsphinx

    Too ambitious, fails in form and substance

    Just reading the synopsis raised my expectations, which is perhaps why the movie fell flat for me. Instead of an exploration of an intriguing idea, the film really became a declaration of faith in what is essentially a notion that cannot be proven and thus cannot really be known. When assertions are made about the mysteries of consciousness, you either believe them or you do not.

    I would have given this a higher rating just for tackling such a difficult topic but the direction, acting and even cinematography never really came together. There were plenty of big, proven names who lent their prestige to this project and yet surprisingly none of the people involved seemed willing to commit. It was like they all knew the outcome would stink but no one wanted to sully their reputations by doing a bad job.

    It is worth a watch if you are fans of some of the actors as I am. The arc of the plot is not unsatisfying even though it is in many instances frustrating. A film perhaps to while away the time and put yourself in a more contemplative mood.
    9mikethebeckett

    Underrated Existential Weirdness

    Don't know why this is getting some bad reviews. This was actually pretty darn good.

    This movie has an interesting take on consciousness and death that is worth the time to watch. Perhaps people are not liking the existential weirdness and the questions it brings up but I enjoyed myself on this one.

    I think we all need to ponder consciousness and reality a little more.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Charlie McDowell directed his then girlfriend Rooney Mara and his mother Mary Steenburgen in this film.
    • Gaffes
      When Will saves Isla, she tells him: "You were supposed to be the last person I ever spoke to.". But after they talked while she was hitchhiking, she got a ride, so the last person Isla talked to should be the driver, at least to tell him where she was going to (even is she might be meaning that Will was "the last person she had a significant conversation with").
    • Citations

      [first lines]

      Interviewer: Dr. Harber, before we're live, I just wanted to say thank you for choosing me.

      Thomas: [warming up his voice] Peter Piper picked a peck of pickled peppers.

      Interviewer: The rich history you have with other journalists...

      Thomas: I chose you precisely because we don't have a history. Now, don't fuck it up.

      Producer: Fifteen seconds...

    • Connexions
      Featured in The Tonight Show Starring Jimmy Fallon: Jason Segel/Lilly Singh/Brian Regan (2017)
    • Bandes originales
      A Fancy Place to Cry
      Written by Billy Hayes

      Performed by Patsy Maples

      Courtesy of Fervor Records

    Meilleurs choix

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    FAQ15

    • How long is The Discovery?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 31 mars 2017 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official Facebook
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Khám Phá Thế Giới Bên Kia
    • Lieux de tournage
      • Aquidneck Island, Rhode Island, États-Unis(Newport, Rhode Island)
    • Sociétés de production
      • Endgame Entertainment
      • Netflix
      • Protagonist Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 42 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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