La jeunesse de la reine Victoria, depuis son ascension au trône à l'âge de 18 ans jusqu'à sa cour et son mariage avec le prince Albert.La jeunesse de la reine Victoria, depuis son ascension au trône à l'âge de 18 ans jusqu'à sa cour et son mariage avec le prince Albert.La jeunesse de la reine Victoria, depuis son ascension au trône à l'âge de 18 ans jusqu'à sa cour et son mariage avec le prince Albert.
- Nommé pour 2 Primetime Emmys
- 11 victoires et 19 nominations au total
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Jenna Coleman's acting is worth an award. Camera work by John Lee is extraordinary (the right eye for detail), music is extremely well suited, the costumes are exquisite. It's a feast for the eye and while looking at it you just tend to forget the quibbles about it's historical mistakes.
**This is primarily intended as a rebuttal to some very unforgiving reviews.
I started watching this show when I first came out and as many other reviewers have already stated, I was absolutely captivated by Jenna Coleman's and Rufus Sewell's portrayals of Queen Victoria and Lord M, respectively. I maintain that Rufus was a brilliant Lord M, and frankly I think the reason the writers were able to successfully execute Lord M and Victoria's fabricated infatuation for one another is rooted in the casting. It wouldn't have worked if M was cast accurately, a bumbling old man 40 years her senior.
I'm actually very surprised to read so many criticisms of Tom Hughes's Albert. On the contrary, I thought he did an excellent job. I've always been quite interested in the monarchy and have read extensively on some kings and queens that have captured my imagination in particular - Victoria being one of them - and their personal relationships. It's well-known that V and A were besotted with one another; I believe Victoria wrote "Albert is beautiful" in her diary after their second meeting in 1839. It's also true that she did not want to get married and felt that she was being manipulated into a union with someone who was more convenient for the family than for love. Albert was shy, intellectually-inclined, and very handsome. I don't understand what element of that Tom Hughes neglected. His chemistry with Jenna was suspiciously compelling until I learned that they're together in real life. I think he was altogether very convincing - perhaps with a modern flair, but that seems to be the feel of the entire show.
Which brings me to my next point. For someone like me, who really enjoys costume dramas and romance, this is a wonderful show. The sets are magnificent (CGI leaves something to be desired, but it's not too offensive), the costumes are to die for, and the writing is good. No, it's not absolutely stellar. But it's certainly entertaining. The cast handles very artfully the script they've been given. If you are very knowledgeable about history and find it absolutely impossible to enjoy a show that has taken more than a few creative liberties, this is not the show for you. It's not anything near a documentary, and drama is paramount. I agree that truth is often stranger than fiction, and there are many stories that writer Daisy Goodwin could have spun into a far more accurate and believable series. That being said, I don't hold it against her. While there are some plot lines that seem to have been pulled out of nowhere, the majority of creative liberty comes in the form of exaggeration in this show. Inclinations and motivations are stretched to the nth degree to really show the watcher that this character is either a good guy or a bad guy.
I think the show is worth watching. If you're new to it, certainly watch up to episode 3 in season 1 - that's when Albert's character is really first introduced and the show begins to take a turn. Season 3 started last night here in the US and I found the premiere engaging. I'm excited to see what happens next, as long as Albert's death is conveniently delayed for as long as possible.
I started watching this show when I first came out and as many other reviewers have already stated, I was absolutely captivated by Jenna Coleman's and Rufus Sewell's portrayals of Queen Victoria and Lord M, respectively. I maintain that Rufus was a brilliant Lord M, and frankly I think the reason the writers were able to successfully execute Lord M and Victoria's fabricated infatuation for one another is rooted in the casting. It wouldn't have worked if M was cast accurately, a bumbling old man 40 years her senior.
I'm actually very surprised to read so many criticisms of Tom Hughes's Albert. On the contrary, I thought he did an excellent job. I've always been quite interested in the monarchy and have read extensively on some kings and queens that have captured my imagination in particular - Victoria being one of them - and their personal relationships. It's well-known that V and A were besotted with one another; I believe Victoria wrote "Albert is beautiful" in her diary after their second meeting in 1839. It's also true that she did not want to get married and felt that she was being manipulated into a union with someone who was more convenient for the family than for love. Albert was shy, intellectually-inclined, and very handsome. I don't understand what element of that Tom Hughes neglected. His chemistry with Jenna was suspiciously compelling until I learned that they're together in real life. I think he was altogether very convincing - perhaps with a modern flair, but that seems to be the feel of the entire show.
Which brings me to my next point. For someone like me, who really enjoys costume dramas and romance, this is a wonderful show. The sets are magnificent (CGI leaves something to be desired, but it's not too offensive), the costumes are to die for, and the writing is good. No, it's not absolutely stellar. But it's certainly entertaining. The cast handles very artfully the script they've been given. If you are very knowledgeable about history and find it absolutely impossible to enjoy a show that has taken more than a few creative liberties, this is not the show for you. It's not anything near a documentary, and drama is paramount. I agree that truth is often stranger than fiction, and there are many stories that writer Daisy Goodwin could have spun into a far more accurate and believable series. That being said, I don't hold it against her. While there are some plot lines that seem to have been pulled out of nowhere, the majority of creative liberty comes in the form of exaggeration in this show. Inclinations and motivations are stretched to the nth degree to really show the watcher that this character is either a good guy or a bad guy.
I think the show is worth watching. If you're new to it, certainly watch up to episode 3 in season 1 - that's when Albert's character is really first introduced and the show begins to take a turn. Season 3 started last night here in the US and I found the premiere engaging. I'm excited to see what happens next, as long as Albert's death is conveniently delayed for as long as possible.
I have eagerly anticipated this mini series ever since Jenna left Doctor Who and announced she was to play the famous Monarch. Period dramas have been hit and miss of late, we've had Jericho, War and Peace, Doctor Thorne etc, I'll leave you consider which were hits.
I knew from watching her Doctor Who journey that she'd be an actress capable of leading a drama and doing justice to a huge historical figure, I love her portrayal of Victoria, she has some presence and a definite strength of character. Rufus Sewell I thought was exceptional as Lord Melbourne too, the complex relationship the pair had in real life was explained very well.
The settings, costumes, and general production values were first rate, the show felt incredibly plush and lavish, I shudder to think of the budget for this series.
Totally engaging, this was first rate viewing 9/10.
I knew from watching her Doctor Who journey that she'd be an actress capable of leading a drama and doing justice to a huge historical figure, I love her portrayal of Victoria, she has some presence and a definite strength of character. Rufus Sewell I thought was exceptional as Lord Melbourne too, the complex relationship the pair had in real life was explained very well.
The settings, costumes, and general production values were first rate, the show felt incredibly plush and lavish, I shudder to think of the budget for this series.
Totally engaging, this was first rate viewing 9/10.
I was so looking forward to watching Victoria and I have not been disappointed. Having a keen interest in English history, especially of the Royal Family, I am obsessed with this series. I has been anxiously awaiting each new episode. Costuming is perfection, and the actors are are superb. I could not think of anyone better to play Queen Victoria. If you love period drama and English history, you will be enthralled by Victoria. I wish there was more shows like this on television. A definite must for fans of this genre. The betrayal of Lord M and Victoria's relationship may be elaborated a bit, but the basis of this show is worth the watch.
I usually don't mind when movies or shows are not historically accurate. Typically changed for dramatic effect and better pacing. However, they made Queen Victoria seem more caring about the ignored classes. She did not intervene on behalf of the Newport Chartists. She did not show compassion for the Irish during the Great Hunger and was known as the Famine Queen. Changing history to make people feel better about history is dangerous. It reduces the struggle and discrimination of people considered as other. Outside of the misrepresentation of Queen Victoria, the acting, set, costumes, screenwriting, and cinematography are commendable.
Le saviez-vous
- AnecdotesJenna Coleman was allowed to read Queen Victoria's diaries as research. Parts of the diaries were removed upon the Queen's instruction shortly after her death.
- GaffesThroughout the series, Victoria's dresses have zippers, some of which are even used on screen. Zippers were invented in 1851, and weren't introduced to the public until the Chicago World Fair in 1893, where they were met with little commercial success. The first use of a zipper in clothing occurred in 1925, 24 years after Queen Victoria died.
- Versions alternativesSeries 1: PBS Masterpiece broadcasts add on average 5 minutes of additional footage per episode not shown in the ITV broadcasts. The exception to this are the first two episodes of Series 1 which for PBS airing were edited together to form a single feature-length episode for a two-hour timeslot; the edited version removes several minutes of footage from these episodes (including the original closing moments of episode 1). The North American DVD/Blu-ray release of Series 1 is the ITV version and thus does not include the extra footage seen on PBS. Also, the ITV broadcasts/DVD release indicate episode numbers in the opening credits alongside episode titles; this is not shown on PBS.
- ConnexionsFeatured in Too Much TV: Épisode #1.21 (2016)
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